July 25, 2024
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2023 is shaping up to be a great year for fans of musical movies. Beyond more obvious entries like The Little Mermaid and Barbie, there are heartwarming tributes to musicians getting their dues, impressive indies, international wonders (including, of course, a Bollywood rager), and a much-awaited comeback from the king of modern musical films, John Carney (Once, Sing Street).
Below we share all the music movies that struck a chord with us so far and hope they have the same effect on you.
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Held back by awkward and uninspired musical numbers but otherwise a surprisingly funny and sweet animated comedy, Leo gets a lot of mileage out of being simply weirder than many of its direct-to-streaming contemporaries. As the titular lizard works through his cynicism by spending his last days helping others with their early years (a premise heartwarming enough to stand on its own), the film expresses itself through plenty of cutaway jokes and throwaway lines, excellent physical comedy, and a few particularly bizarre character designs. Everything is played in good fun though, and the movie’s witty, easygoing personality allows it to overcome any limitations from its admittedly ordinary animation.
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Much sweeter and much more bittersweet than one might expect, World’s Best does some deceptively clever things with its major themes of math and rap. Somehow, this pre-teen coming-of-age story finds a way to play with preconceived notions of equations always resulting in certain answers, and of modern hip hop being all about swagger and status. Unsurprisingly (or maybe disappointingly for some), the film ultimately touches on grief and loss, which an increasing number of Disney films have been doing as of late. But World’s Best keeps itself fresh through its sincere, energetic tone, colorful production design, and spirited performances by Utkarsh Ambudkar and the young Manny Magnus. So even when the rapping gets corny (which it does more often than it should), the spirit behind it is so endearing that it’s hard to be mad.
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Based on the rumors, When Frank Met Carlitos is a fun reimagination of how the meeting between Carlos Gardel and Frank Sinatra went. While the meeting is entirely fictional, it’s an interesting what-if scenario, as the real-life Sinatra went into music because of American singer Bing Crosby, who in turn, was notably inspired by Gardel, the Il Muto. Split between their languages, Gardel and Sinatra still have a shared understanding, piecing together each other’s thoughts through shared loan words, and imparting knowledge through dramatic song. As the fictionalized versions of the best singers from the American continent interact, the TV special seems like a send-off from a wiser generation to their younger counterparts.
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With nearly a century to cover, If These Walls Could Sing had the daunting task of giving justice to the history of the iconic Abbey Roads Studios. In 89 minutes, Mary McCartney outlines the studio’s history through archival footage and a stacked selection of artist interviews, popping only in random moments to organize the timeline. With the wide selection of artists, the film can feel scattered, as it jumps from classical music, to rock and roll, and to film scoring. The documentary doesn’t really go in-depth into how the studio developed its sound, but there are some interesting insights into certain tracks, like how the studio approached contracts, experimentation, different genres, and technology. While the film relies too much on nostalgia, it’s still an interesting tour based on the subject matter alone.
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You don’t have to be an avid fan to enjoy Let the Canary Sing, which presents itself as a joyous blast to the past and an enlightening account of How to Make a Superstar in the ‘80s. Lauper had some help from the industry of course (not that she always listened) but she was a self-made, self-promoting artist who reveled in her outsider status and defiantly punk style. It’s a joy to see her find her voice and cement her status in an overcrowded market, and it’s just as great to see how much work was put into musical gems “Girls Just Wanna Have Fun” and “True Colors,” which have served and continues to serve as anthems of sorts for her unwavering advocacies for women and the queer community.
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