108 Best Movies & Shows Released in 2017 (Page 6)

Staff & contributors

Find the best movies and show to watch from the year 2017. These handpicked recommendations are highly-rated by viewers and critics.

A 40 minute, often jaw-dropping movie about an innocent man accused of killing a teenage girl and the attempt to clear him from the murder. The man in question is Juan Catalan, a young father of two who had had a fair share of interactions with the law. His brother had recently been convicted for another murder case, and the witness to his brother's trial was the girl that Juan Catalan would be accused of killing. The fight to prove that he is innocent goes through different phases, one of which amazingly includes Curb Your Enthusiasm and Larry David himself. It's a crazy story told in a very straightforward manner. Don't expect the impact of Making a Murder or anything like that - but if you're in it for the story, you will not be disappointed.

This coming-of-age drama is set in a remote fishing village in Iceland. It follows a group of boys during a summer who catch a break from the harsh Icelandic nature. They spend a lot of time outdoors bonding together and discovering themselves.

One of the boys develops feelings for his best friend, Kristian, while Kristian chases a girl.

Watching the boys wrestle with their growth in this wasteland playground is amazing, but the shots of fjords, beautiful coastline, and living so in touch with nature, all of that almost steals the show.

When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

This is a really weird movie starring Colin Farrell and Nicole Kidman. They play a wholesome and well-off couple where Farrell is a heart surgeon. The movie starts with him taking care of a teenager called Martin, who's not related to him or seems to have any real connection with him. It later turns out that Martin shares a special bond with the surgeon, a bond that will threaten his family in unexpected ways. The camera work and direction by Yorgos Lanthimos (The Lobster, The Favourite) offset the weirdness to offer an intriguing experience.

John Boyega, Algee Smith, and John Krasinski star in this difficult portrayal of the Detroit 1967 riots, the biggest civil unrest in American history before the 92 L.A. protests. A murderous cop, a band on the verge of breaking big, and a hard-working security guard find their fates intertwined by the events that took place that summer. Detroit blends real-life images with its storytelling. It would be a perfect movie if it wasn't for a scene in which the police brutalize young Black men for finding them in a hotel with two White girls. This scene, while a necessary part of the story, is overstretched and feels almost sadistic, more so because the film was made by a White director, Kathryn Bigelow.

Much like the 1976 horror classic Carrie, Thelma centers on a young telekinetic woman whose religious upbringing and sexual repression give way to unpredictable moments of fury and rage. When she meets the cool, charismatic Anja, she falls in love immediately, but the wave of emotions that overwhelm her threaten to destabilize not just their budding romance, but other relationships and lives as well. 

Thelma recalls Carrie in other ways too, most notably in the way it uses supernatural elements to allude to female fury and lust, but it also stands on its own as a singular piece of work; the mesmerizing transitions, the slow-burn pace, and the undercurrent of melancholia are all known trademarks of director Joachim Trier. This layering of old and new makes Thelma an intriguing watch, at once recognizable and wholly original. 

 

Directed by the award-winning Swedish filmmaker Bjorn Runge and adapted by Jane Anderson from Meg Wolitzer's 2003 novel, The Wife has enjoyed great acclaim since premiering at the 2017 Toronto International Film Festival. The film follows the growing tension between acclaimed author Joseph Castleman and his wife Joan, who works as his secret ghostwriter, as Joseph is set to receive the Nobel Prize in Literature. The direction is clean and careful with Glenn Close giving possibly one of the finest performances of her career as the supportive then increasingly resentful Joan. Emotional and funny at times, The Wife is a profound character exploration, celebrating womanhood and liberation.

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

The Centre Will Not Hold explores the life of the famous Joan Didion – professional observer and cultural spectator. The film gives only a small window into the complexity of her mind and the space in which she processes and understands the world, which stems from her capacity to sit above everything that is happening around her and just observe. From writing for Vogue, to war journalism, to her famous novels – from watching a child do acid, to reporting on the first gulf war – Didion is as prolific as she is insightful and majestic in her writing. Throughout the documentary she gives her first hand perspectives on love, relationships, motherhood, and grief – beautifully articulating it as “a place we do not know unless we’ve been there.” A beautiful woman, and an incredible film.