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Based on the 2011 novella of the same name, Train Dreams depicts the life of Robert Grainier in the first half of the 20th century. It’s a pretty ordinary life. Born without parents, and not quite sociable, Grainier lives a lonely existence, a loneliness that’s interrupted occasionally by talks with his fellow co-workers and the limited time he gets with his family. However, that doesn’t mean it’s boring. Joel Edgerton delivers one of his best performances that subtly depicts his inner world, while writer-director Clint Bentley pairs Grainier’s day-to-day with surreal dreams, feverish imaginings that captures Grainier’s deepest hopes for the people he’s lost. Train Dreams depicts an ordinary life with extraordinary sensitivity.

The White Tiger only occurs once in 10,000 births naturally, so it’s a fitting title for this film’s protagonist, as someone deemed smart enough to have a shot at breaking through his social class. It’s an extraordinary character study. It’s not because it’s the most original story, because it would be easy to recognize how much of an underdog Balram Halwai is. It’s extraordinary because of the pulsing anger that bleeds through the dark humor, a refusal to sugarcoat that makes the film stand out. As Balram recalls the upper class family he used to work for, the drama dives deep into the systemic corruption that determines most people’s fate in India, with such a gripping direction that it’s hard to look away, even as it gets ugly. 

With the success of non-resident Indians all over the globe, one has to wonder: Why not the ones back home? How can a country that raised such talented individuals have trouble taking care of the rest of its citizens? Swades considers this question through the return of one such successful NRI, NASA Project Manager Mohan Bhargava. It’s a perspective of India that doesn’t brush aside the country’s struggles– if anything, it understands the full weight of their challenges. Mohan’s return pulls him to schoolteacher Gita’s issue of teaching the kids in the village, leading him to bump against the interconnected problems of caste, class, and corruption. But it doesn’t end in just despair. At times, Swades can feel heavy-handed, but its earnest belief in community reflects a love that could be transformative, if the country would care for its people rather than slip into inertia.

Deception aside, there’s something charming about the way Rab Ne Bana Di Jodi brings romantic comedy tropes into an arranged marriage. For one, the girl isn’t the one with the Cinderella makeover– It’s the guy. It probably helps that the guy is portrayed by Shahrukh Khan, out of type as a nerdy teacher’s pet-turned-salaryman pretending to be, well, him. It also helps that RNBDJ has a completely different aim: it’s out to satirize the way Suri, and Bollywood itself, misinterprets Taani’s ideal leading man. Still, even as it pokes fun, RNBDJ is a sincere Bollywood romcom, unabashedly celebrating the devotion Suri has in trying to understand his wife, and his openness to be transformed for it. RNBDJ should not be emulated in real life. But perhaps it’s a sweet reminder to let in a bit of romance into the everyday, show a little vulnerability, and maybe try on a new look once in a while.

Given today’s rising singlehood and reluctance to have children, family films like Parenthood seem to feel a little passé. Some elements, such as the reaction to Kevin’s need for psychological counselling, certainly are a little dated. But through the multiple branches of the Buckman family, Parenthood reflects the very same concerns that has led to today’s hesitation to have a family– the hopes and expectations each generation have with each other and themselves, and the disappointment we get when they’re not met. Even with how large the family gets, the film balances each story effectively, letting each branch have their own moment to shine. Gently poking fun at the mismatch, Parenthood finds humor and warmth in the effort they put in trying.

Admittedly, half the fun of Nouvelle Vague would only be understood by cinephiles, film history students, or anyone with a passion for the titular film movement. The naturalistic, black-and-white style mirrors the very style Jean-Luc Godard employs in Breathless, which is fitting for a film about the making of said movie, and considering his own oeuvre, it’s clearly a style director Richard Linklater is at home in. Still, even without the full context, there’s undeniably funny about the way Linklater depicts Godard behind the scenes. He’s presented as this baffling figure that does things simply because it’s different, which ironically echoes many artists’ biopics, but Nouvelle Vague pulls everything all together with a charm only Linklater could bring.

With a runtime of a whopping 3 hours and 30 minutes, Kabhi Khushi Kabhie Gham (or K3G) might be too long for the average movie watcher. After all, it would require a whole afternoon just to watch. However, there’s something compelling about the way this dual romance presents its conflict. The first half could already work as a film of its own, as a sweeping romance between Shah Rukh Khan and Kajol, complete with parental disapproval, the revoking of one’s inheritance, and multiple thunderstrikes to underscore the drama of a confrontation. But this first half sets up a lighter, comedic follow-up in London, with Hrithik Roshan and Kareena Kapoor stepping up to Parent Trap the Raichand family into harmony. As Laddu orchestrates their reunion, K3G takes familiar Bollywood tropes to cathartically mirror the pain of families separated by migration.

Given how influential he is in English storytelling, the reverence towards Shakespeare is natural. But because of it, there’s a distance placed between him, his work, and the world today. Shakespeare is on the pedestal. It’s because of this that we were surprised at Chloe Zhao’s Hamnet. Speculating on how the death of Shakespeare’s son affected his work, Hamnet humanizes the playwright in a way we haven’t seen before. It’s not Shakespeare in Love. The gaps we have about the extent of his real life are, instead, rewritten to reflect the way grief and love are what connects us with every human, including the Bard himself.

First They Killed My Father adapts the memoir of Cambodian refugee Loung Ung, and it’s not an easy life she’s lived. From the eyes of her child self, the turbulence of the time is already shocking to see, having had to go through starvation, separation from her family, and being thrown into the Cambodian civil war as a child soldier. However, what makes this harrowing biopic work is the way it balances the historical context with Ung’s personal journey. Drawing from her activism in the country (the same humanitarian work that granted her Cambodian citizenship), Angelina Jolie moves beyond the political to the situation on the ground, keeping the memory of what’s at stake each time foreign intervention stokes civil war.

What does it take to make a great hockey team? Of course, one must select the most skilled players. But for a team representing a nation, there are more aspects that play into it. That’s what Indian national men’s team captain Kabir Khan discovers in this sports drama. After losing to Pakistan and shaking hands with them at the end of the game, Khan’s sportsmanship is interpreted as foul play, in part due to his Muslim background. He does not fit into what India believes to be Indian. So when he stages a comeback as the coach for the women’s team, he has much to prove. Through the ensemble cast from various Indian states, Chak De! India mirrors the struggles of Indian multiculturalism, with the personal conflict echoing the real-life difficulties that hinder peace within the whole country. It’s not entirely perfect, but Chak De! India makes clear how much the nation can accomplish if only they were given a real chance to work together.

If it weren’t for the people involved, the English-language remake of the Korean sci-fi comedy Save the Green Planet might have gone the direction of many English-language remakes– that is, not well. Good news is that producer Ari Aster got the best people involved. Of course, that includes the original director Jang Joon-hwan, who had to step down from directing due to health issues, but their team-up with Greek filmmaker Yorgos Lanthimos, who too is known for twisted comedies, was truly inspired, as the original story’s off-kilter, eclectic alien plot fits in just right with Lanthimos’ distinct style. Bugonia is the insane and terrific consequence of such an incredible collaboration.