513 Best Directors under 30 years old to Watch (Page 6)

Staff & contributors

Kathryn Bigelow has a knack for action-packed scenes without compromising on the affective qualities of film style. It is precisely this combination that makes her a rare gem in American cinema, where the values of entertainment soar high. Point Break is one such example of controlled chaos, impeccable framing, and a convincing use of fast-paced editing to really get you as close to the action as possible. But what gives the film its flavour is how developed and synced the characters are and the Reeves-Swayze duo here belongs in the pantheon of equally hot frenemies, providing an apt, but subtle comment on the dangers of toxic masculinity. 

Genre: Action, Crime, Thriller

Actor: Anthony Kiedis, Anthony Mangano, Betsy Lynn George, Bojesse Christopher, Chris Pedersen, Christopher Pettiet, Daniel Beer, Dave Olson, Debra Lamb, Galyn Görg, Gary Busey, Gary Roberts, Gloria Mann, Jack Kehler, James Le Gros, Jared Chandler, Jeff Imada, John Apicella, John C. McGinley, John Philbin, Julian Reyes, Julie Michaels, Keanu Reeves, Lee Tergesen, Lori Petty, Michael Kopelow, Mike Genovese, Patrick Swayze, Peter Phelps, Ping Wu, Randy Walker, Raymond Forchion, Richard Grove, Sydney Walsh, Tom Sizemore, Vincent Klyn

Director: Kathryn Bigelow

Rating: R

French director Mia Hansen-Løve is a master at gently capturing the full bittersweetness of life, and that’s no more evident than in One Fine Morning. Léa Seydoux gives a quietly powerful performance as Sandra, a mother-of-one who is grappling with the slow, devastating decline of her philosophy professor father at the hands of a neurodegenerative disease. As she deals with the crushing trauma of watching her father deteriorate — and the logistical stress of getting him the care he needs — life grants her an oasis through a chance meeting with an old acquaintance (Clément, played by Melvil Poupaud). Despite Clément being married, the two are hurled into a passionate romance, one that re-ignites something in Sandra she thought she’d lost forever.

What’s so remarkable about One Fine Morning is its gentle empathy: Hansen-Løve appreciates that, in the context of Sandra’s life, her affair with Clément is something life-affirming and vital, worthy of sensitive consideration rather than easy judgment or melodrama. What’s more, One Fine Morning extends that thoughtful attention to the other people around Sandra, with digressions that recognize the fullness and complexity of their lives, too. This is a film that overflows with compassion and curiosity for everyone in its frame, and one that has a contagiously heart-expanding effect on its audiences. 

Genre: Drama, Romance

Actor: Elsa Guedj, Fejria Deliba, Léa Seydoux, Masha Kondakova, Melvil Poupaud, Nicole Garcia, Pascal Greggory, Sarah Le Picard

Director: Mia Hansen-Løve

While the film adapts some of Shakespeare’s histories, you don’t need to know Shakespeare to appreciate My Own Private Idaho. In fact, instead of focusing on the Prince Hal character, Scott Favor (Keanu Reeves), the film centers on his narcoleptic friend Mike Waters (River Phoenix). Both of them are young street hustlers in Portland. However, unlike Favor, Waters has no reliable family, inheritance, or support system waiting for him to give up his job. Waters only has his body. Writer-director Gus Van Sant doesn’t really focus on the sex or the narcolepsy - these flash by us only as a state-of-mind experience, with time-lapses and freeze-frames to impart to us Waters’ detachment. Instead, Van Sant cares more about Waters’ seeking connection. It’s why the surreal shots speed by us so fast, and why the natural, lived-in scenes remain in our heads. It’s why Waters’ campfire confession, crackling under Phoenix’s earnest voice, feels so powerful. And it’s also why his later rejection feels so painful.

Genre: Comedy, Drama

Actor: Chiara Caselli, Eric Hull, Flea, Grace Zabriskie, Gus Van Sant, James Russo, Jessica Makinson, Jim Caviezel, Keanu Reeves, Mickey Cottrell, Pao Pei Andreoli, Pat Patterson, River Phoenix, Robert Egon, Rodney Harvey, Scott Patrick Green, Tom Troupe, Udo Kier, Vana O'Brien, William Richert

Director: Gus Van Sant

Rating: R

, 2021

In the first few minutes of Mass, hushed tones, solemn movements, and awkwardly averted eyes hint at an unspoken tragedy that haunts everyone in the film. The four main characters discuss it during a sit-down, but even then it remains unspeakable; such is the dedication of first-time full-length director Fran Kranz in depicting the reality of tragic events. Not much is done in the way of plot twists and shocks, but in place of those, Mass makes clever use of close-up shots and unmoving settings to portray the privacy and paralysis of grief. For this reason, Mass often feels like a masterful play brought to life, but also more than that, a brilliant portrait of healing—or at the very least, coping with the everlasting aftermath of loss. 

Genre: Drama

Actor: Ann Dowd, Breeda Wool, Jason Isaacs, Martha Plimpton, Michelle N. Carter, Reed Birney

Director: Fran Kranz

With a premise as insane as this—a high school coming-of-age film adapted from 410 consecutive tweets from a real, random Thai girl under the username @marylony—you would expect Mary Is Happy, Mary Is Happy to be some sort of incoherent commentary about social media. What director Nawapol Thamrongrattanarit gives us instead is a completely original and surprisingly affecting portrait of a young woman in her senior year trying to come to terms with the fact that her life may only ever be a mess of incongruous parts without a definite identity. It's as whimsical as it is bittersweet, with the film flitting back and forth between the absurd and the melancholic.

Thamrongrattanarit structures his film as a series of loosely connected vignettes, with every single one of @marylony's tweets appearing on screen. The effect is one-of-a-kind—as if we're watching different layers of meaning constantly interacting with each other, our understanding of what we're supposed to think of as serious or tongue-in-cheek always changing. And through the film's deliberately lo-fi aesthetics, the experience of watching it is like flipping through a scrapbook of memories mundane and precious.

Genre: Comedy, Drama

Actor: Awat Ratanapintha, Boonsong Nakphoo, Chonnikan Netjui, Kongdej Jaturanrasmee, Krissada Sukosol Clapp, Patcha Poonpiriya, Prabda Yoon, Thanapob Leeratanakachorn, Wasupol Kriangprapakit

Director: Nawapol Thamrongrattanarit

Rating: 0

With a premise straight out of a cheesy sci-fi B-movie, you wouldn't expect Little Shop of Horrors to be a bona fide spectacle, and yet its tale of a wish-fulfilling yet bloodthirsty plant remains as thrilling and intense as ever. More importantly, Alan Menken and Howard Ashman's rock-musical songs remain boisterous and theatrical, gleefully performed by Rick Moranis, Ellen Greene, Steve Martin, and Levi Stubbs. And buried underneath all this is a comedy with a heart of darkness and a legitimately disturbing morality tale.

Musicals and horror movies are genres that typically cater to a more niche audience, but Little Shop of Horrors should be fun enough to draw anybody in, thanks to the film's impressively tactile sets, director Frank Oz's knack for physical comedy, and animatronic special effects that look better than most CGI creations today. As both a horror movie monster and a massive puppet, the vicious plant named Audrey II is entirely worth the price of admission, no matter which version of the film you seek out.

Genre: Comedy, Drama, Horror

Actor: Barbara Rosenblat, Bertice Reading, Bill Murray, Christopher Guest, Danny John-Jules, Edward Wiley, Ellen Greene, Heather Henson, Jill Goldston, Jim Belushi, John Candy, John Scott Martin, Kevin Scott, Levi Stubbs, Mak Wilson, Michelle Weeks, Miriam Margolyes, Rick Moranis, Steve Martin, Tichina Arnold, Tisha Campbell, Tisha Campbell-Martin, Vincent Gardenia, Vincent Wong

Director: Frank Oz

Hayao Miyazaki is no stranger to the fantastical. Howl’s Moving Castle and Spirited Away conjure worlds of spirits and demons, monsters and witches, imaginary wars and extraordinary heroes. But in Kiki’s Delivery Service, the real magic arises from the mundane.

The titular teenaged Kiki leaves home, setting out to become a better witch. She arrives in the idyllic seaside town of Koriko with only her broom and best friend, a black cat named Jiji. When she serendipitously meets Osono, the gentle owner of a bakery, Kiki begins a delivery service as part of her training.

Kiki’s Delivery Service may be one of Miyazaki’s more understated films, but it’s a beautiful reminder that believing in oneself is a magical act of courage that we should all undertake.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akio Otsuka, Chika Sakamoto, Haruko Kato, Hiroko Maruyama, Hiroko Seki, Kappei Yamaguchi, Keiko Toda, Kikuko Inoue, Kôichi Miura, Koichi Yamadera, Michihiro Ikemizu, Mieko Nobusawa, Mika Doi, Minami Takayama, Rei Sakuma, Shinpachi Tsuji, Takashi Taguchi, Takaya Hashi, Tomomichi Nishimura, Yoshiko Asai, Yoshiko Kamei, Yûko Kobayashi, Yûko Maruyama, Yuko Tsuga, Yuriko Fuchizaki, Yuuko Kobayashi, 丸山裕子

Director: Hayao Miyazaki

, 2021

When Amin sits down for a tell-all interview about his troubling past, his memories come to life in vivid animation. Sometimes they are sweet and intimate, like when he recounts his time as a playful boy in a much freer Afghanistan. But often, they’re marred by the unbelievable horrors of refugee life. Now a successful academic and soon-to-be husband, Amin discovers the inescapability of his status and identity, the reality of which continues to threaten his safety to this day.

Relevant and vital, Flee sheds some much-needed light on an often-overlooked phenomenon. More than just displaying factoids and numbers, it relays the specific unease and constant vigilance that comes with fleeing one’s home. But as Amin’s story, it is also richly detailed and wonderfully personal; for all its harsh exposés, the film leaves enough room for Amin’s stirring realizations about love, identity, and sexuality.

Genre: Animation, Documentary

Actor: Behrouz Bigdeli, Belal Faiz, Bo Asdal Andersen, Daniel Karimyar, Elaha Faiz, Fardin Mijdzadeh, Jean-Pierre Pernaut, Mikhail Belinson, Milad Eskandari, Rashid Aitouganov, Tormod Ringnes

Director: Jonas Poher Rasmussen

Rating: PG-13

An early gem from Finnish maestro Aki Kaurismäki, Drifting Clouds is a deceptively simple story. The aftermath of job losses for wife Ilona (Kati Outinen) and husband Lauri (Kari Väänänen) holds a series of misfortunes, all of them tests to their marital bond. But this is only the beginning: as with Kaurismäki's endearing use of flat irony and detached performances by regular actors of his, things can only get worse before they get better. Humanism has always shined through the director's films, and this first part of a "Finland" trilogy makes no exception to the rule: the fact that labor and closeness are the two main themes (and are equally important for one's survival) already elevates the absurdist comedy to something way more caring, engaged, and ultimately, tender.

Genre: Comedy, Drama

Actor: Aarre Karén, Antti Reini, Clas-Ove Bruun, Elina Salo, Esko Nikkari, Kaija Pakarinen, Kari Väänänen, Kati Outinen, Markku Peltola, Mato Valtonen, Matti Onnismaa, Ona Kamu, Outi Mäenpää, Pentti Auer, Rose-Marie Precht, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Tero Jartti, Vesa Mäkelä

Director: Aki Kaurismäki

Martin Scorsese — plus screenwriter Paul Schrader, editor Thelma Schoonmaker, and cinematographer Robert Richardson — reimagine nocturnal New York City as an eternally flaming circle of hell in this darkly funny fever dream. Frank Pierce (Nicolas Cage) is an insomniac paramedic who’s haunted by the ghosts of all the lives he couldn’t save and is on a nightmarish run of losing every patient he tries to help. There’s no respite for him anywhere; he’s so burnt out he begs to be fired, but the city is so desperate they won’t let him leave their tired ranks of medics, who are mostly jaded, sometimes sadistic, and yet still addicted to the euphoric high of saving a life.

As Frank is pushed ever closer to breaking point, the film takes on the hallucinatory qualities of his perspective, the cinematography growing feverish and the editing powered by a wild, manic energy. What stops the movie from feeling like a spiral into actual hell is the strange light that keeps Frank returning to work — the perpetual need for redemption and grace that prevents him from becoming cold to his job but makes his sanity fragile. In typical Scorsese-Schrader style, this is a raw, visceral, and very human search for grace in an unsparing urban hellscape.

Genre: Drama, Horror, Thriller

Actor: Afemo Omilami, Aida Turturro, Aleks Shaklin, Andy Davoli, Antone Pagán, Arthur J. Nascarella, Betty Miller, Brian Smyj, Catrina Ganey, Charis Michelsen, Cliff Curtis, Craig muMs Grant, David Zayas, Frank Ciornei, Fuschia!, Graciela Lecube, Jack O'Connell, James Hanlon, Jesse Malin, John Goodman, John Heffernan, Jon Abrahams, Joseph P. Reidy, Judy Reyes, Julyana Soelistyo, Larry Fessenden, Leonid Citer, Lia Yang, Marc Anthony, Mark Giordano, Martin Scorsese, Mary Beth Hurt, Mary Diveny, Marylouise Burke, Matthew Maher, Melissa Marsala, Michael Carbonaro, Michael Kenneth Williams, Michael Mulheren, Mtume Gant, Nestor Serrano, Nicolas Cage, Omar Scroggins, Patricia Arquette, Phyllis Somerville, Queen Latifah, Richard Spore, Sonja Sohn, Sylva Kelegian, Terry Serpico, Theo Kogan, Tom Cappadona, Tom Riis Farrell, Tom Sizemore, Ving Rhames

Director: Martin Scorsese

Rating: R

Art is a hobby for most people, but for musician Jon Batiste and writer Suleika Jaouad, art is part and parcel of this thing called life. Of course, it’s part of their work, and it’s how they make a livelihood, but it’s more than that– it’s almost a spiritual ritual they cling to, especially when Jaouad finds out that her leukemia has returned. American Symphony mainly depicts the creation of said orchestral work, but director Matthew Heineman translates the symphony into cinematic form, culminating in a performance played over the intimate moments between Batiste and Jaouad. It’s not just a documentary of a performance, but a documentary about art, about creation despite life’s pains, perhaps to survive life’s pains. It’s a powerful work that makes it easy to believe in art as imperative for life, and vice versa.

Genre: Documentary, Music

Actor: Anna Wintour, Billie Eilish, James Taylor, Jon Batiste, Jonathan Dinklage, Justin Bieber, Lenny Kravitz, Louis Cato, Questlove, Simon Helberg, Stephen Colbert, Stevie Wonder, Suleika Jaouad, Trevor Noah

Director: Matthew Heineman

Rating: PG-13

Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

This cult classic is the first hip-hop movie in cinema’s history — and, aptly, one of the most sampled movies in rap music. With a cast drawn exclusively from the NYC graffiti, breakdancing, and rap subcultures that it spotlights, Wild Style wisely doesn’t try too hard to construct a conventional drama. Instead, there are toe-tapping scenes in neon-lit, smoke-filled clubs that stretch far beyond usual cinematic limits because they’re following the dynamic pace and infectious rhythm of the battling emcees, not film’s rules.

In lieu of a plot, Wild Style captures the singular atmosphere of the period it was filmed in, when hip-hop culture was thriving and art curators had begun to look to graffiti artists to fill their galleries. That uneasy turning point in the culture is chronicled here through the perspective of Zoro (real graffiti “writer” Lee Quiñones), a young artist who looks on with disdain as his peers embrace the commercialization of their medium by NYC’s art world. (As he shrewdly puts it, risk is central to graffiti’s identity — made for subway cars and walls, not framed canvases.) Brilliantly capturing the freewheeling spirit of NYC’s hip-hop scene, this is a time capsule that never feels dusty thanks to the appropriately off-the-cuff filmmaking.

Genre: Drama, Music

Actor: Busy Bee, Daze, Dondi, Fab 5 Freddy, Grandmaster Flash, Lady Pink, Lee Quiñones, Nathan Ingram, Patti Astor, ZEPHYR

Director: Charlie Ahearn

Rating: R

The Kings of the World is a surreal coming-of-age movie that follows Rá, Culebro, Sere, Winny, and Nano, street kids who are on their way to claim land that’s rightfully theirs. Their one goal is to finally make a home after living without one for so long, but they’re hindered by the inevitable tragedies that befall kids of their kind: impoverished, alone, and abandoned.

The title is ironic, but it also hints at their state of mind: these boys are unstoppable, rabble-rousers who live like there’s no tomorrow. They tear down private property and invade inns not out of spite, necessarily, but out of a knowledge that whatever they do they’re gonna be put down anyway, so they might as well live without rules.

Tackling powerful themes like land restitution and youth neglect, The Kings of the World is one of the most agonizing movies you'll ever see. It’s also Colombia’s official Best Foreign Language Film entry in the 2022 Academy Awards.

Genre: Adventure, Drama

Actor: Brahian Acevedo, Carlos Andrés Castañeda, Cristian Campaña, Cristian David Duque, Davison Florez

Director: Laura Mora

Rating: TV-MA

Krzysztof Kieślowski’s drama stars Irène Jacob as two identical women living separate lives, and the intricate and indelible ways in which they are bound together. While Weronika, a Polish singer, balances her familial duties and intimate romantic relationship, a French music teacher named Véronique senses that she is not alone.

The Double Life of Véronique’s hypnotic and entrancing qualities will wash over you like a tide crashing over a bed of sand. It is a tough film to capture in words, when so much of it is just beyond words—Kieślowski’s film is one to be seen, sensed, and experienced. 

Genre: Drama, Fantasy, Mystery, Romance

Actor: Alain Frérot, Aleksander Bardini, Bogusława Schubert, Chantal Neuwirth, Claude Duneton, Gilles Gaston-Dreyfus, Guillaume de Tonquédec, Halina Gryglaszewska, Irène Jacob, Janusz Sterninski, Jerzy Gudejko, Kalina Jędrusik, Lorraine Evanoff, Louis Ducreux, Philippe Volter, Sandrine Dumas, Thierry de Carbonnières, Władysław Kowalski, Youssef Hamid

Director: Krzysztof Kieślowski

Rating: R