Staff Picks: The Best Movies to Watch (Page 7)

Staff & contributors

The Very Best (previously called “Best Films”) are absolute must-watch movies. Every movie or show on agoodmovietowatch is highly-rated but staff picks are more so: they all hold a staff score of at least 8.0.

Co-directed and narrated by legendary German director Wim Wenders in collaboration with Salgado's son, Juliano, this unique film tells Sebastião Salgado's life story from his childhood in Northern Brazil, his early career as an economist, and how he shifted towards photography to become a world-renowned photojournalist. Shot in stunning black and white by Juliano Salgado and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man's lifelong dedication to capture the suffering of humanity and of nature. Most famously, the nightmarish images of the teeming workers of Serra Pelada, a Brazilian mountain gold mine. While creating these images raises some ethical questions that Salgado was confronted with throughout his career, it is an utterly enthralling experience, upsetting at times in its frank display of war, death, and devastation. Ultimately, however, Salgado's elegance and kindness pull us back in and what we see is truth, awareness, and beauty.

Genre: Documentary

Actor: Juliano Ribeiro Salgado, Lélia Wanick Salgado, Régis Muller, Sebastião Salgado, Wim Wenders

Director: Juliano Ribeiro Salgado, Wim Wenders

Rating: PG-13

, 2013

A Good Movie to Watch features almost every work of Asghar Farhadi for the sole reason that his films, although highly acclaimed and brilliant, are criminally under-watched. As always, Farhadi offers complex, compelling, and contemporary drama and piercing insight into human relationships and emotions. Expect the twists, subtleties, and emotional limbo that you're probably familiar with from A Separation or About Elly. That said, The Past is a bit different, because, for one, it focuses on romantic relationships, and, secondly, it plays in the far more permissive world of a Parisian suburb –⁠ and not in theocratic Teheran. Independent of its location, The Past's key subject is the universally human phenomenon of having to deal with the choices made in the past. In addition to Farhadi's intricate directing and the sensitive script, it is imperative to mention the powerful performances by Ali Mosaffa, Tahar Rahim, and, above all, Bérénice Bejo. An unforgettable experience.

Genre: Drama, Mystery

Actor: Ali Mosaffa, Babak Karimi, Bérénice Bejo, Eléonora Marino, Elyes Aguis, Jeanne Jestin, Pauline Burlet, Sabrina Ouazani, Tahar Rahim, Valéria Cavalli

Director: Asghar Farhadi

Rating: PG-13

Before you press play on this movie, we highly recommend you take a few very deep breaths. This 2018 thriller is wound so tight, you will need the extra oxygen to get through it without fainting. In his directorial debut, Swedish-danish filmmaker Gustav Möller uses very little in terms of resources to create this breath-taking atmosphere. While The Guilty feels like it was made on a $100 million budget, all it physically brings to the table is one man in a dark room. It plays with our imagination instead of blinding it with special effects. Similarly, the plot is also short and sweet: a police officer is temporarily sent to do emergency dispatch, when he receives a call that turns an ordinary shift into a hell ride. This is all we are going to give away before you've completed your breathing exercises. The movie's minimalist approach is held together by great acting from Jakob Cedergre, a screenplay to match, and incredible sound design. A real white-knuckle ride.

Genre: Crime, Drama, Mystery, Thriller

Actor: Alexander Clement, Anders Brink Madsen, Camilla Lau, Gustav Möller, Gustav Möller, Jacob Lohmann, Jacob Ulrik Lohmann, Jakob Cedergren, Jeanette Lindbæk, Jessica Dinnage, Johan Olsen, Katinka Evers-Jahnsen, Laura Bro, Morten Suurballe, Morten Thunbo, Omar Shargawi, Peter Christoffersen, Simon Bennebjerg

Director: Gustav Möller

Rating: R

In this powerful documentary, Brazilian filmmaker Petra Costa intertwines her own family history with the democratic journey of her home country. As she says herself, Costa and her country's democracy are of the same age. This is not the only reason why she was uniquely positioned to make a film like this: her parents were left-wing activists in the 1970s, who went to jail for their beliefs, while her grandparents were part of the ruling class have made Brazil's strong-man politics and right-wing backlash possible. Her mother was held at the same prison that ex-president Dilma Rousseff (2011-2016) was sent to. Costa tells the story of Rousseff's demise as well as that of Luiz Inácio da Silva (2003-2011) aka Lula, whose future remains up in the air. The Edge of Democracy is thus a gripping and urgent warning that democracy in the world's sixth most populous country is under attack. In content and form, Costa is obviously opinionated, but she makes a strong point.

Genre: Documentary

Actor: Aécio Neves, Barack Obama, Dilma Rousseff, Eduardo Cunha, Elena Andrade, Jair Bolsonaro, Jean Wyllys, Luiz Inácio Lula da Silva, Marisa Letícia Lula da Silva, Michel Temer, Nelson Mandela, Paulo Maluf, Petra Costa, Queen Elizabeth II of the United Kingdom, Sérgio Moro

Director: Petra Costa

Rating: TV-14

Directed by celebrated artist-turned-filmmaker Julian Schnabel, who won an award in Cannes for it, The Diving Bell and the Butterfly is the true story of the Parisian journalist and fashion editor Jean-Dominique Bauby (Mathieu Amalric), who suffered a devastating stroke at the age of 43. Paralyzed almost completely by what is termed locked-in syndrome, his left eye was the only part of his body that he was still able to move. In a Herculean effort, Bauby learned to blink in an alphabet code that eventually enabled him to communicate. The film alternates between Bauby's interaction with his visitors and caretakers (including painstakingly dictating his memoir, the titular Le Scaphandre et le Papillon) and dream-like fantasies and memories of his life prior to paralysis. The title alludes to this juxtaposition: the diving bell representing his final state of isolation, akin to a deep-sea diver under a bell, and the butterfly as a symbol for his blinking eye and the freedom he has in his mind, dreams, and imagination. Shot from Bauby's perspective, we see what he sees. Be it his divorced but loyal wife and his family visiting him, or his old father, played by Max von Sydow, which is probably the scene in this fascinating movie that will make you lose it and weep like the rest of us.

Genre: Drama, History

Actor: Agathe de La Fontaine, Anne Alvaro, Anne Consigny, Emma de Caunes, Emmanuelle Seigner, Fiorella Campanella, Françoise Lebrun, Gérard Watkins, Isaach De Bankolé, Jean-Philippe Écoffey, Jean-Pierre Cassel, Laure de Clermont-Tonnerre, Lenny Kravitz, Marie-Josée Croze, Marina Hands, Mathieu Amalric, Max von Sydow, Nicolas Le Riche, Niels Arestrup, Olatz Lopez Garmendia, Patrick Chesnais, Talina Boyaci, Zinedine Soualem

Director: Julian Schnabel

Rating: PG-13

It’s hard to overstate just how lovely — and quietly radical — this largely improvised Canadian docudrama is. The scenario (seven elderly women and their tour bus driver are stranded in the Canadian wilderness for a few days) is contrived, but the rich, lively conversations that feature are all drawn from the women’s real lives. As they hunker down and get on with the business of surviving with meager food — something they manage to do largely thanks to the bushcraft skills of Mohawk elder Alice — the strangers reflect on their long lives and open up to each other about their lingering fears and still-burning hopes.

They’re a diverse bunch — featuring Cockney transplants, lesbian pioneers, and nuns — and the film’s brief cuts to real photos from the women’s earlier years both underscore the rawness of what they’re saying and serve as testaments to the rich fullness of their lives. The Company of Strangers grants these women the kind of serious consideration and space that they’re denied in so many public spaces, but it never feels like a strained exercise in redressing that imbalance. Instead, this is simply a gentle, gorgeous, and profoundly moving portrait of women who aren’t done living yet.

Genre: Adventure, Drama

Actor: Alice Diabo, Beth Webber, Catherine Roche, Cissy Meddings, Constance Garneau, Michelle Sweeney, Winifred Holden

Director: Cynthia Scott

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary

Actor: Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, Kathleen Cleaver, Melvin Van Peebles, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

, 1985

While billed as a “ramen western”, Tampopo satirizes plenty of other American genres, including, but not limited to: 1) the inspirational sports film, with Tampopo’s diligent training, 2) the erotic, arthouse drama through its egg yolk kiss, 3) the witty, social comedy pointing out the absurd in dinnertime tables, and 4) the melodramatic mafia romance with its room-serviced hotel getaway. But the film doesn’t buckle under the weight of carrying all these genres– instead, the customer vignettes are all delicately plated to balance out the hearty journey of a store owner learning about ramen and the bemused, yet cohesive contemplation about food. Tampopo is one of a kind.

Genre: Comedy

Actor: Akio Tanaka, Chōei Takahashi, Fukumi Kuroda, Hideji Ōtaki, Hisashi Igawa, Hitoshi Takagi, Hyōe Enoki, Isao Hashizume, Izumi Hara, Ken Watanabe, Kinzō Sakura, Kōji Yakusho, Mariko Okada, Masahiko Tsugawa, Nobuko Miyamoto, Nobuo Nakamura, Rikiya Yasuoka, Ryutaro Otomo, Toshiya Fujita, Tsutomu Yamazaki, Yoriko Dōguchi, Yoshi Katō, Zenpaku Kato

Director: Jūzō Itami

Rating: NR

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While quite testing for viewers, this is one of the craziest, most high-energy movies you'll ever watch. In this incredible German drama, child actor Helena Zengel plays Bernadette aka Benni, a traumatized 9-year-old child who tends to lash out and has been repeatedly suspended from every school she went to. Benni is a so-called “Systemsprenger” (which is the original German title). A system crasher is a child so uncontrollable and aggressive that, over time, she falls through the grid of special schools, foster care, and social work facilities. Despite the best efforts of her designated social worker, Frau Bafané, played by Gabriela Maria Schmeide, she is turned down by everyone, testing the patience of her surroundings, wherever she goes. A trip with Micha (Albrecht Schuch), a tough boxer and anger-management trainer, turns out to be the last resort. Directed by Nora Fingscheidt, System Crasher is intense, punky, and wild with an almost eerie sense of authenticity. Its devastating effect is helped along by its unique, hyperactive camerawork. Much like the social workers themselves, you might have a hard time keeping professional distance to all this. This intense drama will stay with you for a long time.

Genre: Drama

Actor: Albrecht Schuch, Axel Werner, Barbara Philipp, Bärbel Schwarz, Bruno Thiel, Cederic Mardon, Gabriela Maria Schmeide, Gisa Flake, Helena Zengel, Imke Büchel, Jana Julia Roth, Julia Becker, Lisa Hagmeister, Louis von Klipstein, Maryam Zaree, Matthias Brenner, Melanie Straub, Moritz Thiel, Peter Schneider, Roland Bonjour, Steffi Kuhnert, Tedros Teclebrhan, Till Butterbach, Victoria Trauttmansdorff

Director: Nora Fingscheidt

Rating: 12

Summer 1993 charts a formative summer in the life of young Frida (Laia Artigas), a brooding six-year-old who, having just been orphaned by AIDS, is sent from her home in Barcelona to live in the countryside with her uncle (David Verdaguer), his wife (Bruna Cusí), and their little girl (Paula Robles). Catalan director Carla Simón drew on her own childhood experiences for the film, making Summer 1993 feel intimately told. It’s shot from the perspective of its young protagonist and is guided by the unpredictable rhythms of memory: we experience Frida’s new life the way she might remember it when she’s older, via snapshots of moments that stand out to a child, like the day she spent amongst the chickens in a neighbor’s farm or the moment another kid asks her why she isn’t more visibly upset about her mother’s recent death.

That emotional enigmaticness is what makes Artigas’s naturalistic performance so absorbing: she never plays Frida in a predictable dramatic register, so much so that it’s easy to forget we’re not watching a documentary. The unexpected little ways her grief manifests itself — along with Simón’s assured, impressionistic directing — make this a profoundly heart-rending watch throughout, and especially so in its gut-punch of a final scene.

Genre: Drama

Actor: Bruna Cusí, David Verdaguer, Fermí Reixach, Isabel Rocatti, Laia Artigas, Quimet Pla

Director: Carla Simón

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Koreeda is a master of the tender gaze. He deals so softly, elegantly, and emphatically with the characters in his films, it will make you feel like you're watching life itself in all its complex, emotional splendor. Maybe this is particularly true for this movie because it has been inspired by Koreeda's memories of his own childhood and the passing of his mother. Still Walking is a quietly toned movie spanning a period of 24 hours in the life of the Yokoyama family, as they gather to commemorate the passing of their eldest son. At the center of the story is the father, an emotionally distant man who commands respect both from his family and community. Opposite from him sits the other son, the black sheep, who seeks his father's validation. Directed, written, and edited by Koreeda, this dynamic is one of many in this slice-of-life movie about how families deal with loss. And, however distant the culture or setting in Japan may seem to the outsider, you're bound to recognize either yourself or your family among the tender scenes of this masterful drama.

Genre: Drama, Family

Actor: Haruko Kato, Hiroshi Abe, Hotaru Nomoto, Kazuya Takahashi, Kirin Kiki, Ryoga Hayashi, Shohei Tanaka, Susumu Terajima, Yoshio Harada, You, Yui Natsukawa

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Frequently considered one of the greatest animated movies of all times, and certainly the highest-grossing film in Japanese history, Spirited Away is Hayao Miyazaki and Studio Ghibli at their very best. It was also the first non-English animation movie to win an Oscar. On the surface, it's a film about a Chihiro Ogino (Hiiragi), a young girl who stumbles into an abandoned theme park with her parents. In a creepy spiritual world full of Shinto folklore spirits, she sees all kinds of magic and fantastic creatures, while having to find a way to save her parents and escape. In addition to the adventure, the coming-of-age theme, and the motifs of ancient Japanese lore, the film can also be understood as a critique of the Western influence on Japanese culture and the struggle for identity in the wake of the 1990s economic crisis. A deep, fast-paced, and hypnotizing journey.

Genre: Animation, Family, Fantasy

Actor: Akiko Tomihira, Akio Nakamura, Bob Bergen, Bunta Sugawara, Daveigh Chase, David Ogden Stiers, Hayashikoba, Hiromi Takeuchi, Ikuko Yamamoto, Jack Angel, Jason Marsden, Jim Ward, John Ratzenberger, Kaori Yamagata, Katsutomo Shîbara, Kazutaka Hayashida, Ken Yasuda, Koba Hayashi, Lauren Holly, Mari Natsuki, Masayuki Kizu, Mayumi Saco, Michael Chiklis, Michiko Yamamoto, Mina Meguro, Minako Masuda, Miyu Irino, Naoto Kaji, Noriko Kitou, Orika Ono, Paul Eiding, Rina Yamada, Rodger Bumpass, Rumi Hiiragi, Ryunosuke Kamiki, Shigeru Wakita, Shigeyuki Totsugi, Shinobu Katabuchi, Shiro Saito, Sonoko Soeda, Susan Egan, Suzanne Pleshette, Takashi Naito, Takehiko Ono, Tara Strong, Tatsuya Gashuin, Tetsurô Ishibashi, Tsunehiko Kamijo, Yasuko Sawaguchi, Yayoi Kazuki, Yo Oizumi, Yoko Ono, Yoshitaka Sukegawa, Yumi Tamai, 沢口靖子

Director: Hayao Miyazaki

Rating: PG

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, 2022

In Lumon, a company that resembles the increasingly intrusive oligarchs of Big Tech, Mark (Adam Scott) and his colleagues undergo a procedure that allows them to separate their work memories from their non-work memories. It sounds like a dream: the perfect work-life balance. But things get complicated when one colleague mysteriously leaves and is replaced by confused new hire, Helly (Britt Lower). Mark and Helly dig into shocking truths about what they really do, and for whom.

Just like the endless halls of Lumon, Severance is filled with twists and turns, many of which are impossible to see coming. Slow, smart, and sneaked with a dystopian eerieness that doesn’t feel all that far off, Severance is sure to leave you wary of corporate slavishness, if you aren’t already. 

Genre: Drama, Mystery, Sci-Fi & Fantasy, Science Fiction

Actor: Adam Scott, Britt Lower, Christopher Walken, Dichen Lachman, Jen Tullock, John Turturro, Michael Chernus, Patricia Arquette, Tramell Tillman, Zach Cherry

Rating: SPG

, 2012

The Sanskrit word Samsara refers to the wheel of life and roughly translates to “continuous flow”. And, indeed, Samsara takes us on an entrancing journey, chronicling the never-ending cycle of birth, life, death, and re-birth that life, big and small, goes through—at least according to the religions that were born on the Indian continent. Shot on 70mm film and utilizing computerized camera movements as well as time-lapse photography, this film by American director Ron Fricke delivers absolutely breath-taking visuals. Whether it's awe-inspiring vastness or the close-up of a human face, its narration-less narrative integrates every aspect of human and natural life regardless of scale or location. The scope of this effort is truly awe-inspiring and the clarity of it has to be seen to be believed. An unusual and magical film!

Genre: Documentary

Actor: Balinese Tari Legong Dancers, Hiroshi Ishiguro, Ni Made Megahadi Pratiwi, Olivier De Sagazan, Puti Sri Candra Dewi, Putu Dinda Pratika

Director: Ron Fricke

Rating: PG-13

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