Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.