The Best Amazon Prime Movies for Your Parents

The World of Us is a vibrant, colourful movie that follows the story of Lee Sun, a shy and sweet fifth grader who meets Ji Ah, a new girl in town. The movie is innocent, light and relatable, centered around two new friends playing in the summertime. But behind its vibrant colors, there is a very realistic commentary on how children can grow up to realise they are not of equal wealth and social status. The World of Us is not only about the fun of childhood, but also shows its bitterness. It perfectly captures the feeling of being left out by the ones who are supposed to be our friends. The movie shows that children can feel pain and jealousy toward others too, and it encapsulates the highs and lows of being young in the best way possible.

If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988’s almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear “actors,” despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud’s directorial vision hide all the seams in the movie’s magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

Judy Blume, the author behind enduring classics like Are You There God? It’s Me, Margaret, Superfudge, and Forever, gifts us with her comforting presence and precise insight in Judy Blume Forever, a delightful documentary about a delightful woman.

Here, Blume looks back and lets us in on the eventful private life that inspired her prolific work life. Each book has a behind-the-scenes story, which the documentary pairs with commentary from well-known fans like Molly Ringwald, Lena Dunham, and Samantha Bee. Additionally (and most memorably), the documentary also features the years-old correspondence Blume has kept with the children who wrote and confided in her. Whether or not you’ve read her work, watching this film is a heartwarming experience that will soon have you grabbing the nearest Blume classic.

Just like with his mentor and contemporary, Fred Rogers, there are no dark secrets to Ernest Coombs’ earnest belief in giving children the space to be gentle and creative. Even with relatively little “drama” throughout the life of the man called Mr. Dressup, it’s still profoundly moving to see him put in the work to make the world a kinder place. Director Robert McCallum keeps this documentary exactly as straightforward as it needs to be, moving through Coombs’s life with total reverence but plenty of modesty—making sure not to inflate the idea of Mr. Dressup into something Coombs himself would have disagreed with.

In its act of honoring this person with an everyman personality and a trunk full of quaint costumes, the film also serves as a tribute to low budget educational television. Working within a very small studio, with simple puppets and no strict script to follow, Coombs and his friends found any way possible to stick to their original idea of teaching very young kids that being kind and communicating one’s feelings clearly were the best things one could achieve. Behind Mr. Dressup’s softness is a remarkable work ethic, a deep respect for children, and a commitment to thoughtful, universal values.

Many people lament the decline of the mid-budget drama with Hollywood A-listers in the lead roles, and for good reason: when the charms of an inspirational, feel-good true story work, they really work. The Burial seems to have been made with this same, unabashedly sentimental attitude, and it makes for an endlessly watchable courtroom underdog tale. The film moves with real energy between its more comedic asides and its more urgent themes of underprivileged people being taken advantage of by wealthy companies. And while it still would’ve probably been effective as just a straightforward legal drama, the movie makes the effort to seek out a bigger picture—deepening its own title by grounding all its characters against complicated race relations in Mississippi.

Director and co-writer Maggie Betts doesn’t stray too far from the template that these kinds of films operate with (perhaps to a fault, especially during its climactic moments), but the cast she’s assembled is unimpeachable. Jamie Foxx turns in the kind of funny, energetic, deeply felt star performance that earned him an Oscar almost 20 years ago, while Tommy Lee Jones brings a powerful sense of modesty and centeredness to a role that could’ve easily taken a back seat to his flashier co-lead. Supporting turns from Jurnee Smollett and Alan Ruck round out a uniformly great ensemble that gives this small movie a commanding air of prestige.

There isn’t a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film’s painterly surfaces and soft silhouettes. But it’s not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

While it might not be the most inspired story featuring the titular caped crusader—nor is it a particularly Christmas-y tale—Merry Little Batman still stands out just for how bright and warm its versions of these characters are. In this Gotham, crime is literally pushed aside for once, and that odd sense of holiday isolation takes over for the heroes and villains of the city. It’s all pretty silly when you give it more thought, but the film wholeheartedly embraces its tone, resulting in a Home Alone-esque adventure that moves briskly and is loaded with great visual gags and throwaways zingers. It could stand to have a more substantial emotional center, but for what it is, this is consistently entertaining holiday viewing for all ages.

A quiet documentary that was released to celebrate the British Royal Air Force’s centenary, Spitfire tells the story of the famous plane that younger audiences might only recognize from movies like Dunkirk or Darkest Hour. It features gorgeous footage of the last remaining planes in service flying over the British coast, testimonies from pilots who are still alive and a reminder of the key role that this plane once served. It feels like an attempt to capture and archive the importance of the plane, but also of its pilots, who for the most part were young kids with little training, but who, with time, learned valuable lessons from warfare. A must for aviation fans and a great option for anyone looking for a quiet movie to watch with their family (grandparents included). 

Even if it seems like nothing really “happens” for much of The Secret Garden, its characters paint quite the moving picture of neglected children and their indomitable capacity to find hope in the world. Director Agnieszka Holland tells this story with just the right amount of whimsy: at times it’s spooky and magical, but everything is grounded in the charming performances of the film’s young actors, who are allowed to be difficult, smart, and sorrowful whenever they need to be. It may be old-fashioned, but watching it in this new decade—when we’re all trying to guard our kids from sickness and death—makes it feel all the more relevant.

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader.

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter’s heart for detail while still being graciously its own.