4 Best Movies & Shows Released in 1990 On Criterionchannel

Staff & contributors

Find the best movies and show to watch from the year 1990. These handpicked recommendations are highly-rated by viewers and critics.

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Forlorn longing envelops Days of Being Wild, where the act of dreaming is as valuable as its actual fulfillment. “You’ll see me tonight in your dreams,” Yuddy tells Su Li-zhen on their first meeting, and indeed, this line of dialogue sets the film’s main contradiction: would you rather trap yourself in the trance-like beauty of dreams or face the unpleasant possibilities of reality? Wong Kar-wai’s characters each have their own answers, with varying subplots intersecting through the consequences of their decisions. In the end, happiness comes in unexpected ways, granted only to those brave enough to wake up and dream again.

Equal parts touching and comical, this portrait of a working-class family in a suburb just north of London features twin daughters who couldn’t be more different—the brainy and good-natured Natalie, and her sneering, layabout sister Nicola. Written and directed by Mike Leigh (Another Year, Happy-Go-Lucky) expect the slow, dreamy representation of British society from one of the country's best and most renowned directors.

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York.