50 Good Movies Amazon Prime Has to Offer

50 Good Movies Amazon Prime Has to Offer

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Amazon Prime Video is stacked. You can say what you want about its dodgy user interface, but between producing its own titles and securing exclusive distribution rights around the world, you’re bound to find a great watch in a wealth of content. 

In this list, we’ve simplified the search by rounding up the best 50 movies you can stream on Prime Video right now. They vary in background, genre, plot lines, and popularity, but what they all share in common is a certified high rating granted by viewers, critics, and of course, the movie-loving folks on our team. 

50. Croupier (1998)

7.6

Country

France, Germany, Ireland

Director

Mike Hodges

Actors

Alex Kingston, Alexander Morton, Barnaby Kay, Clive Owen

Moods

A-list actors, Suspenseful, Thrilling

Clive Owen stars as a struggling writer who reluctantly accepts a lucrative offer to work as a croupier at a London casino. His characteristic aloofness, hatred of gambling, and sharp observational skills allow him to remain uncompromised and able to catch any attempt at cheating within his field of vision. But when a savvy professional gambler he shares an attraction with asks him to participate in a heist in an uncompromised way, he’s forced to consider playing the angles. Owen’s coolly detached performance is a marvel, and the depiction of the London casino scene is detailed and gritty, both of which make for compelling British noir.

49. The Innocents (2021)

7.7

Country

Denmark, Finland, France

Director

Eskil Vogt

Actors

Ellen Dorrit Petersen, Irina Eidsvold Tøien, Lisa Tønne, Marius Kolbenstvedt

Moods

Challenging, Dramatic, Raw

The Innocents is a Norweigan thriller that follows four kids who discover they have supernatural powers over the summer. They play around and experiment in the woods nearby, but what begins as harmless fun quickly develops into something much more disturbing and sinister.

This unnerving film, a blend of fantasy and horror, doesn’t waste time explaining the origins of its mysticism. Instead, it goes straight into action—bending, twisting, and splitting open anything and anyone that gets in its way. This kind of rawness is shocking given the age range of the characters, but it also works to subvert what we’ve come to expect from kids, youth, and goodness. The Innocents isn’t for the faint of heart, but if you can manage some bloody and unhindged scenes, then it’s sure worth checking out. Directed by Eskil Vogt, co-writer of critically-acclaimed films like Thelma and The Worst Person in the World

48. Whale Rider (2002)

7.7

Country

Germany, New-Zealand

Director

Female director, Niki Caro

Actors

Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu

Moods

Discussion-sparking, Feel-Good, Lovely

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn’t a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider’s point of view. It’s a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

47. Biutiful (2010)

7.7

Country

Mexico, Spain

Director

Alejandro G. Iñárritu, Alejandro González Iñárritu

Actors

Adelfa Calvo, Alain Hernández, Ana Wagener, Cheikh Ndiaye

Moods

Character-driven, Dark, Depressing

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu’ (Babel, Birdman, The Revenant).

46. By the Grace of God (2018)

7.8

Country

Belgium, France

Director

François Ozon, François Ozon

Actors

Éric Caravaca, Alexandre Steiger, Amélie Daure, Amélie Prevot

Moods

Discussion-sparking, Instructive, Thought-provoking

In Lyon, the second biggest city in France after Paris, a man confronts the church about a prominent priest who sexually assaulted him and his friends when they were young.

The man, being religious, wanted to keep the issue within the church. He only asked that the pedophile’s priesthood be revoked so that he doesn’t assault more children.

When it becomes clear that the church will not act, he considers legal action, even though the statute of limitations has expired. But, as is usual in these cases, he was far from being the only victim.

45. Giant Little Ones (2018)

7.8

Country

Canada, United States of America

Director

Keith Behrman

Actors

Carson MacCormac, Cory Lee, Darren Mann, Evan Marsh

Moods

Heart-warming, Lovely, Slice-of-Life

An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It’s a lovely and wholesome movie. 

44. Fences (2016)

7.8

Country

Canada, United States of America

Director

Denzel Washington

Actors

Christopher Mele, Denzel Washington, Joe Fishel, Jovan Adepo

Moods

A-list actors, Character-driven, Slow

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

43. Paterson (2016)

7.8

Country

France, Germany, United States of America

Director

Jim Jarmusch

Actors

Adam Driver, Barry Shabaka Henley, Brian McCarthy, Chasten Harmon

Moods

Character-driven, Feel-Good, Lovely

An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people’s lives, you will love Paterson.

42. Argentina, 1985 (2022)

7.9

Country

Argentina, United Kingdom, United States of America

Director

Santiago Mitre

Actors

Alejandra Flechner, Alejo Garcia Pintos, Antonia Bengoechea, Brian Sichel

Moods

Discussion-sparking, Dramatic, Smart

Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.

Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the upcoming Academy Awards.

41. Zana (2019)

7.9

Country

Albania, Georgia, Kosovo

Director

Antoneta Kastrati, Female director

Actors

Adriana Matoshi, Alketa Sylaj, Astrit Kabashi, Bislim Muçaj

Moods

Discussion-sparking, Intense

Antoneta Kastrati’s debut feature film Zana follows Lume, who appears guarded and subdued as she goes about her daily routine: milking the cows, harvesting crops and flowers, hanging laundry out to dry. Part of Lume’s routine also includes visits to the doctor, accompanied by her mother-in-law and husband, who pressure her to conceive.

When conventional medical advice does not yield a viable pregnancy, Lume is brought to a witch doctor, and later a televangelist. The former suggests Lume may be cursed, while the latter insists she is possessed by a supernatural creature called a jinn. Lume appears largely apathetic, at least outwardly. But slowly, she starts to unravel—and with her undoing comes the reveal of the war that traumatized her. 

Kastrati’s family drama has elements of horror, but the real terror here is psychological. It makes for an important exploration of a deeply patriarchal society that is only beginning to heal the collective traumas of a complicated war, and how its violence continues to ripple through time and into domestic life. 

 

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