This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård.After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed.Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.
A razor-sharp script and beautiful scenery make this one of the best road movies in recent memory.When their cynical best friend dies, Seph and Alex embark on a journey to scatter his ashes over four spots he wants to go back to. Tupperware of ashes in the glove-box, they start their big adventure.Burn Burn Burn, an expression their friend quotes from Kerouac, is a chance for the two friends to escape their hectic city life and to discover themselves. It’s a beautiful movie.
It wouldn't be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90's skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn't concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill's directorial debut is beautiful in every sense of the word.
It's often said that trying to make a comedy movie featuring a character with cancer is just a bad idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. In a movie that comes closer to a believable real life situation than most, 50/50 manages to mine humor, pathos and simple honesty from a dark and traditional situation. Starring Seth Rogan and Joseph Gordon-Levitt, this film isn't afraid to 'go there' but you'll enjoy the journey.
This is the type of famous movie that doesn't feel like one. So if you haven't yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn't watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It's gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It's intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
From Park Chan-wook (maker of Oldboy) comes The Handmaiden, a great movie in line with his now mastered style of portraying the beautifully weird. A rich Japanese lady isolated from the world accepts a new handmaiden, a shrewd young Korean girl with hidden motives. The men around them, full of greed and lust, complete the grand Victorian tale of deception, romance or lack thereof, and dark humor. You will find yourself at times screaming "what?", and at times bewildered by the general aesthetic of the film including clothes, traditions, and the stunning nature of both Korea and Japan. If you love cinema, you can't miss this movie. It's just too big of an achievement.
Shaun (Thomas Turgoose) is a 12-year-old kid fueled by rage because of his father’s death. Over the course of the summer in good ole’ Northern England, he befriends a group of local skinheads and instantly feels at home – with the mischief-making still partially at bay then. This was prior to meeting Combo, the most ill-bred of the gang, and being led down a path of greater danger. Dubbed as director Shane Meadows’s best work, it’s easy to pick this one off a list and give it all the praise, depicting England perfectly in a coming-of-age approach you otherwise would’ve paid no mind to.
This is right up your alley if you have a thing for gangster films. Actually, if you have a thing for stupendous acting and just Robert de Niro in general, then A Bronx Tale might do the job for you. The 1960’s was a tough time for Lorenzo (de Niro), father to conflicted Calogero (Lillo Brancato), who seems to have befriended Bronx’s big man, Sonny (Chazz Palminteri). Torn between his moral integrity and a few other factors in the mix, the young boy’s leap to the crazed world of mobsters doesn’t get any more real than this. Tragedy and fascination take human form through the eyes of De Niro’s directorial debut and Palminteri’s work of art, leaving you with a gripping feeling long after the credits have stopped rolling.
A riveting take on one of the most prestigious forms of modern art, The Best Offer is a film laced with symbolism and thick, posh accents. Virgil Oldman (Geoffrey Rush) ends up pursuing a socially inept woman through Robert (Jim Sturgess), who guides him in winning her heart, albeit, rather unconventionally. What starts out as something Oldman brushes off to be some poor laid-out scam ends up a mystery he begins obsessing over, turning his life to shambles of sorts.This uncanny film by Academy Award-winning director Giuseppe Tornatore delivers sharp twists and appropriately-timed surprises in a suspense-thriller served on a silver platter.
If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy; then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).