Zom 100: Bucket List of the Dead (2023) | agoodmovietowatch
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Zom 100: Bucket List of the Dead 2023

A subpar adaptation that flails next to its anime and manga counterparts

Our Take (by Renee Cuisia)

Following the success of the Zom 100 manga and anime, Netflix quickly followed suit with a live-action film, which begs the question: why? Why bother, when the freshly released series is barely a month old and already a vibrant interpretation of the comic book it was based from? Why bother, when you’re not going to bring anything new to the table? The film, more than anything, feels like a rushed cash grab that hopes to capitalize on its predecessors’ success. The premise is clever and relatable—after years of living like a zombie, a jaded employee regains a lust for life when an outbreak threatens to kill him—but the film milks it to death, so much so that by the ending, when the characters finally reach this conclusion, they can’t help but seem slow for spelling out what we’ve already known from the start. The film also looks drab and dreary, a far cry from the series’ experimental wonders. Instead of multi-colored blood bursting with every kill, we simply get metallic confetti in the movie. Instead of dynamic action, we get barely believable stunts that seem more awkward than awe-inspiring. Zom 100: Bucket List of the Dead isn’t bad per se, but it doesn’t look so good next to its much-better counterparts on TV and in print.

Synopsis

Bullied by his boss, worked around the clock, he's nothing more than a corporate drone. All it takes is a zombie outbreak for him to finally feel alive!

More about it

What happens

When a zombie outbreak hits Tokyo, Akira Tendo (Eiji Akaso) creates a bucket list of 100 things he wants to do before he dies.

What sets it apart

The acting in the film is very anime-like, exaggerated and wide-eyed, which, depending on your preference, might either amuse or confuse you. I’m leaning on the latter. It’s as if the actors weren’t given directions beyond “copy the anime,” so instead of something truthful and believable, we get performances that are closer to cosplay than cinema. These are extra-animated characters in a hyper-realistic setting, and it’s a mismatch in tone that gets harder to ignore as the film moves along.

TL;DR

If it ain’t broke, don’t fix it.

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.