Suitable Flesh (2023)

Suitable Flesh (2023)

A satisfactory homage to possession horrors based on H. P. Lovecraft

7.5

Movie

United States of America
English
Horror
2023
JOE LYNCH
Ann Mahoney, Barbara Crampton, Bruce Davison
99 min

TLDR

Now that's one horny demon!

What it's about

Psychiatrist Dr. Elizabeth Derby (Heather Graham) never takes her work home, but after meeting the young Asa (Judah Lewis), she becomes obsessively drawn to him for what seems like a mysterious and dark reason.

The take

The director of one of the few esteemed horror sequels (Wrong Turn 2: Dead End) adapting H. P. Lovecraft? Yes please. Joe Lynch reimagines "The Thing on the Doorstep" with the tropes of 90s erotic films and a tribute to classic possession horror cinema, meriting all our admiration for his effort. Suitable Flesh (even the title is erotic!) is fun, daring, very dark, and very horny. Heather Graham (Boogie Nights) delivers a strong lead performance, but Judah Lewis's (The Babysitter) sleazy Asa is what stands out here. Because of the horror's nature, all the actors will have a go at playing a demonic version of their characters and it's mostly good fun, but Lewis channels a certain scary nihilism that fits in very well with the film's attitude towards sex and possession... Without revealing too much hereafter, I must say that the film takes the phrase "an out of body experience" to the next level, when relating it to sexual pleasure.

What stands out

As with all Lovecraft film adaptations, there's always the danger of the true horror of it slipping through the cracks of sloppy practical effects or wonky editing. In the case of Suitable Flesh though, neither of these is actually in danger of sabotaging Lynch's directorial vision. His lifelong devotion to horror pays off in shaping this film into a rather curios work of filmic philosophy, as it questions the relationship between lust, fear, and cinema. The latter is particularly crucial here, because the cinematic ways in which Lynch shows these unorthodox possession states—with neurotic camera movements, shaking, 180 flips, and jump cuts—testify to both his conceptual proficiency and his command of the medium. The scenes end just before they start to look gimmicky, so he also knows better than to overdo it, leaving us with the attempt to make sense of who's who and whose desire overrides this time.

Comments

Add a comment

Your name

Your comment

UP NEXT 

UP NEXT 

UP NEXT 

Drowning by Numbers (1988)

Peter Greenaway plays with structure and numbers in this surreal, quirky crime comedy

7.9

Do Not Expect Too Much from the End of the World (2023)

A cynical, but terribly honest portrait of the indignity of modern life

7.9

The Guilty (2018)

A minimalist, razor-sharp thriller that will have you gasping for air.

9.0

Breaking the Waves (1996)

Lars von Trier breaks his rules in the tearjerking first film of the Golden Heart trilogy

8.1

Santa Sangre (1989)

A terrifying circus act straight from Alejandro Jodorowsky’s nightmares

7.4

Leave the World Behind (2023)

Shyamalan meets Black Mirror in this hugely entertaining, visually inventive apocalyptic thriller with a killer ending

8.2

An Autumn’s Tale (1987)

Two Hong Kong immigrants find a new life, and a new love, in this New York-shot romantic drama

7.6

Wind River (2017)

Sicario's screenwriter directs this story of murder in an Indigenous reserve

9.4

Hilary and Jackie (1998)

Two sisters, bound by music, is torn by genius and fame in this tragic, heartwrenching biopic

7.6

Wild Tales (2014)

Co-produced by Pedro Almodóvar, this tumultuous Argentine anthology film tests the limits of human sanity when pushed to the extremes – and will also test yours.

9.9

Curated by humans, not algorithms.

agmtw logo

© 2024 agoodmovietowatch, all rights reserved.