This is an initially touching film about a man who feels his life is over. His wife has died and he wishes to join her. Whenever he tries to meet his end, he gets interrupted either by his desire to make sure things in his neighborhood are being done properly and rules are followed, or by someone needing him to help them. Despite himself, he turns out to be a man that people are glad is around and they insist on making a friend of him. He helps families with small children, ostracized teenagers, and even elderly Volvo drivers. Ove's journey is always compelling. This Swedish hit has a remarkably good story to tell about finding tolerance in surprising places and it also portrays a good balance of sentimentality against a harsh reality.
Emily (Evanna Lynch), a strange, unique girl does not receive the long awaited letter from her father on her birthday. Sick of worrying, she decides to break away from home to visit him in the psychiatric institution where he stays. The plan requires the help of Arden (George Webster), a boy from school who is ready to drop everything and accompany her on a journey that quickly becomes as adventurous as it is heartfelt. In this film, director Simon Fitzmaurice take will take you on a trip through the beautiful Irish landscape to find nothing else but simple and true love.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends. The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.
Craving mystery? This is the film for you. A writer (Ewan McGregor) is given the lucrative task of bringing to life the memoirs of Adam Lang, the former British Prime Minister. Lang, now retired in an island in America, was once one of the world's most influential politicians. When a scandal erupts about him, which reveals details about his approach to the relationship between America and Britain, the ghost writer finds himself in the possession of highly sensitive material and dealing with many interested parties.
A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising. It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.
A unique movie about a near-future society obsessed with couples; viewing couples as the norm, as opposed to single people who are viewed as unproductive and undesirable. In that way, the film shows David (Colin Farrell), a newly single person who is transferred to the Hotel, a place where single people have just 45 days to find a suitable mate, and if they fail, they would be transformed into animals of their choice. While the film’s original premise may not be everyone’s cup of tea, The Lobster will prove a goldmine for people who are into a Kafkaesque, absurdist mentality, or anyone looking for an idea-driven experience.
Maniac is really original. Original as in aesthetically weird, in a good way. Jonah Hill and Emma Stone star in this tale set in an alternative world that is a blend of 1990s technology and fictional words and concepts. Their characters, suffering respectively from schizophrenia and heartbreak, participate in a drug test that was supposed to cure their problems. Things don’t go as planned. This show is like if Eternal Sunshine of the Spotless Mind had a child with Inception, and then that child grew up to marry Get Out. The child of that marriage is Maniac. A refreshing, original and beautifully creative miniseries well worth your time.
This is the most practical romantic movie I have seen though many would disagree with its ending. It's a triangular love story that trades cashable means of storytelling with a much more sensible approach. After a failed relationship, Leonard Kraditor (Joaquin Phoenix) returns to live with his parents only to find himself torn again between an exciting neighbor and a woman his parents set him up with. Phoenix delivers an impeccable performance as it goes without saying but Gwyneth Paltrow and Vinessa Shaw really steal the show as the two love interests. They both deliver honest and very interesting portrayals. All in all, Two Lovers is a complex and very well-acted film that goes as far as examining the notion of love, and what we look for in people, through seemingly a simple story.
Do you know those movies where you just look at the poster and you go "damn this will be good"? This is absolutely not one of those, but I promise, it's still great. Warrior is surprisingly sophisticated for its genre, awesomely executed and what about the acting you say? Hardy and Edgerton are strong together (pun intended). Warrior is a movie filled with authentic emotions designed to give you hope that something unconventional can still come out of the genre.
The true story of Oscar Grant III, a 22-year-old black man on the last day of 2008, where his will to change is challenged by his past and the police. You’ve probably read and heard a lot about young black men's’ encounters with the police, and for this reason, you might feel like skipping this film. Don’t. Produced by Academy Award winner Forest Whitaker, it is compassionate and powerfully told, that it surpasses the sadness of its subject matter to be a celebration of life. It is an extraordinary film and important watch.
Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.