7.1
Okay, so are we sure Vantablack was lab-made, and NOT sap sourced from a forbidden tree cut down 300 years ago that spewed out spiders and that ended up being cursed?
For a short story spin-off, Rohan at the Louvre is thematically heavy. Of course, as a story made to commemorate the mangaka Hirohiko Araki’s inclusion in a Louvre exhibition, the plot discusses art in general, as art is the source of both Rohan’s initial desire towards the mysterious visitor, as well as the source of pain, through the cursed painting. However, there’s something here as well to be said about Japanese art in general. Lines of dialogue comment on how it inspired big names like Van Gogh, but it’s also interesting how previous art is deeply rooted into Rohan’s ancestry and it’s only through rewriting his memories that he’s able to escape the painting’s curse. It’s no wonder that the cast and crew of the live action ongoing spinoff decided to team up again for this film, and they do this story justice within its two hour runtime.
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