100 Best Foreign Shows on Netflix Right Now

Viewers are familiar with cuisines around the world such as the food from France, Italy and Japan, but now it’s Filipino cuisine that takes the spotlight. Replacing Chef Chico portrays different Filipino dishes in each of its eight episodes, but these meals are great side dishes to sous chef Ella’s journey in managing the Hain fine dining restaurant. Alongside this journey of self-discovery comes heartwarming stories from the Hain restaurant’s customers, the receptionist’s cheeky commentary, and sweet tracks from Leanne & Naara. They all mix into a lighthearted, if a tad bit familiar, cooking drama series, and it does so with the breezy and calm attitude of lead character sous chef Ella.

When watching fantasy anime, there’s a wonderfully whimsical world that viewers can fully explore. Spectacular magic, brave warriors, and strange creatures are all expected, but every exploring troop needs supplies. Money, weapons, and of course, food are needed to survive the wondrous yet perilous adventures they set out to embark on. Delicious in Dungeon recognizes these practicalities, and creates a whole episodic adventure that focuses more on the possible food ecosystems of a fantasy world rather than the seemingly serious quests they embark upon. It makes for a slightly silly approach poking fun at the fantasy genre, but it’s definitely something unique, especially when it brings about mouthwatering exotic dishes made from monsters.

With the stakes involved in plenty of cases, legal dramas tend to be more serious and dramatic. However, sometimes, ludicrous events can happen in these courts, and they have, in real life. Maamla Legal Hai may not be 100% factual, but the way they mix and match real life legal headlines gets into unexpected, hilarious ways, poking fun at how ridiculous the Indian legal system can be. It might shy away from the serious cases, but Maamla Legal Hai smartly depicts the legal ecosystem, from the wily higher ups, to the idealistic newcomers, with unique charm and witty humor.

This historical show with immaculate production value is about the fall of Constantinople in 1453. It’s fully in English, despite being a Turkish production, featuring a mix of entertaining interviews and dramatic reenactment. The way it’s narrated is reminiscent of History Channel documentaries (with frequent recaps), which is unfortunate. Still, the story and the production compensate well enough. The young 21-year-old Ottoman Sultan Mehmet risks everything in pursuit of Constantinople, a city twelve armies, including his father’s, have failed to take. This moment is pivotal for so many reasons: it marked the end of the Roman empire, it turned the Ottomans from local power to a global one, and the use of advanced military techniques (such as a new generation of cannons) changed warfare forever. But knowing that Mehmet will enter Constantinople (now Istanbul) changes nothing to the appeal of this show. The question is not will he win, but at what cost, and how.

Being a Viking is “the easiest job in the world” a villager tells the town’s most feared fighter: “sit on a boat, stab people with swords — it’s as basic as it can possibly get”. In Norsemen, a variety of characters try to fight this basicness. They take fashion risks like putting horns on a helmet for the first time, try to be more culturally diverse by interacting with a Roman slave, fall in love and raid tribes (often at the same time), and so on – you know, every day Viking stuff. Norsemen’s first season was viewed by more than a million people in Norway, a country of five million.

In this compelling new Belgian legal drama, the story is as much about the jurors who are chosen to decide on the crime, as it is about the crime itself.

Usually, the jurors are quiet characters whose job is to be unmoved by hotshot lawyers. The Twelve, somehow the first TV show to do this, digs into how their personal pasts influence their decisions.

Revenge stories are always fun, especially if you have someone like Jella Haase (who plays the titular spy Kleo) to helm them. Haase switches from scorned to spritely with such ease, making the otherwise formulaic plot of the show a breeze to watch. The disguises, the getaways, the killings, and the chase are all expected but nonetheless enjoyable in this show. 

If you’re looking for the next Killing Eve, this just might be it. Aside from the leads’ cheerfully deadly ways, the two shows also share the similarity of having enemies obsessing with each other, resulting in a cat-and-mouse chase that’s hard to peel your eyes off from. 

If there’s one thing South Korea has a lock on, it’s great revenge stories. This thrilling and intense series follows the journey of a determined woman turning to a powerful crime ring to help her seek revenge for her father’s death. With a fast-paced storyline and expertly executed action sequences, the show keeps you on the edge of your seat from start to finish within a neat eight episodes.

Supported by Han So-Hee’s strong performances, a tight script, and the unrelenting bloody fights, My Name delivers a satisfying blend of suspense and drama making it a must-watch for fans of crime thrillers.

Making a bucket list at the height of a zombie outbreak seems ridiculous, yet totally reasonable when you’ve spent the last three years overworked and undervalued. In real life, our workforce already feels zombified as higher-ups enslave the working class to high production and insufficient pay, so it’s nice to see Zom 100 exemplify that notion. Zom 100 also immediately captures that essential reminder to “live now,” which has become especially relevant as the Covid-19 pandemic found most people rekindling old hobbies and discovering new ones as death and sickness felt ever near.

Though there isn’t a lot of character-building in episode one, the titular 100-item bucket list promises an eye-opening, personal journey with our protagonist Akira. Thankfully, the opening didn’t shy away from the gore and electrifying tension of the zombie attacks, making this an interesting horror/slice-of-life/coming-of-age/drama to keep an eye on. 

Following the 1999 film, 6ixtynin9: the Series is an unexpected adaptation about the unexpected package. The loss of the package drives the violence of the film, as gang members tries to recover the money, and as protagonist Toom tries to survive. This is despite the package being easily replaceable by the original sender. In turning the movie into a show, the story expands to a whole set of characters in Toom’s apartment building, as well as a whole set of potential victims. Additionally, in bringing the late 90s plot into the post-pandemic world – a world with mass layoffs, government incompetence, and democracy protests, 6ixtynin9 feels cathartic. The series captures that sense of pure survival we’ve been facing these past few years.