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In 2003, NASA launched twin rovers Oppy (short for Opportunity) and Spirit into Mars expecting them to last for only 90 days. But equipped with almost human-like perseverance and personality, the rovers lasted for years, tracing terrain and reporting extraterrestrial findings back to Earth until Oppy’s final goodbye in 2018.

Good Night Oppy follows the rovers and the team who made their journeys possible, discovering warmth and emotion in the daunting task that is finding life on Mars. It’s as informational as it is inspirational, a gratifying watch on all accounts.

A recent holiday classic you likely haven't seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It's a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith's fast-paced set pieces. This is that rare Chirstmas movie that doesn't just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

This stagelike historical drama is about a meeting between Malcolm X, Jim Brown, Sam Cooke, and Muhammad Ali, the night Ali became world champion and announced he became Muslim.

And here is the thing: Malcolm X and Muhammed Ali have been portrayed many times in film, but never with this much nuance. Their relationship with each other is often frictional and their relationship to their faith is recognizable: they're not always sure about it, and they take breaks.

Ali smuggles alcohol without Malcolm knowing, Malcolm is accused of being obsessed with celebrity (and later of colorism), Jim Brown is insecure about being an actor, and Sam Cooke wishes he wrote a Bob Dylan song.

Ahmed plays Ruben Stone, a heavy metal drummer, who plays in a band and lives in a tour bus with his girlfriend Lou (Olivia Cooke). Quickly after meeting the couple, we witness the touring musician drastically losing his hearing. As recovering addicts with little financial means, they soon run out of options. Lou desperately wants to prevent Ruben's relapse into addiction and so she helps him retreat to a deaf community group home, run by the illustrious Joe, a truly amazing character played by the equally amazing Paul Raci, himself the hearing son of deaf parents. There is something deeper going on though: the question of what disability is, and how, despite how it drastically changes Ruben's life, it might not be his biggest problem. In addition to the stellar acting and delicate writing, we experience his condition through the incredible sound design used by director Darius Marder, complete with muffled conversations, garbled noises, and piercing silence. This is a movie to be taken in completely. Above all, it's about Riz Ahmed's performance. He learned to play drums, sign language, and studied deafness ahead of the shooting, and he does not strike a wrong note.

Georgian dance has cut-throat competition: the art form is dying even within Gerogia, and to make it, dancers compete to join the one duo that represents the country. The chance finally comes and the spot opens up, igniting the hopes of performers from around the country. Mervan is one of them, a young dancer from a poor background who takes food from his restaurant job to feed his family. His main competition is a newcomer, Irakli, who also comes from a difficult background and hopes to secure the spot to provide for his ill father.

When their lives hang on them competing against one another, Mervan and Irakli fall for each other.

And Then We Danced is full of incredible dance sequences that add to the beauty of the romance at its center; but it's also a heartbreaking exploration of unfulfilled ambition.

Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

This documentary is about filmmaker Lacey Schwartz, who stands out from her devout New York Jewish family with her darker skin tone. For most of her life, the family attributed this to genes from a distant Sicilian ancestor.

But suspicions have always been there, what a family member calls “the 500-pound elephant in the room”. Schwartz embarks on a journey of untangling family secrets, self-discovery, with fascinating questions on race and identity. If you like family history documentaries like Stories We Tell, you will love this.

This crazy heist movie is told in a very original way. Because it's based on a true story, the movie (with actors and a story) is sometimes interrupted by the people it's about. The opening scene even reads: "this movie is not based on a true story, it is a true story". Two friends decide to rob their local library from rare books worth millions. They're driven by money but also by wanting something different than their monotonous everyday lives in Kentucky. The need for a change is a big theme in this movie, but the story and the way it's told never cease to be breathtakingly thrilling. American Animals stars amazing actors like Barry Keoghan (Dunkirk), Evan Peters (Kick-Ass), and many more; but perhaps equally as notable is the director: Bart Layton, who is fresh from his amazing 2012 sleeper-hit The Imposter.