The 70 Best Indie Comedy Movies

Probably the weirdest film you’ll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It’s an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it’s a definite must-watch for anyone looking for a refreshing comedy.

Two brothers played by Channing Tatum and Adam Driver decide to rob a local NASCAR event, the Charlotte Motor Speedway in North Carolina.

They put together a team to help them, with Daniel Craig as the demolition expert and Katie Holmes as the gateway driver. Other big names behind this project are actors Seth MacFarlane and Hilary Swank; and director Steven Soderbergh, who is best known for Ocean’s Eleven, Ocean’s Thirteen, and Magic Mike.

The main characters are cheerful and just goofy enough to be completely unpredictable. Their heist is as chaotic as it is random, which inevitably leads to many funny moments. The performances by the whole cast are amazing, Daniel Craig is almost unrecognizable.

A friend once described this movie as Ocean’s 7 Eleven, and it’s hard to come up with a better line.

This lovely comedy-romance from Ireland is about a closeted gay teen and his lesbian schoolmate who pretend to be in a relationship to avoid being bullied at their school.

This premise makes Dating Amber an original story in a genre in which that’s increasingly rare. This is added to the setting, in 1995 rural Ireland, which is executed to gorgeous perfection in everything from the clothes to the music.

Dating Amber ends up being more coming-of-age than a comedy-romance. It’s a tale of friendship and self-acceptance.

There is no shortage of offensive jokes in this comedy about a man who tries to prove to his girlfriend that he is dad-material. Think Borat, but Danish, and with brothels.

The man in question tries to change his lifestyle after his girlfriend, not thinking he is responsible enough, hides the fact that she is pregnant. To prove her wrong, he takes his nephew on a canoeing trip with his equally as disastrous friend.

This fun comedy-drama is about Bridget, a 34-year-old who hasn’t quite got it all figured out, but at least she’s trying: after terminating an accidental pregnancy, she gets herself a summer gig as a nanny for a fearless six-year-old by the name of Frances. 

Tackling a myriad of “taboo” topics including abortion, menstruation, and depression, the movie visually normalizes human experiences that remain underrepresented in mainstream cinema. And writer Kelly O’Sullivan, who also plays Bridget, has a screenplay that manages to do it all without feeling didactic.

Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it — especially my review, will ruin this film for you. Just watch it. If one’s penchant is typically opposed to titles with ‘love’ in them, then it’s for you. Just hit ‘play’, or ‘start’, or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.

Equal parts touching and comical, this portrait of a working-class family in a suburb just north of London features twin daughters who couldn’t be more different—the brainy and good-natured Natalie, and her sneering, layabout sister Nicola. Written and directed by Mike Leigh (Another Year, Happy-Go-Lucky) expect the slow, dreamy representation of British society from one of the country’s best and most renowned directors.

Admittedly, it’s hard to watch the first twenty minutes of Dinner in America. The slurs are gratuitous, the suburban families are superficially satiric, and it seemed at first glance the leads were, too. But when the punk singer and his awkward fan meet, and they start driving around the Midwest, there’s a charming chemistry formed between these two weirdos, portrayed with a dynamic back-and-forth between Kyle Gallner and Emily Skeggs. This chemistry makes their ridiculous character flaws work, too– as Simon’s random destructive quirks end up being the perfect response for Patty’s life and Patty’s deranged fan letters turn out to be the kind of lyrical genius Simon’s been looking for. There’s no denying that the film is brash and rough at the edges like its leads, and even with this, some viewers might still turn up their noses at the two. But the over-the-top humor, the memorable dialogue, and the surprising sweetness of Dinner in America makes for a scrappy, edgy romcom that might actually be punk.

In this office comedy of errors, Javier Bardem plays Blanco, the titular boss, but whether he is actually good is what the movie wryly examines.

As head of a small manufacturing company, Blanco treats his employees intimately, going so far as make their problems his own. He believes this is why his company is nominated for an excellence certification, but as he waits for the possible award, cracks start to appear in his “work is family” facade as everything that could go wrong, starts going wrong. The Good Boss is an anxiety fest for Blanco to be sure, but a winning tragicomedy for us all.

Cloudburst is the very funny and heartwarming story of two old ladies, Stella (played by Academy Award winner Olympia Dukakis) and Dotty (played by another Academy Award winner, Brenda Fricker) who escape their nursing home and drive to Nova Scotia, Canada to get married. Along the way, they meet Prentice, a hitchhiker on his way home to Nova Scotia as well. Cloudburst is the story of their road trip. Dotty is lascivious and loving. Expect to be shocked by Stella’s potty mouth. The whole film is a great love story about devotion, acceptance and living life to the fullest.