Beginning with a great opening shot of townhouse on a side street in Paris, only ti discovers that the shot is actually from a video sent to Anne and Georges Laurent (Juliette Binoche and Daniel Auteuil). The married couple who live in that house have no idea who sent the video. More videos appear and events unfold. I can't say much more about this film without ruining it, it's definitely one of those films better enjoyed if you go into it not knowing a lot. Directed by Michael Haneke who won the Cannes Best Director Award for it.
Find the best movies and show to watch from the year 2005. These handpicked recommendations are highly-rated by viewers and critics.
Tsotsi, a delinquent from Johannesburg, South Africa, realizes after shooting a woman and stealing her car, that her baby is on the back seat. A movie with very few words but which manages to be extremely touching. As you witness the transformation of Tsotsi, through his increasing affection for the baby, you will be astonished by the amazing actor, who manages to communicate so many feelings through his sight. This film won the 2006 Academy Award for Best Foreign Language Film.
Mushishi is one of those shows that you watch one episode at a time to relax after a long day of work. It’s a slow, atmospheric animation about a world where peculiar plant-like creatures called Mushi live alongside humans who are usually unaware of them. Think of Mushi as the most basic form of life. While being purposeless, they can unintentionally have a wide variety of effects on humans, sometimes helping them but always at an unforeseen cost. Ginko is a traveler who studies Mushi and on his way helps villagers with their problems.Each episode is an independent short story about a chapter of Ginko’s travels. The stories feel weirdly the same as folklore you grew up with. They are comfy, they hold a few moral lessons at the end of each one, and they’re sometimes scary and thought-provoking. Despite being “anime”, this show might as well be a genre on its own. It holds none of the stereotypes surrounding anime, and it’s really just a collection of solid short stories coupled with great animation and an amazing soundtrack. If you’re tired and need a show to watch late at night with a loved one or by yourself, pick an episode at random and see for yourself how great of a show this is.
Written, directed and starring the auteur Stephan Chow, Kung Fu Hustle is a distillation of decades of Hong-Kong Cinema's greatest export : the martial arts comedy. Full of numerous allusions and witty nods to other greats in the genre, this film is nonetheless entirely fresh and new. Equal parts hilarious and breathtakingly action-packed, Kung Fu Hustle showcases an enormous amount of raw talent, cinema magic and ass-kicking for any true cinema connoisseur.
Madeleine (Embeth Davidtz) runs a high-brow art gallery in Chicago and has to take a trip to North Carolina to meet with an artist she wants to sign. She uses this opportunity to also meet her husband’s family, who is originally from there.
She is introduced into the small world of rural North Carolina, personified in Ashley (Amy Adams), the wife of her husband’s brother. Ashley is a wide-eyed but good-hearted person who has never left her town and who is in a bad relationship but pregnant with her first child.
Ashley is the true main character of this movie (even if all Adams accolades were for ‘best supporting’ awards). Her joyfulness, her pregnancy, and her interactions with Madeliene are studied closely in this subtle but touching family drama.
Bree (Felicity Huffman) is an uptight transwoman who gets a phone call from her long lost son who is in trouble. She does not tell him she is his father but bails him out of jail and they end up on a long road trip to LA. Bree's high strung conservative personality intersecting with a wild young man and people they meet along the way leads to some comical situations. Felicity Huffman's performance is excellent. It is enjoyable to watch the characters develop over the film.
It shouldn’t be a surprise to anyone that the mix of ideas and aesthetics that gave us Her has roots in Japan. Borrowing from the country’s poeticism, attention to detail and just appreciation for beauty; Tony Takitani is Her’s quiet and delicate elder brother-film, and one of the best this genre has to give. After spending a solitary childhood, a Japanese kid with the American name Tony grows up to be a successful technical illustrator. Without the time for the outside world or any luck with it, Tony indulges in his work and by extension his loneliness until he suddenly falls a distinctive young woman. Tony Takitani is a slow film, which quickly becomes a memorable experience due to its profound study of loneliness.
You know Anthony Hopkins as the evil Hannibal Lecter, but in this film he gives a warm and heartfelt performance portraying real life New Zealand motorcycle legend Burt Munro who set a land speed record in 1967 on a hand-built 1920 Indian. It's a story of never giving up on your dream even in the face of ridicule and opposition. Hopkins' performance turns what could have been just another schmaltzy formulaic story line into true gold. You'll be cheering for Burt/Anthony by the end!
Directed by Sam Mendes Jarhead is based on the best-selling 2003 memoir of the same title. In the film, Swofford is a 20-year-old soldier in the US Marine Corps during the 1991 Gulf War who is trained to be a sniper. But as the days go by, he doesn’t fire a single shot, given there is no one left to wage a battle after the US air attacks on the Iraqi army. Unlike most war movies, Jarhead stands out for its singular focus on the personal experience of a lost young soldier.
Arguably Werner Herzog's most renowned film, Grizzly Man is a thought-provoking documentary about Tim Treadwell, a man who, as the title suggests, lived among bears. While he remained only known for how his story ended, by one of the bears turning on him, Grizzly Man is the exploration of the man's complex mind, unlimited energy and love for nature. It could be because of the subject matter or because of Herzog's mesmerizing monotone narration, and maybe it is because of both - but Grizzly Man becomes a supremely beautiful look at psychology and how it collides nature. Also like most of Herzog's other work it's a hunt for the peculiar, so expect many funny, absurd, and charming moments.