50 Best British Movies on Amazon Prime

Green Day’s Bullet in a Bible has certainly aged well. Maybe it’s even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong’s stage presence absolutely belongs as a stadium-level act, but you could argue they could’ve cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could’ve also had less of the vignettes and montages with edgy editing—we don’t need that many breaks from 14 songs—but it’s all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you’ll actually find yourself rooting for her at times in this noirish take on…, I don’t know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you’ll hear some choice words come from nice guy Bill Pullman (as Bridget’s husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy’s guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

No one watches a romantic comedy expecting anything novel, although it’s nice to be surprised once in a while. In the past years, we’ve seen movies like Rye Lane and Palm Springs subvert expectations and give the genre a pleasant, refreshing twist. Upgraded isn’t like those movies. It’s pretty standard and formulaic, but I would be lying if I said it wasn’t enjoyable—Amazon Prime’s latest romcom is breezy good fun from start to end. The predictable parts of the film are buoyed by vibrant performances. As leading lady Ana, Camila Mendes expertly toes the line between approachable and aspirational, while Marisa Tomei delivers campy goodness as Ana’s boss Claire Dupree, who is like a less serious, more humorous Miranda Priestly. In fact, the entire film is like a pleasant blend of The Devil Wears Prada and every single Cinderella story in Hollywood, from Pretty Woman to What a Girl Wants. If you’re looking for something new, you can skip this film, but if you like recalling your favorites and are satisfied by performances before anything else, then Upgraded comes highly recommended.

Usually a film like this wouldn’t care to take the perspective of the perpetrator, and would instead dramatize a heavy, unsettling feeling around a victim being caught within their operation. But Felicia’s Journey doesn’t take that route– instead, at the same time, we meet both serial killer and potential victim through a snapshot of their lives, with writer-director Atom Egoyan adeptly intercutting Felicia’s Journey with Hilditch’s video-recorded childhood and Felicia’s much more natural flashbacks. It’s an interesting visual take on the 1994 novel, that doesn’t take the usual thriller motifs and that would rather linger on studying the characters. Felicia’s Journey might be Egoyan’s first non-R rated film, but it still delivers his signature uneasiness and eeriness he is known for.

Set in the 1930’s English Countryside, the story of the eccentric Mortmain family is told from the daughter Cassandra’s point of view. Her father, a once acclaimed and famous writer has written nothing in years, leading the family into bankruptcy. Themes such as first love and financial troubles are explored from Cassandra’s comic and intelligent point of view. A classic and a must-see.

Sincere and direct, Ana Rocha de Sousa’s debut feature is a tragic portrayal of an immigrant family in the United Kingdom. Known best abroad for her role in Love Actually, Lúcia Moniz shines as devoted mother Bela, who, along with Jota (Ruben Garcia) struggles to keep their family together. The couple and their three children, including the deaf middle child Lu (Sophia Myles), come under the scrutiny of social services, especially after the unexplained bruises. While at times heavy-handed, the film raises important questions on family separation and social services, especially with their limitations with children with disabilities.

The Best Exotic Marigold Hotel invites us to an earnest meditation on old age and change. The film centers on a group of British retirees traveling to the titular hotel in India, in hopes of a good retirement. The group cast is an excellent choice: prominent names from British movies and television line the cast, and it’s a pleasure to see them act alongside each other with equal screen time and their own detailed plotlines. Their plotlines inspire empathy towards different struggles that the elderly face: finding love again, dealing with accumulated debt, and handling loss. All of these are tough, but especially when you feel your time has run out. The best of these plotlines are the ones that acknowledge loss but still persist through accepting changing circumstances and actively going for one’s desires.

While better known for Pride & Prejudice, Emma, and Sense & Sensibility, Jane Austen wrote Mansfield Park, a novel that garnered differing critical interpretations, but still intrigued readers even today. The 1999 film adaptation does capture some of the original novel’s ideas, such as Fanny’s modesty, the Cinderella-like submissiveness as means for survival, and the quiet strength to remain as herself, but it also expands on certain elements that were mostly only alluded to in the original, such as the elements pulled from Jane Austen’s actual life and her own sympathies for anti-slavery. While the film isn’t fully faithful to the original novel and should be considered its own, Mansfield Park does retain some of the essentials that makes it distinctly Austen.

Adults and kids can be friends, but there’s obviously a line that shouldn’t be crossed. This line is why most people would look at a friendship like this and automatically assume terrible things, but Lawn Dogs depicts one such connection in such a way that it’s clear how easy and disproportionate these assumptions are made for marginalized and less powerful people, over the affluent sociopaths that can and have gotten away with the accusations they lobby against others. The fairy tale ending, and of course, the disgusting behavior done by the rich guys, might turn some viewers off from the movie, but there’s also something genuine with the way screenwriter Naomi Wallace depicts a girl with a literally different heart who just wants to befriend someone real.

This  exploration of the complex and loving relationship between a mother and her son will take you through a variety of emotions: it’s uplifting, disturbing, provocative, sad, and hopeful. We don’t get many of these middle-class-budget films anymore, and this one might be one of the category’s best.

A kidnapped girl (Brie Larson) has a son after being raped by her abductor. She tries to provide a “normal” environment for the kid in the room where they’re being held captive until they can escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.