10 Best Feel-Good Movies on Hulu

Journalist LLoyd Vogel (Matthey Rhys) scoffs at the prospect of a profile commission, or a “puff piece”, as he calls it. His self-respect and professional ruthlessness has driven people away and this assignment may well be a test from his editor. But it is serendipity that brings Lloyd to American TV host Mister Roger (Tom Hanks) and his child-oriented show, at a time when he, a new father, is confronted with his own paternal trauma. No heavy psychological lifting here, but A Beautiful Day in the Neighborhood might be one of the most profound films about father-son relationships ever made. Notably, the film is directed by a woman, Marielle Heller (The Diary of a Teenage Girl). In her film as in his show, Mister Roger doesn’t have to do much: he listens, he speaks, he suggests, and while his kindness may seem frustrating at times, it is truly radical. Additionally, Lloyd’s character is based loosely on writer Tom Junod, whose encounter with Rogers ended up a profile in Esquire magazine.

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

There are only two main characters in Good Luck to You, Leo Grande: Nancy, a retired teacher who was recently widowed, and Leo, an adept sex worker with a mysterious past. They’re almost always in one place and work on a single goal: pleasure. But despite the seeming monotony, the movie is crackling with wit and sensuality every step of the way. It doesn’t waste any time getting to the heart of the matter. Nancy and Leo go back and forth about their past, with Nancy divulging much about the stigma of aging and Leo about the stigma of sex work. They also dive into the shame attached to pleasure, ultimately revealing more than just their naked bodies to each other and to the audience.

Plenty of films have been made about the grueling climb to rock-and-roll fame, but few carry the effortless charm that That Thing You Do! has. Written and directed by Tom Hanks, the film is as cookie-cutter as it gets, dodging the dark depths that typically haunt rock biopics. But that isn’t to say That Thing You Do! is boring—just the opposite, its simplicity and nostalgia make it wholly enjoyable. It’s a confection of a film that goes down easy, and it will have you smiling and bopping your head from start to end.

Rye Lane knows it’s treading familiar ground by having its charming leads fall in love as they walk and talk their way through a beautiful city. So instead of experimenting on a tried-and-tested setup, it smartly focuses on specificity. It hones in on the characters’ Gen Z woes and cranks up the British references, giving itself character and charm for days. It also finds other ways to be inventive as it trades plot twists for bold editing and camerawork. Rye Lane is a refreshing entry into romcom cinema, but it is also obviously a big fan of it as it holds plenty of homages and subversions of the genre. This one is made for and by romcom fans, and it’s always nice to see a modern love story set during our times.

Too Funny to Fail isn’t just a documentary about funny people. It’s a documentary that’s hilarious in its own right. Director Josh Greenbaum assembles the comedic powerhouse behind the short-lived Dana Carvey Show and has them recall the idiosyncratic, subversive skits they did on the show. They are, of course, naturally funny, but it’s the questions Greenbaum asks them off-cam, the clips he shows, and the titles he picks for them (Bill Hader, as a fan who used to watch the show in lieu of going to classes, is stuck with “once skipped school”) that gives the documentary its own comedic signature. The spectacular failure of The Dana Carvey Show is also an inspirational story of sorts, given the astronomical success its staff and cast have and are continuing to enjoy since its cancellation.

Babes tells the story of Eden (Ilana Glazer) and Dawn (Michelle Buteau), codependent best friends who are forced to reevaluate their relationship when Eden finally joins Dawn in becoming a mother. While Eden learns how to be more mature and independent, Dawn struggles to feel like herself again after two exhausting pregnancies. Burdened by these personal problems, they evaluate the boundaries of their friendship and ask themselves, what do they owe each other? It sounds like heavy stuff, but the script—co-written by Glazer and Josh Rabinowitz—has an uncanny ability to make even the most serious parts of the film feather-light. Glazer and Buteau are fiercely funny, charming, lovable, and relatable, and everything comes together seamlessly with Pamela Adlon, who makes her directorial debut with Babes, on the helm. Fans of Glazer’s Broad City and Buteau’s Survival of the Thickest will find much to laugh (and cry) at here.

Two months after its premiere in TIFF, Quiz Lady arrived on streaming this November. The comedy film has a sort-of buddy cop dynamic, with an anxiety-ridden, tightly-wound Awkwafina as Anne, and a chaotic Sandra Oh that lets loose with free-spirited Jenny. The film does take its time to get to the good part, and in certain scenes, it feels like it’s torn between the heartfelt and the humorous, but the leads’ acting smooths over some of the awkward writing. Quiz Lady still leads up to a fun watch, though better pacing and writing could have made this charming comedy a classic.