3 Best Movies With Class On Crackle

Staff & contributors
Autobiographical in nature, 120 BPM is French screenwriter Robin Campillo's first feature film. It revolves around the Parisian chapter of the AIDS advocacy group ACT UP, which Campillo was a member of in the early 1990s, and the love between Nathan, the group's newest member, who is HIV negative, and Sean, one of its founding and more radical members, who is positive and suffers the consequences of contracting AIDS. Using fake blood and spectacular direct action, ACT UP advocated more and better research of treatment, prevention, and awareness. This was at a time when many, implicitly or explicitly, viewed AIDS as a gay disease, even as a punishment for the gay community's propensity to pleasure and partying. The latter is reflected by the film's title, 120 bpm being the average number of beats per minute of a house track. Arnaud Rebotini's original score echoes the ecstasy-driven house music hedonism of the time with some effective original cuts, albeit with a melancholic streak. Because, for all the love, friendship, and emotion of the ACT UP crew that BPM so passionately portrays, anger and sadness pervade the lives of these young people as the lack of effective treatment threatens to claim the lives of their loved ones.

Genre: Drama

Actor: Adèle Haenel, Aloïse Sauvage, Antoine Reinartz, Arnaud Valois, Caroline Piette, Catherine Vinatier, Coralie Russier, Emmanuel Ménard, Félix Maritaud, François Rabette, Marco Horanieh, Naëlle Dariya, Nahuel Pérez Biscayart, Pascal Tantot, Saadia Bentaïeb, Sabrina Aliane, Samuel Churin, Simon Guélat, Théophile Ray, Yves Heck

Director: Robin Campillo

Rating: Not Rated

A mother and her two children move from Colombia to Queens, New York to join the father. Once there, he abandons them and moves to Miami.

With no family to fall back on, barely speaking English, an inexistent social welfare system and two little kids who require care; the mother quickly runs out of options. At first, she tries to sell empanadas in the street, then tries to become a temporary worker, but a mixture of obstacles keeps getting in the way.

Entre Nos is about the precariousness of the immigrant experience: about how quickly things can go wrong. But it’s also about how survival instincts and motherly love can stand in the face of complete desperation.

Genre: Drama

Actor: Andres Munar, Annie Henk, Anthony Chisholm, Clem Cheung, Eddie Martinez, Felipe Bonilla, Jacqueline Duprey, Laura Montana, Paola Mendoza, Sarita Choudhury, Sebastian Villada

Director: Gloria La Morte, Paola Mendoza

Rating: Not Rated

For kids and kids-at-heart who find Jim Henson's technical mastery of puppets riveting, this documentary on the classic and still-contemporary Sesame Street provides a ton of behind-the-scenes footage that's endlessly fun to watch. Street Gang rebuts any arguments that could be made about children's TV being low-effort—showing just how much craft is needed in a show like this. But more importantly, the film's first act illustrates the risky process of building Sesame Street from the ground-up, specifically as programming for inner-city Black children who weren't getting the education they deserved. It's nothing short of an inspiration to see this ragtag group of creatives and communication experts—none of whom wanted to take sole credit—coming together like a superhero team to create one of the most iconic and enduring TV shows in American history.

Genre: Documentary, Family

Actor: Bob McGrath, Brian Henson, Caroll Spinney, Christopher Cerf, Dizzy Gillespie, Emilio Delgado, Fran Brill, Frank Oz, Fred Rogers, Holly Robinson Peete, James Earl Jones, Jesse Jackson, Jim Henson, Joan Ganz Cooney, Johnny Carson, Johnny Cash, Jon Stone, Lisa Henson, Loretta Long, Matt Robinson, Muhammad Ali, Norman Stiles, Orson Welles, Roscoe Orman, Sonia Manzano, Stevie Wonder, Will Lee

Director: Marilyn Agrelo