Find the best movies and show to watch from the year 2016. These handpicked recommendations are highly-rated by viewers and critics.
Led by visionary salesman Joe MacMillan (Lee Pace), skilled engineer Gordon Clark (Scoot McNairy), and punk prodigy Cameron Howe (Mackenzie Davis), Halt and Catch Fire trails the risky dawn of the tech revolution—beginning with the invention of the personal computer in the 80s and winding through the dark corners of the primitive internet in the 90s.
Its exciting premise is anchored by top-notch performances, but despite having all the makings of a prestige show, it never took off in the same way Mad Men, Silicon Valley, or even Succession did.
Hailed as "the best show that nobody watched,” critical darling Halt and Catch Fire struggled to secure wide viewership throughout its four-season run. But what it lacked in ratings it certainly made up for in storytelling. The series continued to one-up itself each season as it centered on its characters and their believably bumpy journeys to self-discovery, all while consistently scoring where it mattered most: quality and ingenuity.
Like all great documentaries, Angry Inuk is about way more than its tagline. At first glance, it's about how anti-sealing activism has been harming Inuit communities since the 1980s, to the point of instituting the highest rates of hunger and suicide anywhere in the "developed" world. But beyond, it's about the complicity of the government of Canada. A crushed seal-based economy means that the Inuit have to agree to oil and uranium mining in the Arctic.
Angry Inuk is also about the corrupt behavior of animal rights organizations like Greenpeace: seals are actually not on the endangered animal list but NGOs focus on them because they make them money.
It's an infuriating but incredibly important documentary. One that is not about how Canada has a bad history, but about how Canada is harming the Inuit right now.
This autobiographical documentary covering the span of Brian DePalma’s 50+ year filmmaking career is taken from the man himself. From budget-less independent films to multi-million dollar box-office projects, he offers a fascinating professional history. But don’t expect critical analysis of his frequently controversial choices (such as the infamous oversized drill used as a murder weapon in Body Double)—he will acknowledge the existence of these issues, if only to grin and shrug them off, at times literally. What you can expect is to feel you are taken by the hand through Hollywood filmmaking experiences over the course of decades: negotiations, rewrites, stolen scripts, scuffling actors; tours of technical points of interest from his movies with commentary on deftly chosen film clips. You don’t have to be a fan to get a wealth of entertainment here. Not to be missed.
Watching A Silent Voice, sensitive viewers will likely feel repulsion toward the main character, Shoya Ishida — and maybe you should, for the awful things he did as a kid. You might even feel the urge to jump into your screen and protect Shouko Nishimiya, the deaf girl who is new at school. A beautifully crafted anime, the story captures a high-school bully’s remorse and despair as he tries to redeem himself from past wrongdoing, demonstrating that even the cruelest among us can become vulnerable to feelings of shame and regret. While it is heart wrenching, the story is also full of hope, showing how to ask for forgiveness, as well as how to give it. Beyond the great script, animation, colours, and scoring, each shot of A Silent Voice is a masterpiece in and of itself.
A hilarious BBC/Viceland comedy about an underground hip-hop station and the unique characters that run it. Kurupt FM is lead by MC Grindah, a disillusioned but dedicated DJ. He is introduced in the first episode by his wife as someone who has been arrested before, but only for “silly little things” like “drug dealing and hate crimes”. His friend and manager is Chabuddy G, a “business” man who lives in the cybercafé he runs with his Eastern European wife he can’t communicate with, all while trying to start a company to import “peanut dust” (the last bits of peanut that remain at the end of a peanut pack). People Just Do Nothing is legitimately funny with quick episodes and even quicker seasons. The first one only has four episodes, so it’s a guilt-free yet amazing binge.
In Please Like Me, twenty-year-old Josh (Josh Thomas) navigates love and adulthood alongside his friends and immediate family. He's far from perfect, and his loved ones are far from always right, but the ups and downs they go through—as small-stakes as they may seem—are always familiar and relatable.
Please Like Me touches on modern issues and treats them both wryly and realistically so that the series never verges on either extreme. It's charming and sensitive and bold, and the whiny arrogance that often curses millennial shows is balanced here thanks to smart self-deprecating jokes and tender characterizations. Despite its pleading title, Please Like Me is very easy to watch and, as such, very easy to love.
Hirokazu Koreeda can do no wrong. The director of Shoplifters and Still Walking is a master of dissecting complex family dynamics through a handful of events. In Our Little Sister, three close sisters who live at their grandmother's house learn that their absent father has passed. They travel to the mountains to attend his funeral and meet their half-sister, Suzu, for the first time. Suzu is invited to live with the sisters and join their bond.
This movie is a true-to-the-form slice of life, it's almost drama-free. This absence of plot is an absence of distractions: the sisters are all that matters to Koreeda. His only focus is on how this family becomes bigger, sees past grief, and how the group of close-knit sisters that grew up together can make room for a new addition.
In Cameraperson, documentarian and cinematographer Kirsten Johnson creates an incredible patchwork of her life—and her life’s work. Johnson has been behind the camera of seminal documentaries like Citizenfour, The Invisible War, and The Edge of Joy. Here, Johnson stitches together fragments of footage, shot over 25 years, reframes them to reveal the silent but influential ways in which she has been an invisible participant in her work.
In one segment, Johnson places the camera down in the grass. A hand reaches into the frame briefly, pulling up weeds that would otherwise obscure the shot. Cameraperson is a must-see documentary that challenges us to reconsider and reflect upon how we see ourselves and others through the camera lens, and beyond it.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as a man attempting to overcome his looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside.
Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world. It’s somewhat formulaic but fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalog, and an undeniable winner, all-in-all.
Here's something for all the goth lovers out there. With a title alluding to the cheap sensational fiction that was circulated in mid-Victorian Britain, this show is all about monsters, demons, and some of literature's most iconic creatures haunting Victorian London, including Dorian Gray, Count Dracula, and Dr. Frankenstein. It utilizes all these characters to tell a captivating, macabre, and bloody story. Season 1 revolves around a series of gruesome deaths being investigated by the police, while Sir Malcolm Murray (played by one-time James Bond Timothy Dalton), a renowned explorer, and medium Vanessa Ives (played by the amazing Eva Green, who, incidentally, is an ex-Bond girl) know that there is much more at play here. Season 1 is entertaining, but Season 2 is even better, making the most of all the gothic, literary characters and, above all, the multitude of great actors playing them.