One of those movies which are actually good for your education; think of it as a book you can read in two hours. It is, however, a very well-cast and well-filmed book. Hotel Rwanda is brutal and disturbing, which is only reasonable since it tells the story of one of the most horrific times in recent history. Led by an astonishing performance from Don Cheadle, it is overwhelmingly sad but an absolute must-watch.
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From Steven Spielberg, Munich is the sharp and thrilling depiction of Mossad agents on a mission to avenge the Munich Massacre, the killing of 11 Israeli Olympic team members at the 1972 Summer Olympics. Despite being based on real events, it’s a work of fiction. This allows the film to stand on clear yet nuanced grounds, focusing on the moral dilemmas that may rise for the secret agents and the perpetrators, now targets. The ensemble cast including Daniel Craig and Eric Bana allow Spielberg to deliver the film you can tell he wanted to make. A personal and striking effort.
The movie starts with Luke (Ryan Gosling) as a stunt driver who learns he has a newborn child. Luke wants to properly provide for him, so he turns to robbing banks. That causes conflict with the mother (Eva Mendes) and a police officer (Bradley Cooper), which ends up spanning two generations. The Place Beyond the Pines is gritty and emotional, and at the heart of it, a good take on father-son relationships and long-term consequences.
You've probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father's concentration camp. The film is World War II told through Bruno's eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.
A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine's dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what's important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.
A fantastic and light Canadian comedy, the Trotsky stars Jay Baruchel as Leon Bronstein, a young man who believes himself to be the reincarnation of the Soviet leader Leon Trotsky. True to his past life, Leon soon begins a quest to organize a revolution at his father's clothing company, while dealing with the transition from ritzy private to a Montreal public school. Smart and pointed, the Trotsky is a gem not to be missed.
In an age where every show gets called “original” the minute after it comes out, this amazing series from the creators of Orange is the New Black will actually make you go “no, that show is different!”. Starring an almost all-women cast (except for the coach, played masterfully by podcast icon Marc Maron), it’s the story of how a crazy wrestling show was put together in the 1980s called Gorgeous Ladies of Wrestling. Alison Brie (Community) plays the girl at the center of the effort to make this show happen, having had a terribly failed career thus far. Perfectly acted and featuring funny as well as absurd moments, GLOW is a great show that you can binge on Netflix without noticing the episodes fly by.
A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!
A revelation of a movie, both in filmmaking and commercial success. While little-known abroad, it has made more than $42 million in US Box Office revenue out of a tiny $5 million budget. Kumail Nanjiani, stand-up comedian and star of the show Silicon Valley, tells his own story of romance with his now-wife Emily V. Gordon (who co-wrote the movie). Because it is based on a true story, and because it is the product of the love of both its writers and stars, this movie is incredibly heartfelt. It is also timely, addressing heavy themes such as identity, immigration, and family relationships. Not to mention it is absolutely hilarious. And it's produced by Judd Apatow. Trust me and go watch it.
The Young Offenders is a comedy about two Irish teenagers who go on a 160km bicycle trip to salvage 7 million euros worth of lost cocaine.As they sit on a hill overlooking their city, they imagine what they would do with that money. The answer is building a house that has lava lamps, “big gold walls”, Spanish girls, and an English butler to wake them up every morning with the phrase “what’s happenin’?”.You get the vibe. It’s is a silly movie, although the premise is actually based on a real-life event where cocaine from a capsized smuggling boat washed up on the Irish coast.The Young Offenders wears its heart on its sleeve. It’s a sweet funny movie, half slapstick and half plot, which sports an infinity of highly quotable one-liners.
An intimate look into the rich yet short life of Alexander McQueen, the British fashion icon. I didn’t know much about him prior to watching that movie, and that didn’t matter. His story of a tormented genius transcends fame and even time. In art and in fashion, McQueen’s journey was celebrated by everyone but him.This is the type of movie where after you watch it, you need a good hour of Wikipedia searches and Youtube interview viewing. It’s powerful and will introduce you to an entire world that is the impact of Alexandre McQueen when he lived.
A hot summer night, around 2 a.m. You’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.The film depicts the story of David Foster Wallace, played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, played by Jesse Eisenberg.It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant.Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.
A delicate and profound exploration of loss, and an unbelievably well-made drama, Manchester By the Sea is a true triumph. Its focus on the characters, its timely unfolding of story elements, as well as its world class acting are only equal to the best European dramas. This deep and slow exploration of the human condition has rarely been successful in American cinema, if ever. The last best attempt was probably another movie by director Kenneth Lonergan, You Can Count on Me. Manchester by the Sea is where he unveils his full potential, and takes the viewer deep into the tensions and history of a building handyman, Lee Chandler (Casey Affleck). His angry but quiet life is interrupted by news that his brother suffered a heart attack, and upon going back to his hometown he finds that he is the only one left to take care of his teenage nephew. A truly amazing movie, not to be missed, and a huge success too. It grossed around $80 million on a budget of $8.5 million.
Darren Aronofsky delivers yet another unforgettable allegory, starring Mickey Rourke as Randy "The Ram" Robinson, an aging professional wrestler long past his prime. He is struggling to retain a sense of identity, purpose and dignity. The audience can see in Rourke the story of all men, that we will one day grow old, regret mistakes that it's too late to fix, and mourn the end of our successes.
Ozark is a show about how a seemingly average family that gets tangled up in very unusual circumstances. Jason Bateman plays an accountant who launders money for a big Mexican drug cartel from Chicago. When things go wrong with the Cartel leader, he is forced to set up shop in the Ozark valley and change practically every aspect of his wife and two kids' lives. The show is not only an exciting crime drama but an interesting manifestation of very common American family discussions and concerns.
A beautifully intertwined love story showing the ups and downs of a father, his ex-wife, and their children experiencing love. The film weaves the three love stories of the different generations seamlessly and leaves you caring deeply about the characters. It has an amazing soundtrack added to fantastic acting that will make you feel as though you are living the same experiences as the quirky, screwed up family. It's a movie for anyone in the mood for a romantic comedy with a little more substance than your average rom com.
Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. "Bad egg" Ricky Baker has been bounced out of more foster care situations than he cares to remember until he's given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi's work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.
Five orphaned sisters are put under house arrest by their uncle and grandmother after they are seen horsing around with local boys from school. While their actions were purely innocent, their behavior is viewed as scandalous and shameful by the conservative elders in their small Turkish village. After this incident, their grandmother turns her attention towards marrying off her granddaughters. Each of the five sisters rebel in their own way, but it is the youngest and rowdiest sister, Lale, who is the central protagonist of the film. She watches helplessly as each of her older sisters is married off with an increasing sense of dread and desperation. While this may sound hopelessly depressing, the movie is equal parts beautiful and tragic and floats across the screen in a dreamlike manner. Not all of the sisters escape their oppressive surroundings or their assigned fate, but the message is clear: it’s crucial to try.