November 21, 2024
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With the libraries of Warner Bros., HBO, Discovery, and Cartoon Network, there’s no denying that when it comes to American television, Max is the streaming site to go to. It won’t be a surprise that the streaming home of prestige television would have quality shows to watch and binge, but for some viewers, you might be surprised with their international section, with shows from all over the world that reach the standard of what you already enjoy. Depending on your algorithm, some of these titles might already come up on your home page, but if you’re totally new to European noir, Korean dramas, Latin American telenovelas, or Japanese anime, here’s our top foreign shows on Max.
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With the gorgeous period costumes, the romance, and the familial dynamics, you would think that Like Water for Chocolate’s latest screen adaptation would be just the same as the film, albeit with a Bridgerton-esque style. To a certain extent, this is true, as the essence of the novel still remains intact and the production is greatly upgraded, however, the added runtime allows this latest adaptation to expand on the novel’s commentary on race and class, and how this played out within the Mexican revolution that was mostly glossed over in the film. Como Agua Para Chocolate captures the novel’s much more rich and layered flavors, in much more fulfilling and scrumptious ways.
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Most people take for granted that for the longest time, certain sectors of society had no one in their corner on screen, at least until someone bold and brilliant enough dared to meet the world on their own terms. Veneno is a series about the iconic titular trans TV personality, but it’s also a story about a trans journalist finding voice and her own gender expression through meeting La Veneno. It’s excellently structured, alternating between La Veneno’s beginnings and Valeria Vegas’ writing, and it’s just lovely to see the new faces of Spain’s trans community celebrate the woman that brought the community on screen.
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The last time Junji Ito’s work was animated by a Western studio, it wasn’t terrible, but it didn’t match up to the terror of his original stories. Nevertheless, animators persisted, and Production I.G. and Adult Swim’s attempt is a mini-series adaptation of the three volume manga Uzumaki. Uzumaki: Spiral Into Horror is a peculiar horror series, one that may not be downright terrifying with its small-town tale, but it’s much scarier than other Western adaptations with its faithfulness to Ito’s black-and-white intricate line work. There’s probably no other way to depict this particular story– after all, it’s all about spirals– but director Hiroshi Nagahama adds dizzying movement and composer Colin Stetson adds eerie extended techniques that match the terror Kirie and Shuichi share as they struggle against the neverending spiral spell that takes over their town.
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While it’s sort of a cheesy idea for us adults, being yourself is good, but it’s not so easy, especially as a kid. This is usually the sort of message for a coming-of-age indie, but it’s a message that works well with stop-motion animated horror series Frankelda’s Book of Spooks. Instead of showing this message in day-to-day life, Frankelda instead weaves five spooky stories of kids wishing to be someone else, and gnomes, witches, sires, and the Coco monster granting their wish… but for a price. It’s the same price Frankelda herself paid as a ghostwriter, in both the literal and fantastical sense, which drives her anthology forward. Combining a Laika-esque style with Mexican folklore, and incredibly catchy tunes, Frankelda’s Book of Spooks is an underrated series for horror fans, especially those younger in age.
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Being in your thirties seems to be different from other times in your life. Teenagers and twenty-somethings still have enough time to turn things around, but by thirty, there’s an urgency to get your life together, especially for women. Perfect Life tackles this momentous time in a way that echoes the unfiltered, naturalistic irreverence of American mumblecore, but the chemistry between the three leads and the vulnerability they show with each other makes their varied imperfect lives a bit more beautiful. Vida Perfecta is sweet, warm, and Leticia Dolera carries the show with her writing, direction, and performance.
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When life gives you heartbreak, sometimes the grief can push you to do stupid things, but in The Accidental Influencer, it becomes a surprise social media sensation that changes the life of Red Ho. Based on the real life story of Taiwanese blogger Jhai Nyu Siao Hong, The Accidental Influencer isn’t afraid to get goofy with the story, turning a break-up that was devastating at the time, to something silly to laugh at, especially with Red Ho’s over-the-top imagination. While the show is a familiar story, it’s certainly a relatable one, and it’s executed in a fresh, if a bit ludicrous, way that makes it a decent pick. If, like Red, you happen to break up just before an important occasion (like this Valentine’s day), then The Accidental Influencer might be the show to watch to soothe your woes.
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A man living in the countryside, going through a fairly mundane but happy life, until his violent past comes back to take it away… It’s a familiar story, one that studios keep returning to time and time again. Newcomer studio E&H Production has taken this story for Ninja Kamui, but with Jujutsu Kaisen’s director Sunghoo Park at the helm, the trope isn’t used for a safe bet– instead, it’s a great choice to showcase what the studio can offer. The action sequences feature his signature flair, with stunning detail, excellent choreography and point-of-view shots that place the viewer in the fight themselves. That being said, it’s also Park’s first time on an original work that isn’t an adaptation, or inspired by an already existing franchise. The show still needs to build up its world and the emotional stakes around Joe Higan, but so far, Ninja Kamui is a pretty decent introduction to Park’s new studio.
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