315 Best BIPOC Stories to Watch

Staff & contributors

Movies about the experiences of Black, Indigenous, and People of Color set against the backdrop of White-majority Western countries.

This is the true story of Oscar Grant III, a 22-year-old Black man in Oakland, California, who was shot dead by police in the morning hours of New Year’s Day 2009. Incidentally, 2009 was also the time when smartphones started going mainstream, and so the incident was not only captured by CCTV but also many private cell phone cameras. The murder went viral.

Grant is superbly played by Michael B. Jordan in what now counts as one of his breakthrough roles, when many only knew him as Wallace in the now-legendary crime drama The Wire. Director Ryan Coogler went on making two more movies with him, including Black Panther in 2018.

Produced by Academy Award winner Forest Whitaker and compassionately told, Fruitvale Station surpasses the sadness of its subject matter and amounts to an extraordinary celebration of life. A must-watch.

Genre: Drama

Actor: Ahna O'Reilly, Alessandro Garcia, Ariana Neal, Caroline Lesley, Chad Michael Murray, Chris Riedell, Christina Elmore, Denzel Worthington, Destiny Ekwueme, Joey Oglesby, John Burke, Jonez Cain, Keenan Coogler, Kevin Durand, Laurel Moglen, Liisa Cohen, Maleah Nipay-Padilla, Melonie Diaz, Michael B. Jordan, Nicole Maxali, Noah Staggs, Octavia Spencer, Robert Ajlouny, Ruben Rivera, Ryan Coogler, Tamera Tomakili, Trestin George, William Armando

Director: Ryan Coogler

Rating: R

A wealthy paraplegic needs a new caretaker. His choice is surprising -- an ex-con down on his luck. Both of their lives are changed forever. Based on a true story, it is funny, touching, and very surprising.  It will have you rolling on the floor laughing one minute and reaching for your hankie the next. Intouchables is one of those perfect movies, that will easily and instantly make anyone's all-time top 10 list.

Genre: Comedy, Drama

Actor: Absa Diatou Toure, Alba Gaïa Kraghede Bellugi, Alba Gaïa Bellugi, Anne Le Ny, Antoine Laurent, Audrey Fleurot, Benjamin Baroche, Camila Samara, Caroline Bourg, Christian Ameri, Clotilde Mollet, Cyril Mendy, Dominique Daguier, Dorothée Brière, Elliot Latil, Émilie Caen, François Bureloup, François Caron, François Cluzet, Grégoire Oestermann, Hedi Bouchenafa, Ian Fenelon, Jean-François Cayrey, Jérôme Pauwels, Joséphine de Meaux, Joséphine de Meaux, Marie-Laure Descoureaux, Michel Winogradoff, Nicky Marbot, Omar Sy, Philippe Pozzo di Borgo, Pierre-Laurent Barneron, Renaud Barse, Salimata Kamate, Sylvain Lazard, Thomas Solivérès, Yun-Ping He

Director: Eric Toledano, Olivier Nakache

Rating: R

American folk singer Sixto Diaz Rodriguez recorded two albums in Detroit in the 1970s, which he played live across the city, but never to critical acclaim or commercial success. Disappointed, he soon quit his musical career, bought a run-down house in the Motor City, and lived a simple life working in construction. So far, this sounds like the biography of many musicians that never quite made it, talented or otherwise.

However, a strange thing happened. By the mid-1970s, his albums were getting significant airplay in countries like Australia, Zimbabwe, and Apartheid-era South Africa, where he was soon considered a musical voice on par with the Beatles. While living a reclusive life in Detroit, Michigan, he unwittingly became a star on the other side of the globe. This engaged and visually appealing documentary by the late Swedish director Malik Bendjelloul tells his story and spells out a fascinating footnote of global music history.

Genre: Documentary, Music

Actor: Clarence Avant, Craig Bartholomew Strydom, Dan DiMaggio, Dennis Coffey, Eva Rodriguez, Malik Bendjelloul, Mike Theodore, Regan Rodriguez, Rodriguez, Sandra Rodriguez-Kennedy, Sixto Rodriguez, Stephen 'Sugar' Segerman, Stephen 'Sugar' Segerman, Stephen Segerman, Steve Rowland, Steve Segerman

Director: Malik Bendjelloul

Rating: PG-13

Though the drag scene is alive and well today, Paris is Burning is an important reminder that it didn’t always used to be that way. Over the course of seven years, Director Jennie Livingston leads us underneath the crime-ridden streets of 80s New York, where a glittery drag subculture is flourishing, despite all odds. Leading the community are the so-called mothers, the best performers and most fashionable of them all, tasked with inspiring and caring for newcomers. Nevermind that they’re shunned by society and suffocated (sometimes literally) by hateful homophobes and racists; when there is a ball, all that matters is that they strut, dance, and put on the best damn show of their lives. What they do is art, and Livingston makes sure to exalt the craft and pride that goes into it. At the same time, intimate interviews with iconic queens like Pepper LaBeija and Willi Ninja reveal the heartbreaking nature of the community. Most, if not all, have endured some form of abuse, and many risk their lives to earn a decent living. But again, Livingston refuses to reduce them to pure tragedy; she gets them to share their wonderfully big dreams, then gets us to hope along with them that they might just come true.

Genre: Documentary

Actor: Dorian Corey, Kim Pendavis, Octavia St. Laurent, Pepper LaBeija, Sol Williams Pendavis, Venus Xtravaganza, Willi Ninja

Director: Jennie Livingston

Rating: R

Winner of a Golden Bear and a slew of awards at the European Film Awards in the early noughties, Head-on is named after the suicide attempt of Cahit Tomruk (played by the late Birol Ünel), a Turkish-born German in his mid-40s. At the psychiatric clinic where he is treated, he meets the equally damaged Sibel Güner who is also of Turkish descent. (The first ever feature film of famous German actress Sibel Kekilli, who you might know from Game of Thrones.) Sibel persuades him to marry her in an attempt to break away from her traditional-minded parents.

If you think this plot summary was tough stuff, it gets even grimmer from there. Directed by famous German filmmaker Fatih Akın, the intensity with which Kekilli and Ünel perform the character's unhinged self-hatred is as raw as it gets. Head-on is a brutal, gritty, and heart-wrenching story about the violence of love and hedonism – and the struggle of third-generation Turkish immigrants in Germany.

Genre: Drama, Romance

Actor: Adam Bousdoukos, Aysel Iscan, Birol Ünel, Catrin Striebeck, Cem Akin, Demir Gökgöl, Feridun Koç, Güven Kiraç, Hermann Lause, İdil Üner, Maceo Parker, Mehmet Kurtuluş, Meltem Cumbul, Mona Mur, Orhan Güner, Philipp Baltus, Ralph Misske, Selim Erdoğan, Sibel Kekilli, Stefan Gebelhoff, Tim Seyfi, Tugay Erverdi, Zarah Jane McKenzie

Director: Fatih Akin

Rating: R

A Prophet, or Un Prophete, is an unconventional French film that combines prison drama with the Goodfellas-styled narrative of the rise to criminal power. Shot by the inimitable French director Jacques Audiard, A Prophet is a future classic from the get-go, taking age-old cliches and turning them on their heads. It's not often that a film leaves us giddy with enthusiasm and constantly thinking back to it, but A Prophet is so intense, you won't be able to let it go. Incredible acting, especially by then-newcomer Tahar Rahim, fantastic pacing, a great narrative arc with a brutal and uncompromising take on morality, self-realization, and life on the fringes of society. There are only two, quote unquote, action sequences in this movie and they are as brutal and realistic as they are unexpected. Look past the subtitles, do yourself a favor and watch this film.

Genre: Crime, Drama

Actor: Adel Bencherif, Antoine Basler, Farid Larbi, Foued Nassah, Frédéric Graziani, Gilles Cohen, Guillaume Verdier, Hichem Yacoubi, Jean-Emmanuel Pagni, Jean-Philippe Ricci, Karim Leklou, Leila Bekhti, Mohamed Makhtoumi, Mourad Frarema, Nathanaël Maïni, Niels Arestrup, Pierre Leccia, Reda Kateb, Serge Onteniente, Slimane Dazi, Tahar Rahim

Director: Jacques Audiard

Rating: R

Thirty years after its release, the first ever Chinese language Palme d’Or winner has finally been made more accessible through Criterion Channel through its uncut 4K restoration. Farewell My Concubine is one of those classical epics that is considered essential viewing, but even with its near 3 hour runtime, the film still holds up all these decades later with its startlingly heartrending love story and depiction of the tumultuous shifts of 20th century China. Director Chen Kaige masterfully balances both sides, tapping into the pain Dieyi (Leslie Chung) chooses as he clings to the classical opera, the very art form that allows him a sliver of his unrequited love to be realized, but that is also limited depending on whichever government is in charge at the moment. It’s possibly one of the most beautiful and most miserable films ever made.

Genre: Drama

Actor: Dan Li, David Wu, Fei Zhenxiang, Ge You, Gong Li, Huang Lei, Jiang Wenli, Lei Han, Leslie Cheung, Lu Qi, Yang Lixin, Ying Da, Zhang Fengyi, Zhi Yitong

Director: Chen Kaige

Rating: R

Many things clash in this beautifully layered, semi-autobiographical film of American director Lulu Wang: cultures, morals, and emotions. The result is a type of comedy that is complex and bittersweet⁠—and based on a true lie: this is the story of a Chinese grandma whose family won't tell her that she is fatally ill. Instead, they organize a fake wedding in China, where everyone gets together to bid a farewell to the unwitting matriarch (played by Zhao Shuzhen). The fake wedding is, in fact, a premature funeral for a person unaware that she is going to die. Played by rapper and comedian Awkwafina, Billi, a New-York-based Chinese-American with a complicated relationship to China, embodies the cultural and moral question at the heart of this story: is it right or wrong not tell grandma? It is thanks to Wang's deft writing and Awkwafina's outstanding performance that The Farewell homes in on answers without ever being melodramatic. Warm, honest, and beautiful.

Genre: Comedy, Drama

Actor: Aoi Mizuhara, Awkwafina, Chen Han, Diana Lin, Gil Perez-Abraham, Hong Lu, Ines Laimins, Jiang Yongbo, Jim Liu, Lu Hong, Shuzhen Zhao, Tzi Ma, X Mayo, Yang Xuejian, Zhang Jing, Zhao Shuzhen

Director: Lulu Wang

Rating: PG

Wong Kar-wai’s dreamlike masterpiece is a perfect portrayal of the wilderness of a city at night. A hitman trying to get his job done, a woman hunting the prostitute who stole her boyfriend, and a mute who loves his father's cooking: each of the characters in Fallen Angels is eccentric and interesting in their own way. Along the watch, you may find yourself overwhelmed by all the events taking place as each character fights to stay alive and satisfy their desire, but this is exactly where the beauty lies. A hazy view of Hong Kong is the backdrop for the characters' riveting stories, blending loneliness, lust, as well as missed opportunities. Fallen Angels is a remarkably balanced film that not only exposes the coldness of people in the city, but also their warmth.

Genre: Action, Crime, Drama, Romance

Actor: Benz Kong, Benz Kong To-Hoi, Chan Fai-Hung, Chan Man-Lei, Charlie Yeung, Johnnie Kong, Karen Mok, Karen Mok Man-Wai, Kwan Lee-Na, Leon Lai, Michelle Reis, Takeshi Kaneshiro, Toru Saito

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

, 2000

Edward Yang’s masterful and lush Yi Yi follows the lives of the Jian family and their respective, middle-class worries. The father agonizes over a business deal and, at the back of his mind, an old flame. The mother struggles with emptiness, the daughter with sensuality, and the son with his burgeoning artistry. In the periphery are other family members trying to get by as best they can despite having no certain future to look forward to. The story, which is bookended with life and death, is punctuated with these lingering anxieties but also, crucially, with moments of potent, profound joys. 

The premise seems simple, but Yang weaves a breathtaking epic out of the mundane. The mise-en-scene is immersive, the dialogue delicate, and the direction effectively real. The understated elegance of each piece coming together to build a rich whole is what makes YiYi Yang’s legacy to the world of cinema.

Genre: Drama, Family, Romance

Actor: Adriene Lin, An-an Hsu, Chen Yiwen, Cheryl Yang, Danny Deng, Edward Yang, Elaine Jin, Hsi-Sheng Chen, Hsu Kuei-ying, Hsu Shu-Yuan, Issey Ogata, Jerry Sun, Jonathan Chang, Kai-Li Peng, Kate Yeung, Kelly Ko, Kelly Lee, Kenjiro Tsuda, Lawrence Ko, Leon Dai, Liang-Tso Liu, Luo Bei An, Ru-Yun Tang, Sharon Mao, Shau-Ching Sung, Shu-shen Hsiao, Shu-Yuan Hsu, Tang Ru-Yun, Tang Tsung Sheng, Tao Chuang Cheng, Wang Chi-tsan, Wu Nien-Jen, Yi-Wen Chen

Director: Edward Yang

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary

Actor: Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, Kathleen Cleaver, Melvin Van Peebles, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

Nothing about Saint Omer is easy. A female Senegalese migrant (Guslagie Malanga) is put to trial for committing infanticide, but throughout the film, it becomes clear how much of a victim she is too, of an uncaring and deeply prejudiced society. “What drove her to madness?” Her attorney asks at one point. We’re not sure. We're not necessarily asked to side with her, nor answer the many hard-hitting questions brought up in the film, but we sit with the uneasiness of it all and, in that silence, confront our ideas about motherhood, womanhood, personhood. 

This confusion is what makes the film so compelling. Despite the court’s best efforts, Laurence isn’t meant to be understood. She’s meant to be an example of the ever-ambiguous, forever-complicated, always-hurt person. It’s human nature after all to be this complex and messed up. The film shows us that the best that we can do in situations like this is to listen, understand, and as our protagonist Rama (Kayije Kagame) does, make peace with the noise. 

Genre: Crime, Drama

Actor: Aurelia Petit, Guslagie Malanda, Kayije Kagame, Louise Lemoine Torrès, Salimata Kamate, Valérie Dréville, Xavier Maly

Director: Alice Diop

The atmosphere in Millennium Mambo is magical. The opening scene alone will leave you enchanted, with long walks through a tunnel-like space and dreamy techno music playing in the background. We are misled into thinking that this will be a movie full of colors and dance, and to some degree, this is true, as it portrays Taipei and its neon colors of green, pink, and blue, featuring dance sequences in a bar that serves flashy drinks. But as the movie develops, a chilling shadow is cast as we become entangled in a brutal relationship that is as full of cruelty as it is of love and lust. Narrated from the future, the story shows how the present-day protagonist, Vicky, grapples with her identity as she looks back upon her past self from ten years ago.

Chaotic, messy, but also peppered with moments of serenity and shot with flawless camerawork and cinematography, Millennium Mambo makes time feel fluid, and serves as a reminder that no matter how rough the journey may be, everything is always okay in the end.

Genre: Drama, Romance

Actor: Chun-hao Tuan, Doze Niu Cheng-Tse, Duan Chun-hao, Jack Kao, Pauline Chan, Pauline Chan Bo-Lin, Qi Shu, Rio Peng, Shu Qi

Director: Hou Hsiao-hsien, Hsiao-Hsien Hou

Rating: R

Winner of a Camera d'Or, the debutant's prize at the Cannes Film Festival, Director Houda Benyamina's first feature film is fast-paced and full of energy. Deep in the impoverished suburbs of Paris, the infamous banlieues, it tells the story of Dounia (played by Oulaya Amamra), a mouthy teenager who is not content with what society is prepared to hand out to her. She's angry; she wants more. And so, together with her best friend Maimouna (Déborah Lukumuena), she decides to finally make some cash as a runner for a drug dealer. While there's obviously some feminism in there somewhere, that's not at the heart of what this film is about. It's about the economic reality in a world of poverty and about two friends and their desire for freedom—no matter what the cost. An exhilarating and thought-provoking debut helped along by Amamra's amazing acting.

Genre: Drama

Actor: Bass Dhem, Déborah Lukumuena, Farid Larbi, Houda Benyamina, Jisca Kalvanda, Kevin Mischel, Majdouline Idrissi, Oulaya Amamra, Yasin Houicha

Director: Houda Benyamina, Uda Benyamina

Rating: N/A, Not Rated