December 24, 2024
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As the biggest name in streaming, it won’t be a surprise to hear that Netflix has one of the biggest libraries of movies and shows. The American streaming service obviously hosts plenty of Hollywood blockbusters and indie hits, but viewers might be surprised at the variety of their library, with some shows acquired (and sometimes produced) by Netflix from all over the world. Depending on your algorithm, you might find some of them come up top in your home page, but if you’ve stuck with Hollywood films and want to start watching something out of your comfort zone, we’ve listed some of the best foreign series available on Netflix for you to start.
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Revenge stories are always fun, especially if you have someone like Jella Haase (who plays the titular spy Kleo) to helm them. Haase switches from scorned to spritely with such ease, making the otherwise formulaic plot of the show a breeze to watch. The disguises, the getaways, the killings, and the chase are all expected but nonetheless enjoyable in this show.
If you’re looking for the next Killing Eve, this just might be it. Aside from the leads’ cheerfully deadly ways, the two shows also share the similarity of having enemies obsessing with each other, resulting in a cat-and-mouse chase that’s hard to peel your eyes off from.
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If there’s one thing South Korea has a lock on, it’s great revenge stories. This thrilling and intense series follows the journey of a determined woman turning to a powerful crime ring to help her seek revenge for her father’s death. With a fast-paced storyline and expertly executed action sequences, the show keeps you on the edge of your seat from start to finish within a neat eight episodes.
Supported by Han So-Hee’s strong performances, a tight script, and the unrelenting bloody fights, My Name delivers a satisfying blend of suspense and drama making it a must-watch for fans of crime thrillers.
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Making a bucket list at the height of a zombie outbreak seems ridiculous, yet totally reasonable when you’ve spent the last three years overworked and undervalued. In real life, our workforce already feels zombified as higher-ups enslave the working class to high production and insufficient pay, so it’s nice to see Zom 100 exemplify that notion. Zom 100 also immediately captures that essential reminder to “live now,” which has become especially relevant as the Covid-19 pandemic found most people rekindling old hobbies and discovering new ones as death and sickness felt ever near.
Though there isn’t a lot of character-building in episode one, the titular 100-item bucket list promises an eye-opening, personal journey with our protagonist Akira. Thankfully, the opening didn’t shy away from the gore and electrifying tension of the zombie attacks, making this an interesting horror/slice-of-life/coming-of-age/drama to keep an eye on.
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Following the 1999 film, 6ixtynin9: the Series is an unexpected adaptation about the unexpected package. The loss of the package drives the violence of the film, as gang members tries to recover the money, and as protagonist Toom tries to survive. This is despite the package being easily replaceable by the original sender. In turning the movie into a show, the story expands to a whole set of characters in Toom’s apartment building, as well as a whole set of potential victims. Additionally, in bringing the late 90s plot into the post-pandemic world – a world with mass layoffs, government incompetence, and democracy protests, 6ixtynin9 feels cathartic. The series captures that sense of pure survival we’ve been facing these past few years.
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Based on a novel, A Perfect Story feels like a classic, straightforward romcom series. All of the elements are familiar to fans of the genre – running away from a wedding, bar meet-cutes, and fake relationships – but there’s a certain charm whenever these familiar elements show up. The show alternates between the timelines of Margot and David, taking its sweet time in the first episode before their timelines merge. And when they catch each other’s eye, it’s easy to root for these well-meaning characters looking for their match. While the story could be easily condensed into a film, the length allows the main duo to delve into a slowburn, friends-to-lovers romance.
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After the success of the 2017 series Strong Woman Do Bong-soon, it makes sense to try to recreate the same magic through a spin-off. Strong Girl Nam-soon has plenty of the same elements that made the original a success – the wacky humor, the love triangle with a cop and a CEO male leads, crimes to solve, and of course, the girl with superpowered strength. However, unlike the romcom approach of the original series, this spin-off is more of a family drama, as the titular strong girl gets lost in Mongolia at a young age – leading to the split of her parents, and the focus on that family dynamic. It still is able to balance the crime element too, with the family’s vigilantism. While the humor can sometimes feel forced, Strong Girl Nam-soon keeps what’s great with the original, but rewrites its plot points to have a more natural and understandable background.
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When a loved one dies in front of you, immediately, suddenly, and unexpectedly, the normal reaction is to freak out. Tore portrays a man, who, upon that death, turns back to his work, focusing on the logistics of the event his company is hosting. Tore’s grief isn’t the histrionics we’re used to– instead, it spurs him to seek out experiences that he’s not used to, given that he’s still living in his parents’ house at 27. This strange disconnect is compelling to watch, as the show studies the way he avoids anything related to the death, just to keep his normal demeanor, in a steady and economical way. It makes for a unique and honest depiction of grief that still packs an emotional punch.
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With a turbulent publication history – rebooting three times with three separate publishers – the Netflix adaptation of Akuma Kun doesn’t have the exact same plot or protagonists. Instead of the original Shingo Umoregi from the 60s manga and 80s anime, this show hands it off to Shingo’s successor and son Ichiro, who conducts the same magical experiments but also investigates rogue paranormal activity. However, this anime doesn’t stray too far from the original, taking inspiration from the 60s with its ink scratched art style, and even calling back the original director and voice actors. It makes for a weird and quirky supernatural series that stands out from today’s anime, while still honoring the original creator, the late Shigeru Mizuki, on his 100th birthday.
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Modern dating can seem so frustrating, because it feels like there’s a set of nebulous, unwritten rules behind it, and every single player in the game has different levels of awareness and variations to each rule. Turn to Me Mukai-kun depicts this through the titular office worker, who happens to be out of the dating scene for ten years. As he tries to go back into the dating market, he’s well-meaning, but totally ignorant, so he stumbles at certain moments in his quest to cease his loneliness. It’s very relatable, and Eiji Akaso’s doe-eyed cluelessness makes Mukai seem more endearing than foolish. While there are certain moments that falter, and certain relationships that lack a spark, Turn to Me Mukai-kun is a lighthearted yet unpredictable dorama that might charm you into binge-watching the whole series.
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Today’s child pop stars have a lot on their plate. On top of the already strenuous touring schedule, they have to deal with the fact that every move they make can be recorded, saved, and spread online just to cause their own downfall. Brazilian popstar Luisa Sonza grew up with the spotlight, and at the ripe old age of 25, has gone through two messy break-ups, a nude leak, and a racist controversy, all while creating two of her most captivating albums so far. If I Were Luisa Sonza portrays her at her most vulnerable– through the creating process, and the team meetings, and the doctor visits– but also at her most defiant, as she turns her scandals into art. The resulting intimate documentary might just be one part of her life, as she declares, but it’s just the precise viewpoint from this generation’s artists that is needed to question what it means to be a young artist in this day and age.
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