315 Best BIPOC Stories to Watch (Page 8)

Staff & contributors

Movies about the experiences of Black, Indigenous, and People of Color set against the backdrop of White-majority Western countries.

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

Genre: Drama, Family

Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung

Director: Lee Isaac Chung

Rating: PG-13

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This Oscar-nominated French movie is set in Montfermeil, the Paris suburb where Victor Hugo wrote Les Misérables but which today is a rough neighborhood.

Inspired by instances of police violence that happened in 2008, the movie follows a squad of police officers who try to keep the neighborhood under control. Their methods, or lack thereof, inevitably cause things to explode. This is a thriller with a message, one which sometimes feels forced; but the payoff at the end will make you forget all of that.

Genre: Crime, Drama, Thriller

Actor: Al-Hassan Ly, Alexis Manenti, Almamy Kanoute, Bonnie Duvauchelle, Damien Bonnard, Djebril Zonga, Djibril Zonga, Issa Perica, Jaihson Lopez, Jeanne Balibar, Ly Lan Chapiron, Marine Sainsily, Nizar Ben Fatma, Romain Gavras, Sofia Lesaffre, Steve Tientcheu

Director: Ladj Ly

Rating: R

The idea of representation in movies is often limited to superficial gestures of putting on screen people who look a certain way. Kokomo City is a reminder of cinema's possibilities when one really tries to queer filmmaking itself, with genuine queer voices driving a production. This documentary is messy and incredibly playful in its style—in ways that might read to some as lacking cohesiveness, or as tonally inconsistent. But the way director D. Smith is able to capture the dynamic energy of a series of conversations makes these powerful, funny, tragic anecdotes and dialogues feel truly grounded in people's everyday experiences, and makes the plea for protection of trans lives all the more urgent.

Throughout Kokomo City, this collection of individuals goes off on various tangents that never become difficult to follow. They speak about the nature of sex work, hidden desires felt by traditionally masculine male clients, and various degrees of acceptance within the Black community. And between these statements alternating from impassioned to emotional to humorously candid, Smith injects cheeky cutaway footage, layers text on screen, and plays an eclectic rotation of music throughout. It's about as real and as three-dimensional as these trans lives have ever been shown on screen.

Genre: Documentary

Actor: Daniella Carter, Dominique Silver, Koko Da Doll, Liyah Mitchell, XoTommy

Director: D. Smith

Rating: R

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If Katrina Babies seems like a somewhat disjointed account of the myriad responses to Hurricane Katrina and the U.S. government's horrible, anti-poor response to the disaster, director Edward Buckles Jr. uses this structure with much more intent. For once this is a documentary that feels like citizen reporting and not a sanitized report from experts who have little to no real personal stake in the subject. As the film swings from one talking point to the next, you get the sensation of just how much the people of New Orleans are still trying to comprehend; the loose structure brings to this film a sense of helplessness that, for some, just can't be overcome.

Genre: Documentary

Actor: Arnould Burks, Calvin Baxter, Cierra Chenier, Damaris Calliet, Quintina Thomas Green

Director: Edward Buckles

Rating: R

At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home nanny, and her presence (along with other external pressures) brings about a change in the house. Suddenly, everyone becomes a bit more aware of their limitations and potential, and from this, a shared empathy grows. In other hands, this story might come off as bare and forgettable, but under first-time-feature director Anthony Chen’s helm, Ilo Ilo comes to life in rich detail, thoughtful shots, and captivatingly natural performances. Despite its many heartbreaking scenes, the film rarely dwells in sentiment, and it's this restraint that makes Ilo Ilo all the more gripping to watch. 

Genre: Drama, Family

Actor: Angeli Bayani, Chen Tian Wen, Chen Tianwen, Jialer Koh, Jo Kukathas, Koh Jia Ler, Peter Wee, Stephanie Kiong, Tian Wen Chen, Yann Yann Yeo, Yeo Yann Yann

Director: Anthony Chen

Rating: Not Rated, PG-13

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There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

Genre: Drama

Actor: Christopher Mele, Denzel Washington, Joe Fishel, Jovan Adepo, Lesley Boone, Mykelti Williamson, Russell Hornsby, Saniyya Sidney, Stephen Henderson, Stephen McKinley Henderson, Viola Davis

Director: Denzel Washington

Rating: PG-13

This Canadian drama is directed by, written by, and stars first-time director Agam Darshi. It’s a labor of love about a 30-something woman who takes care of her sick father while trying to become a writer.

Mona (the character) comes from an immigrant Indian family, and she is proudly the black sheep of the bunch. When a visitor greets her with “God is Truth” in Punjabi, she replies in English with “Merry Christmas”, and when aunties catch her smoking she gives them the middle finger. Not to mention she is sleeping with a married man.

And yet the way the movie is made it works as a universal story - one about finding purpose in taking care of one’s parents while navigating complex family dynamics.

Genre: Comedy, Drama

Actor: Agam Darshi, Huse Madhavji, Kim Coates, Sandy Sidhu, Stephen Lobo

Director: Agam Darshi

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After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan

Director: Nontawat Numbenchapol

Spike Lee’s semi-autobiographical film is a loving and nostalgic ode to the Brooklyn of his childhood. It also happens to be his sweetest work and while overshadowed by the explosive Do The Right Thing, remains an easy contender for one of his very best. The world of Crooklyn is told through the eyes of Troy, a young girl growing up with her four brothers, and her mother and father in a cramped brownstone. 

Lee’s Brooklyn is a colorful delight set aloft by a swooning soul soundtrack. His ability to capture the vibrant magical tones and textures of the city feels as complete as ever, and marvelous performances from Alfre Woodard and Delroy Lindo as Troy’s parents help create a touching and all-encompassing experience. 

Genre: Comedy, Drama

Actor: Alfre Woodard, Arthur French, Bokeem Woodbine, Carlton Williams, Carmen Tillery, Christopher Knowings, Christopher Wynkoop, Dan Grimaldi, David Patrick Kelly, Delroy Lindo, Frances Foster, Gary Perez, Hector M. Ricci Jr., Isaiah Washington, Ivelka Reyes, Joie Lee, José Zúñiga, Keith Johnson, Manny Perez, Maurie A. Chandler, Michele Shay, Mildred Clinton, Norman Matlock, Omar Scroggins, Peewee Love, Rene Ojeda, Richard Whiten, RuPaul, Sharif Rashed, Spike Lee, Tracy Vilar, Tse-Mach Washington, Vondie Curtis-Hall, Zelda Harris

Director: Spike Lee

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For the longest time, American media coverage was skewed to justify the presence of US forces in Arab states. Control Room unveils that bias by following Al Jazeera at the start of the Iraq War in 2003. One of the biggest Arab media outlets at the time, Al Jazeera dared to cover both sides of the war, but by doing so put a target on its back. It was vilified by both the US government, which called it an Osama mouthpiece and the Arab world, which called it a Bush ally. 

Control Room shows the difficulty (if not sheer impossibility) of achieving journalistic balance, objectivity, and integrity. Through interviews with Al Jazeera reporters and US military officers, we witness how lines are blurred, loyalties are tested, and purpose is shifted in a state of war. A seminal work on media bias and press control, Control Room is vital and enlightening, a must-watch to understand the inner workings of the fourth estate. 

Genre: Documentary, War

Actor: Donald Rumsfeld, George W. Bush, Josh Rushing

Director: Jehane Noujaim

Stoic, unflinching, and almost near silent, Ballerina takes a fitting approach to enact its protagonist’s revenge. Within its lean 90 minute runtime, ex-bodyguard Ok-ju single-mindedly searches for answers, through following the lead from her friend’s suicide note. The film shares nothing personal, no doubts, worries, or fears from Ok-ju – except for her affection for best friend Min-hee. Instead of capitalizing on Ok-ju’s tears, or on the violence inflicted on Min-hee, writer-director Lee Chung-hyun relies on action, on stunning cinematography, and on Jeon Jong-seo’s performance to create a spectacle that doesn’t hold back from the gruesomeness, but somehow still incredibly restrained. Jeon Jong-seo delivers Ok-ju’s bloody revenge, a fitting retribution to all perpetrators of sexual violence.

Genre: Action, Crime, Thriller

Actor: Jang Yoon-ju, Joo Hyun, Jun Jong-seo, Kim Ji-hun, Kim Moo-yul, Kim Young-ok, Kwak Jae-min, Park Hyeong-su, Park Hyoung-soo, Park Yu-rim, Shin Se-hwi

Director: Lee Chung-hyun

Rating: R

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Bad Axe is an intimate documentary that follows the Sievs, a tight-knit family that runs a restaurant in the city of Bad Axe, Michigan. When the rise of COVID restrictions and racist hate groups put their business at risk, the Sievs try to hold on to each other while also carefully, in their own way, fighting back.

Mostly shot in the unforgettable year that is 2020, Bad Axe captures the fraught intensity and existential panic we all spiraled into during the global pandemic. It’s a charged film, but underneath all that buzz is a story about a family with its own tensions and histories and contradictions to deal with. Bad Axe is at once simple and complex, and like family, you just kind of love it, flaws and all.

Genre: Documentary, Drama

Director: David Siev

Iceland is a country of vast lands but limited population - only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. 

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around - a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. 

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race. 

Genre: Drama

Actor: Ísold Uggadóttir, Babetida Sadjo, Bragi Arnason, Gunnar Jonsson, Kristín Þóra Haraldsdóttir, Patrik Nökkvi Pétursson, Patrik Nökkvi Pétursson, Sólveig Guðmundsdóttir, Sveinn Geirsson, Þorsteinn Bachmann

Director: Isold Uggadottir

Rating: TV-14

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Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

Genre: Documentary

Actor: Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Kim Hye-ja, Kim Hyung-oak, Lee Hyuk-rae, Woo Hyeon

Director: Lee Hyuk-rae

Rating: PG-13

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

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