There may not be a show or movie out there that the term “slice-of-life” applies to better than Easy. Don’t watch it expecting stuff to happen, it won’t. I mean it will, but don’t expect any big plot twists, and don’t anticipate the end of episodes: enjoy it as it happens.
With different stories in each 30-minute episode, Joe Swanberg (Drinking Buddies) who created, wrote and directed will feel as the only constant throughout the series. Yet, as you move through it, you realize that other than being mini-cameos to each other, these characters share many of the same defining elements of modern-day culture. The ways they navigate relationships, sex, and technology is relevant and realistic.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.