This is one of the craziest, most high energy movies you’ll ever watch. It’s about a 9-year-old who is considered a case the healthcare system calls a “system crasher”: someone who has exhausted every option child protective services has and still failed to get better.This girl, called Benni, wants to get out of the system and go back to live with her mom, but her mother is scared of her. She is introduced to a new shelter with a social worker who tries a different approach in one last attempt to reform her.System Crasher is a wild ride, but it’s made with so much heart that the thrills never feel senseless: it’s a movie that will stay with you for a long time.
agoodmovietowatch Spotlight is a series of sections that shine a light on excellence in under-represented cinema.
When Sr. Lino started his warehouse job, he had to work for 11 years before being able to sit down during work hours. This is because there was one chair, and he had to wait for his more senior colleague to retire before he could have his turn.Now, many years later, he’s about to retire. A new recruit is sent to replace him just five days before he leaves. Sr. Lino is disgruntled that the new kid will only have to stand for five days, but on the second day, the kid brings a chair from home and sits.Warehoused is a comedy about these two characters with completely different personalities as they interact during the few days left in Sr. Lino’s career. The most interesting thing is perhaps how little seems to happen: the warehouse is empty, unvisited, and yet religiously maintained by Sr. Lino.It’s such a joy to watch the two actors carry this movie. And behind the funny and simple premise, there is a lot that this movie tries to deal with: deceit and lies, the weight of modern working life, and more.
There is so much power to this story based actor Shia Laboeuf’s life. As a kid, he lived with his father on the road during the filming of Even Stevens and other star-making roles. His dad was a war veteran who goes to bikers’ AA meetings and who had a brief acting career himself. He was full of anger that made Laboeuf later suffer from PTSD, but which he was able to perceive in a fascinating way. Putting Laboeuf’s fame aside, this is an incredible movie on emotionally abusive parent-child relationships. It’s a universal story. With Shia Laboeuf as his father and Lucas Hedges as current-day Laboeuf.
This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.
Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris.The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body.Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.
Annette Bening, Greta Gerwig, and many other big names star in this comedy-drama directed by Mike Mills (Beginners, Thumbsucker.)The story spans multiple generations but starts in 1979, where Dorothea Fields (Bening) is finding it increasingly difficult to raise her son alone. She enlists the help of two other women, one her son’s age and the other a New Yorker in her twenties who is very active in the punk scene.The three women, of three different generations and personalities as well as takes on the concept of “only a man can raise a man,” play different roles in this kid’s life.20th Century Women is based on director Mike Mill’s own upbringing in Southern California.