23 Best Movies On Netflix You Haven’t Yet Seen

Deep in the suburbs of Paris, Divines follows the story of Dounia (played by Oulaya Amamra) and her best friend Maimouna (played by Déborah Lukumuena). Director Houda Benyamina serves a nest of social issues – welcoming the viewer into a world where poverty is pervasive and adults are haunted by their own ghosts, where there is a life vest only in the reliance on friendship. The nature of this bond between the two female characters is deep, playful, and backed by mesmerizing acting on behalf of Amamra and Lukumuena.

Just as prevailing throughout the film is the commentary on immigrant diasporas and the power of idealization. The girls fantasize about financial excess with guttural determination, guided only by the realization that their escape from their current lives has to come to fruition no matter what the cost. This film is entrancing and thought-provoking. You won’t be able to look away.

It’s often said that trying to make a comedy movie featuring a character with cancer is just a bad idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. In a movie that comes closer to a believable real life situation than most, 50/50 manages to mine humor, pathos and simple honesty from a dark and traditional situation.  Starring Seth Rogan and Joseph Gordon-Levitt, this film isn’t afraid to ‘go there’ but you’ll enjoy the journey.

Two Korean-American brothers run their family’s shoe store on the day of the 1992 L.A. riots. The day starts as they hang out at their struggling business with an 11-year-old African American girl, Kamilla. Then the Rodney King verdict is in the news and violence breaks out.

Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy and manages to uplift the violent event to a human level. An amazing movie.

To All the Boys I’ve Loved Before is not only the best rom-com on Netflix, it’s one of the best rom-coms in recent memory, period. It has all the originality and freshness of Juno, the inclusiveness and relevancy of The Big Sick, and the sweetness of all your favourite 2000s romantic comedies. Lara Jean is a high-schooler who’s never been in a relationship and who, instead of communicating her feelings to her crushes, writes them letters that never get sent. Her world is turned upside down when those letters do end up in the hands of their recipients. Her first relationship, however peculiar, comes out of the incident. The acting is top notch, the characters are lovable and well-written. Just go watch it, OK? It’s a true triumph and an innocent-fun movie, there is no scenario in which you will be disappointed.

This is a gripping and incredibly well-made documentary about the demise of the last two Brazilian presidents, Luiz Inácio “Lula” da Silva (2003-2011) and Dilma Rousseff (2011-2016). The first is now in prison, while the second was impeached. The Edge of Democracy is narrated in English by the filmmaker, Petra Costa, a renown Brazilian director. Costa intertwines her family history with Brazil’s, as her parents were activists who were sent to jail in the ‘70s (her mother was held in the same facility as ex-president Rousseff). This grounds the documentary and turns it into a personal story that illustrates the bigger political picture. The Edge of Democracy knows that you don’t know much about Brazilian politics, but makes that a source of suspense rather than a disadvantage. It’s a perfect instructive watch.

Scarlett Johanson, in her best performance since Lost in Translation, and Adam Driver, in the peak of his career, star in this heartbreaking drama as a couple going through a divorce.

They are respectively an actor and a director living comfortably in New York. They’re keen to make the divorce go smoothly so as not to affect their son, but with entirely different visions of his future, this proves to be difficult.

This premise makes for familiar territory for director Noah Baumbach who specializes in dramatic storytelling of the intellectual upper-class (like his other Netflix movie The Meyerowitz Stories). Here, Baumbach made his best film yet.

Divorce is a recurring topic of our daily lives, but somehow there hasn’t been a movie that treated it with as little melodrama and as much compassion as this one. It’s still a difficult movie, but it’s good difficult. Perfect difficult.

The Look of Silence is an incredible documentary from Director Joshua Oppenheimer, a follow-up/companion piece to his award-winning documentary The Act of Killing. Both films focus on the Indonesian Genocide of 1965-66, where the military government systematically purged up to one million communists. In this film an optician named Adi Rukun meets with various members of the death squad that murdered his brother, under the guise of providing them eye examinations. As he questions them about their participation in the killings, they show little remorse and in fact provide lurid details to the many executions. It’s a stunning and provocative look at the legacy of historical violence, along with the insidious propaganda that provoked it then and continues to justify it to younger generations.

Shot in black and white to be the best dialogue-driven, character-study film it can be; Blue Jay stars Sarah Paulson and Mark Duplass in a cozy, slow-burning film. Their characters, respectively Amanda and Jim, are former high-school sweethearts who run into each other in their hometown 20 years later. They talk, they get coffee, and then beer and jelly beans, until they find themselves to Jim’s mother’s house. As they familiarize themselves again, and the movie moves forward, it abandons its romantic chops to become a truly heartfelt and real film. A revelation of a movie.

One of the most relevant movies to come out in the past years, Moonlight is a celebration of onscreen aesthetics and delicate screenwriting, acting and directing. In the poorer area of Miami, snippets of the life of a gay African-American man are shown in three different ages, states, and attitudes. Throughout the movie, and as you witness him progress and regress, you become almost enchanted by what is happening in front of you. You find yourself in a state of understanding and not understanding, of thinking you know what’s going to happen in the next scene, but also of having no idea of what is to follow. Winner of the Best Picture Oscar, Best Supporting Actor (for Mahershala Ali who plays one of the main character’s early role models), and Best Adapted Screenplay.

On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival.

Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life, they search for the love they experience unconsciously. The reality of their introverted personalities and their surroundings make it hard to establish that same connection.

This unconventional love story is passionately told by Hungary’s best director, Ildikó Enyedi. Before it, she had taken an 18-year break from making movies, something that kind of makes sense when you watch On Body and Soul. That break was probably the only way to come up with something as thoughtful and creative as this.

A Call me By Your Name without the privilege, pretentiousness or wealth, and it’s probably a better movie because of it. God’s Own Country tells the story of Johnny, a kid from the Yorkshire countryside and underclass. The family’s workload and responsibility fell on his shoulders after his father suffered from a stroke, which drove him further into loneliness and alienation. Upon meeting a Romanian farmer, his ideas of loneliness, sex, and intimacy are confronted with change. A beautiful and beautifully humane film, and an unbelievable debut by British director Francis Lee.

An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it’s uplifting, disturbing, provocative, sad, and hopeful among many other things. We don’t get many of these middle-class-budget films anymore, and this one might be its category’s best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a “normal” environment for the kid in the room where they’re being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

What turns good men bad? Some of the stuff in this film, definitely.

From one small Texas town to the other, two brothers rob banks and travel with extreme precaution yet apparent recklessness.

Played by Chris Pine and Ben Foster, their journey captures their essence as Texans. The makers of this movie gave a lot of attention to aesthetics, and because of this the portrayal of the main characters fits very well with the portrayal of their environment. Character and scenery become are one in Hell or High Water, a magical modern-day crime western that you can get soaked in so easily.

When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.

I saw this movie about a month ago, and I can’t stop seeing it again every weekend. It’s so heartbreaking. Wiesler, an officer of the Stasi, is designated to spy on a playwright and his girlfriend because the State Security has doubts about their loyalty. However after a while Wiesler becomes absorbed in Dreyman and his girlfriend’s lives and that’s when the empathy and the human component surge to be confronted with orders, and the realities of the time.

Florian Henckel von Donnersmarck’s film is a melodrama , quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state and the haunted freedom in that time.

Icarus starts with director Bryan Fogel deciding to inject himself with doping substances and participate in a biking race undetected. By accident, he ends up in contact with a Russian scientist. This man transforms the movie from a personal experiment to a highly relevant political thriller. Dr. Grigory Rodchenkov, the scientist is at the center of accusations in Russia of a virtually impossible state-sponsored doping scheme. With links to the Russian president Putin himself, the movie keeps getting more and more interesting as the relationship between Fogel and Rodchenkov develops. Aside from all the madness that unfolds, Rodchenkov’s likeable personality makes the story more relatable and humane, and gives an insight into the pressures of working in the regulatory body in a country like Russia. You will be astonished by how much material this movie has. A must-watch.

A heart-breaking examination of a decaying shell of a once-bright marriage, this sad yet erotic-seeming story mixes happy flashbacks of attraction and desire with the grim reality of a dull life. It boosts an electrifying performance from Michelle Williams and Ryan Gosling, who seamlessly combine tenderness, rage, lust and sadness. This is a guaranteed tear-jerker, so make sure you’ve brought your Kleenexes!

Her is a movie with plenty of heart, in all its variations: love, sadness, hope and confusion. Through perfectly crafted production, the futuristic surroundings where the movie takes place will feel familiar only few minutes after it begins. This added to the amazing performance by Joaquin Phoenix delivers an unprecedented study of moving on from relationships that once seemed to last forever on one hand, and of the pursuit of intellectual love on the other. Her is thought-provoking in the most beautiful way possible, it narrates a relatable human being’s story. It is one of those movies you will keep remembering every once and a while in different contexts of your life.

This is the story of an almost unknown musician of the 60’s and early 70’s, known as Rodriguez.

He was shunned in his native U.S., but beloved in the most unlikely of countries, Apartheid-era South Africa. His bootleg albums circulated widely among his fans there, propelling him to extreme levels of fame. But he had no idea. This is a feel-good production that can also be sharp-witted when it needs to be.

Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement.

At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.

A hot summer night, around 2 a.m. You’re outside talking with a close friend about life, happiness, and the human condition. That quality and depth of conversation, which you reach at best a couple of times a year is present throughout the 106 minutes of The End of the Tour.

The film depicts the story of David Foster Wallace, played by Jason Segel, and his interactions with then Rolling Stone journalist David Lipsky, played by Jesse Eisenberg.

It’s like being with two smart friends and discussing your life and theirs in the sense that it is deeply personal, very smart while being simple, and unpretentiously relevant.

Performances are nothing short of perfect as Segel completely transforms into the character, and everything is authentically orchestrated with the deft hand of The Spectacular Now director James Ponsoldt. A rare and important film.

First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena’s talents — which thanks to a documentary-style cinematography, and the actors’ 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.

Winner of an Oscar and a Golden Globe among endless accolades, A Separation is a movie about an Iranian couple faced with the decision of leaving the country for better opportunities or staying to take care of a sick parent. If you’ve ever been curious about the humans of Iran beyond the politics, and by cultural extension, humans of Middle-Eastern countries, watch A Separation. But hold it, “An interesting foreign movie” is not how A Separation should be viewed (it’s not Slumdog Millionaire). As someone who grew up in a middle-class Muslim family, this film may be the only one to thoroughly portray many integral aspects of my upbringing.  It perfectly depicts the delicate interaction between high moral standards and the realities of underdevelopment: how many bad people are only good people running out of options, and how parents raise their children in a shell of protection from the outside world while struggling to also introduce them to it. On a separate level, it also portrays how people live ready to have every privilege they have ever had revoked and how the constant need to “man up” transforms people, as well as the role of religion in all this. A Separation is my movie, and so I am asking you to watch this film the same way I’d want you to come visit and get to know my home country.