197 Best Movies & Shows Released in 2021 (Page 7)

Staff & contributors

Find the best movies and show to watch from the year 2021. These handpicked recommendations are highly-rated by viewers and critics.

, 2021

This offbeat drama is about a Syrian refugee who gets sent to a remote island in northern Scotland. “There was a better signal in the middle of the Mediterranean,” another refugee tells him when he arrives. Omar is as the title suggests stuck: until his asylum request is processed he can't work or continue his journey onwards. His situation is frustrating and difficult, but it's also full of absurdities, as Omar is stuck around some very weird people.

Limbo perfectly portrays the duality between sad and nonsensical in the refugee experience. In the entrance to the isolated and rundown facility that houses Omar, a handmade sign said "refugees welcome". The next day a "not" is added between "refugees" and "welcome", in the exact same paint. 

If you like Finnish director Aki Kaurismäki's work, this has a similar brand of dark humor to his also refugee-themed 2017 drama The Other Side of Hope.

Genre: Comedy, Drama

Actor: Amir El-Masry, Amir ElMasry, Cameron Fulton, Ellie Haddington, Grace Chilton, Kais Nashif, Kenneth Collard, Kwabena Ansah, Lewis Gribben, Ola Orebiyi, Qais Nashif, Raymond Mearns, Sanjeev Kohli, Sidse Babett Knudsen, Sodienye Ojewuyi, Vikash Bhai

Director: Ben Sharrock

Rating: R

Even if you aren't familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.

Genre: Drama, Family, Music, Romance

Actor: Anthony Ramos, Ariana Greenblatt, Christopher Jackson, Corey Hawkins, Daphne Rubin-Vega, Dascha Polanco, Dean Scott Vazquez, Gregory Diaz IV, Javier Muñoz, Jimmy Smits, Leslie Grace, Lin-Manuel Miranda, Marc Anthony, Mateo Gómez, Melissa Barrera, Olga Merediz, Olivia Perez, Patrick Page, Ryan Woodle, Seth Stewart, Stephanie Beatriz, Susan Pourfar, The Kid Mero, Valentina

Director: Jon M. Chu

Over 100 hours of footage were shot for this documentary chronicling the fraught journey that thousands make to reach the US-Mexico border — but, watching the 93 minutes that made the cut, you get a sense that this is the story that was meant to be told. Editor Sofia Machado whittled down reams of footage into this gently conveyed single account of one woman’s journey. Twenty-nine at the time of filming, Lilian and her four children fled a violent husband and bleak prospects in Guatemala, setting out as part of a migrants’ caravan undertaking the 4000km-long journey separating them from the brighter future they hope is waiting for them in the US.

She meets exploitation, xenophobia, and other perils on the route (not least The Beast, the dangerous freight train she and her kids must hop to reach safety). Remarkably, though, there’s much solidarity and generosity to be found on the way, too, as Lilian and her kids forge moving family-like bonds with fellow migrants. What’s more, as the documentary unfolds, quiet revelations emerge, making it clear that Lilian is also looking for a type of liberation that many on the road already have — a dream that this documentary suggests might blessedly be closer than she originally envisioned.

Genre: Documentary

Director: Danilo Do Carmo, Jakob Krese

In 1961, Francisco de Goya’s portrait of the Duke of Wellington was stolen from London’s National Gallery, but the theft was no slick heist pulled off by international art thieves. No, the improbable culprit was (the improbably named) Kempton Bunton, a retired bus driver and aspiring playwright who pinched the painting — which the gallery had recently acquired for £140,000 of UK taxpayers’ money — as a Robin Hood-esque “attempt to pick the pockets of those who love art more than charity.” The principled Bunton (played here by Jim Broadbent) was, at the time, waging a one-man campaign to convince the government to grant pensioners and veterans free TV licenses, and the Goya theft was his way of publicizing those efforts. It was an eccentric plan, but Broadbent leans fully into his status as a UK national treasure here, making oddball Bunton a deeply sympathetic and warm figure because of (not despite) those quirks. Thanks to his performance — and the note-perfect direction of the late, great Roger Michell — a quirky footnote of history becomes a sweet, unexpectedly moving story about solidarity and the power of the underdog.

Genre: Comedy, Drama, History

Actor: Aimee Kelly, Andrew Havill, Anna Maxwell Martin, Charlotte Spencer, Cliff Burnett, Craig Conway, Darren Charman, Dorian Lough, Fionn Whitehead, Heather Craney, Helen Mirren, Jack Bandeira, James Wilby, Jim Broadbent, John Heffernan, Joshua McGuire, Matthew Goode, Michael Hodgson, Richard McCabe, Sam Swainsbury, Sarah Beck Mather, Sian Clifford, Stephen Rashbrook, Val McLane, Will Graham

Director: Roger Michell

Rating: R

Whether or not you’re familiar with director Pedro Almodóvar’s body of work, Parallel Mother stands as a gorgeous melodrama, a striking story about motherhood and our ties to the past. On one level, it’s a simple but engaging drama about a misunderstanding that ensues between two women. But on another, it’s a deep dive into a nation’s cruel history, as well as an observation of people’s commitment to never letting that part of themselves go. 

The film references Almodóvar’s past films but it also works as a standalone, a perfect starting point for moviegoers interested in exploring his oeuvre. Of course, Penelope Cruz continues to be a powerhouse, each line delivery an emotional gut punch, while relative newcomer Milena Smit is stirring, a true revelation, as her director calls her.

Genre: Drama

Actor: Adelfa Calvo, Agustín Almodóvar, Aitana Sánchez-Gijón, Ana Peleteiro, Arantxa Aranguren, Carmen Flores, Chema Adeva, Daniela Santiago, Inma Ochoa, Israel Elejalde, José Javier Domínguez, Julieta Serrano, Milena Smit, Penélope Cruz, Rossy de Palma

Director: Pedro Almodóvar

Rating: R

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After receiving virtually unlimited funding from a wealthy businessman, Lola (played by the always excellent Penelope Cruz) sets out to mount an ambitious adaptation of a bestselling novel. To make her vision work, she employs renowned actors Ivan Torres (Oscar Martinez) and Felix Rivero (Antonio Banderas), knowing full well that their opposite philosophies in art and life will clash. What follows is a series of preps and rehearsals that play out like social experiments in their twistedness, which all in all speak to the outrageousness of film, art, and life itself.

In this Spanish dark comedy, no one is spared from satire—from the idiosyncratic auteur down to the sell-out actor, all are parodied in equal measure, each of their egos broken down in great and hilarious detail.

Genre: Comedy, Drama

Actor: Ana Belén, Antonio Banderas, Daniel Chamorro, Irene Escolar, Isabel García Lorca, José Luis Gómez, Juan Grandinetti, Ken Appledorn, Manolo Solo, María Guinea, Mary Ruiz, Melina Matthews, Mónica Bardem, Nagore Aranburu, Oscar Martinez, Penélope Cruz, Pilar Bergés, Pilar Castro, Sue Flack

Director: Gastón Duprat, Mariano Cohn

Rating: R

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

Genre: Drama, Family

Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung

Director: Lee Isaac Chung

Rating: PG-13

Despite being based on a 19th-century serial novel, Lost Illusions feels remarkably close to contemporary concerns about fake news and the devaluing of art for profit. But as the story is also, obviously, set in the 19th century, all this bribery and these backdoor dealings are done entirely through the written word and by sending runners from one Parisian theater to the next—and the result is uniquely thrilling. Nearly every character is a terrible person (like in an old-timey Goodfellas way) and it can get tiring seeing the film glorify their hustle, but the energy it brings is rare to find in any other period drama.

Genre: Drama, History, Romance, Thriller

Actor: Alexis Barbosa, André Marcon, Benjamin Voisin, Candice Bouchet, Cécile de France, Gérard Depardieu, Isabelle De Hertogh, Jean-François Stévenin, Jean-Marie Frin, Jean-Paul Muel, Jeanne Balibar, Louis-Do de Lencquesaing, Maryne Bertieaux, Pierre Poirot, Saïd Amadis, Salomé Dewaels, Vincent Lacoste, Xavier Dolan

Director: Xavier Giannoli

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