There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.
This is a gorgeous Danish period drama that’s based on a famous story and book in Denmark called Lykke-Per (or Lucky Per) by Nobel Prize-winning author Henrik Pontoppidan.Per, the son of an overbearing catholic priest, leaves his family house in the country side to seek a new life in Copenhagen. His passion about engineering was at the time contrary with the Christian faith, but manages to introduce him to the capital’s elite, and a chance at social ascension.Lykke-Per and A Fortunate Man are about nature versus nurture. Per’s passion about engineering and renewable energy (back in the 1920s) is set against his need to emancipate and the pride that was instilled in him by his upbringing.
From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games.In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles.With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.
Bosch returned recently for a fifth season, with a sixth one confirmed. It’s a sleeper hit that you may not have heard of, but with time should get the coverage it deserves.Titus Welliver (Lost, Sons of Anarchy, Argo) plays an L.A.P.D. homicide detective who is on trial for using questionable methods during a fatal shootout. At the same time, he is trying to solve an open murder case.Bosch is carried by almost entirely by Welliver, who delivers such a good multi-layered performance that it’s hard to think anyone else could have played this character.
This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.
Shoplifters is the Winner of the 2018 Cannes Film Festival from Japan. It's about a poor family made of small-time outlaws who live from shoplifting amongst other petty crimes. They take in a new girl they find outside in the cold and introduce her to their otherwise happy family. But when the second-youngest member of the family finds himself teaching her how to shoplift, he faces a moral dilemma that threatens the fabric of the family.From renown director Hirokazu Koreeda, and if you don't know who that is - I really recommend checking out his other movies. Namely, Still Walking, Like Father, Like Son and After the Storm.Koreeda is often referred to as the best Japenese filmmaker alive, and Shoplifters is solid proof that he deserves that title. Its affecting story and slow-burning nature are sure to stay with you for a long time.
A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this.
Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.
Cinematography is a big part of Cold War, the story moves through stunning shots of the Polish countryside and later on an incredibly delicate portrait of Paris. All of that would be a waste if you watch it on an iPhone, so I really recommend watching this on as big of a screen as you can get your hands on.In 1950s Cold War Poland, a band of folk musicians find themselves used as a tool for Soviet propaganda. Their travel through the country is hijacked by this agenda, but it remains an incredible journey. It goes through different seasons and aesthetics uncovering lost Polish songs and poems.The leader of the band falls in love with one of the dancers, and the limits imposed on the couple under communist rule make them seek alternatives. Cold War is a statement on how far artists go for their art, especially when they become constrained not only by politics but by romance.It’s a poetic yet quiet movie that doesn’t scream its point but rather invites you to come to your own conclusions.