This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.
Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.
Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race.
There are two ways to sum up this documentary. One will make you decide against watching it. Here’s that pitch: This is the story of a homeless woman who was found dead.Here’s the better pitch: That woman was highly educated and generally lived a happy life. But she also left behind a detailed journal that recounts her final days in one of the coldest winters on record. She lived on apples and rainwater and fought off insanity.Her heartbreaking story is one of disappointment and betrayal by society at a time when she was most vulnerable. A haunting and compelling documentary that is sure to stay with you for a long time and, in a way, might help you take on adversity.
There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.
Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films.That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz).In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners.Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.
This is a slightly weird and not so slightly quirky movie to be avoided by anyone with a low tolerance to the weird or quirky. Greta Gerwig (Lady Bird, Frances Ha) and Noah Baumbach (The Squid and the Whale, also Frances Ha) write the story, while Gerwig plays a lead role. Two girls, one a New Yorker and the other having just arrived in New York for a writing program, get in touch because their parents will marry. The writer is fascinated by the personality of the New Yorker and follows her everywhere to understand her more, and eventually write about her. Mistress America is their journey through friendship and through New York. Stick around the first 40 minutes or so, because the second half of this 82-minute movie is hilarious.
We all love Jeff Bridges. We all agree that we shouldn't leave a movie he won an Oscar for unwatched. That's enough reason to watch this movie, but there are so many others. The story is fantastic and based on true events: a country musician living rough and having a shot at happiness after he falls for a journalist who interviews him. The score is composed by T Bone Burnett. The journalist is played by Maggie Gyllenhaal and another musician is played by Colin Farrell.So many reasons to watch.
This true story of a white-supremacist and the civil rights unit that tried to stop his group was so gripping. You might recognize the title from the Oscars ceremony, as a shorter version of Skin (same director but different actors) won the Academy Award for Best Short Film. The longer movie provides much more time for the characters to develop, and room for more of a commentary on the current political situation in the U.S.Fun fact: see that scary man in the picture? That’s Billy Elliot star Jamie Bell who went through a transformation for the role, including always wearing a device to pull his ears closer to his head because they were “too cute”.