December 13, 2024
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With the strike over and COVID now part of our everyday reality, it looks like 2024 is shaping up to be the year TV goes back in full swing. In the US, that means more options than ever before, but we’re after the bigger picture here: apart from American dramas and sitcoms, we’re also looking at K-dramas, Nordic noir, British thrillers, and Bollywood musicals, to name a few.
In this list, we’re compiling the best new shows that streaming has to offer. We’ll be regularly updating it as we go through the year, so be sure to bookmark this list or keep it open in a tab somewhere. If you want to catch up, you can also check out our list of the best TV shows from the previous year. So with that, here are best 2024 shows so far.
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At a certain age, it can feel like starting over again isn’t possible, especially when all signs discourage you from ever trying again. Dr. Yehya of The Last Round knows this better than most– quitting kickboxing wasn’t an option, but a requirement, with his age and near misses and personal issues taking him out of the arena and into a low point in his life. But despite this, and despite day-to-day difficulties, The Last Round also portrays him getting back up, pursuing his dream one more time. It’s a familiar story, one we’ve seen in many sports shows, but with Ahmed Al-Sakka in the ring, and the careful characterization of the whole team that gets him there, The Last Round knocks our socks out.
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Even before the worldwide pandemic, the field of medicine isn’t anymore the straightforward profession it used to be. It’s still a respected position, that’s attached with a certain status, but the demands have risen for those with the title. Doctors don’t only have to be good at their jobs– there’s a certain push for doctors to be also good at publication, lectures, in-office politics, the business, and for some, social media influencing and politics– it’s no wonder that medical workers today are burned out. Doctor Slump explores these themes with the usual K-drama flair, but in doing so, becomes a refreshing and cathartic romance to watch.
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From the fantasy-powered folktales to superhero-like depictions, ninjas have captivated the world, but seem to be a relic of the past, with modern day warfare and weaponry turning them obsolete. House of Ninjas imagines a world where ninjas still exist, centering a clan stuck between wanting to abandon the old ways but also having skills that seem wasted in contemporary life. Because of this, the show at first seems boring– the family is severely demotivated, with some members acting out through petty theft, and with out-of-place jazzy musical tracks that undercut the action of the first few episodes. However, House of Ninjas gets better as the Tawara clan gets its act together, revealing the hidden heart each of them has for each other, one that’s been hidden because of the grief that struck the family. The show may be less action-packed than expected, but House of Ninjas comes across as an off-kilter family drama with just enough heart to work.
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The first few minutes of The Tourist make it seem like a straight action thriller. It’s cool and gritty, with Jamie Dornan ably playing the role of strong but likable leading man. Then ever so subtly, it shifts its tone into something more playful and wholesome, then shifts back to dangerous territory. The back-and-forth feels jarring at first, almost like we’re seeing the show discover what it should be in real time. But eventually, it settles into a comfortable and confident rhythm, one that’s difficult not to watch. The funny bits are care of silly townie humor and that dry Australian wit, while most of the high-intensity action is thanks to Dornan (though he delivers amusing zingers too, especially when paired with Shalom Brune-Franklin). The Tourist seems designed to reel in broad viewers with different tastes, and it does just that thanks to its strong performances and nicely balanced tone.
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In Poacher, two passionate but low-level wildlife preservers are tasked to bring down a massive crime ring that murders elephants to sell rare ivory. It’s a hefty task, one that’s constantly bogged by red tape and corruption, so it’s not surprising that some scenes go on for too long and wind in repetitive circles. But for the most part, Poacher moves briskly and urgently; it has the familiar beats of a crime drama while never losing its important message about the importance of preserving nature. In lesser hands, the latter could come off as cheesy or preachy, but in Poacher, the message never feels less than life and death. It begins with the animals, as one of the investigators explains, and if the criminals are not caught soon, things will likely freefall into uncontrollable crime and corruption, not to mention a damaged ecosystem that could ruin one of India’s few green spaces forever. It’s a thought-provoking message, one that’s helped by the show’s high production value, heartwarming focus on wildlife creatures, and dedicated performances.
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Sometimes thinking about your home state can feel complicated, because while it’s your home, the events and issues and controversies of the state can make people think differently of it. With plenty of controversies but also having the most residents, Texas does have a distinct cultural identity, and Texan native director Richard Linklater explores its different sides, including the sides unheard of, through the three-part God Save Texas. Teaming up with Alex Stapleton and Iliana Sosa, they tackle the Huntsville prison complex, the Houston oil industry, and the borders of El Paso, but they do so through a compassionate, personal perspective that simply and subtly shifts our understanding of the Lone Star State, and America as a whole.
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Sports is undeniably exciting, but behind the scenes, there’s a whole world constructed just to get the players in the stadium, with sponsors funding expenses, clubs forming teams, and agents getting the players on track, whether that be through tough love or appeasement. Coppola, the Agent is centered on one such agent, the agent that handled the most famous football player in the world. Like the titular agent, the show moves at a frenetic pace, with Juan Minujín bringing to television Coppola’s fast talk and quick witted quips, and director Ariel Winograd mixing video formats and genres similar to 2022’s Winning Time. There may not be amazing goals, or outstanding plays, but Coppola, the Agent is compelling television, especially with Minujín’s fantastic depiction of the agent turned TV personality.
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After the success of Castlevania, it became apparent that there was a market for American anime– so Netflix teamed up with Powerhouse Animation Studios and the Greek-American Parlapanides Brothers to create Blood of Zeus. Claiming to be a tale “lost to history”, the show takes familiar strands of Greek mythos, such as demigod births, fantastical beings, and powerful gods, woven together through the journey of Heron as he sets out on a heroic quest. It’s a distinctly Western tale, but the epic battles, arena duels, and demonic hunts mixes well with Powerhouse’s animesque art style, creating a novel combination that feels fully original.
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With a wolf deity, wheat harvesting rituals, and farmtown folklore, it may seem that Spice and Wolf: Merchant Meets the Wise Wolf would be a traditional fantasy, filling in the genre void after Frieren’s finale. However, new viewers such as myself would be surprised that this series is known as the “Economics anime”, a reboot of the 2008 series that hasn’t met its ending yet. Of course, older fans might be disappointed at the lack of a season 3, but with its striking first episode, 2024’s Spice and Wolf reassures both old and new fans that there’s still an exciting adventure up ahead, with medieval markets, clashes with the church, and of course, the partnership between wolf girl Holo and merchant Lawrence. And this time, they promise to finally complete this adventure on screen.
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The first thing that hits you about Sugar is its style: this is a show tailor-made for fans of a bygone Hollywood era, an era dominated by film noir and dapper leading men like Humphrey Bogart, whom Sugar emulates throughout the series. The show inserts clips from old films and, even better, echoes their style through tasteful jumpcuts and fisheye lenses. It’s dripping with panache, and Farrell is undeniably cool as he narrates his investigation and inner demons. That said, Sugar is also a show that’s more style than substance. If you strip it off its snazzy clothes, you’re left with the barest bones of a mystery that is simply too cliched to stand on its own. If you’re looking to dive into a heady mystery with surprising twists and thrills, you’re better off watching something else. However, if you’re a true blue fan of vintage noir, the kind who still puts TCM on religiously and swears nothing new can compare to the old, then this is your show.
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