The 40 Best Character-Driven Shows to Watch Now

A five-part mini-series where the camera rarely leaves Benedict Cumberbatch, enabling him to deliver possibly the best performance of his career. He plays Patrick Melrose, an autobiographical character from renown British writer Edward St Aubyn. A wealthy man who in the first scene of the show hears about his father’s death, Patrick tries to get his act together to go retrieve his father’s ashes. However, a nasty drug habit and a dark past stand in the way of sobriety. This is a fast-paced and impeccably-acted show with a solid supporting cast that includes Jennifer Jason Leigh and Hugo Weaving.

Netflix’s resurrection of the hit Danish drama Borgen comes in the form of Borgen: Power & Glory, a miniseries that sees Birgitte Nyborg (played by powerhouse Sidse Babett Knudsen) step down as prime minister and take over the foreign minister position while wrangling over power, principle, and family. In this particular revival, Birgitte butts head with the new prime minister, who is all for drilling oil in the autonomous region of Greenland despite Birgitte’s firm stance against climate change. The event turns into a geopolitical crisis that tests Birgitte’s values.

The series is as whipsmart, relevant, and funny as ever, although if you haven’t seen previous seasons of the show yet, don’t fret. Borgen: Power & Glory efficiently catches you up on all you need to know in the first few minutes. It’s a standalone, engaging drama that’s a breeze to go through at just eight episodes.

It’s often said that history is told by the victors. Thankfully, this isn’t the case in The Good Lord Bird, which tracks the tumultuous events preceding the Civil War, as led by real-life abolitionist John Brown (Ethan Hawke). 

Some viewers might already be familiar with the story of how Brown “saved” slaves, but with Black teenager Henry (Joshua Caleb Johnson) as the narrator, history is repositioned and recounted through a fresh new lens. Nuanced questions about slavery, abolition, and even the revered Brown himself are brought up by Henry and his kin, such as: how much of the movement is driven by justice and how much of it by guilt? Should the white savior be absolved or are his intentions inevitably marred by ego?

Accompanying this thought-provoking tale are richly detailed costumes and backdrops, impressive cameos by historical and celebrity figures, and of course, career-defining performances by Hawke and newcomer Johnson. 

Five Days at Memorial recalls the real and horrifying events that went on at a New Orleans hospital during the aftermath of Hurricane Katrina. Over the course of five days, the caregivers in charge try their best to evacuate thousands of people from the building, but heavy floods, power outages, intense heat, and a sorry lack of planning result in some heartbreaking decisions about the fate of their patients.

The ongoing series is a gut-wrenching and at times excruciating watch, adeptly directed by John Ridley (American Crime) and absorbingly moored by a cast that includes Vera Farmiga (Conjuring)—by now an expert at exhibiting pure horror—and Cherry Jones (Succession).

Despite being released amid a deluge of period dramas and biopics, Starz’s  The Serpent Queen, which follows Catherine de’ Medici’s rise from Italian servant to Queen of France, is a strong standout in today’s streaming fare. 

By balancing modern storytelling (expect poppy needle drops and fourth-wall breaks a la Fleabag) and historical realism (the costume and production design are as accurate and detailed as any thoughtful production), The Serpent Queen manages to have a genuinely fresh take on the historical drama. It’s also refreshing in its refusal to sugarcoat history’s crude ways, so despite its modern feel, don’t be too surprised to see 13-year-olds bedded and bodies graphically pulled apart by horses.

Sweet Tooth is set in a post-apocalyptic America, where the population has been ravaged by a mysterious virus and the new generation of humans has evolved into animal hybrids. The circumstances are bleak and the things people do to survive even more so. Driven by fear and grief, they both isolate and attack in moves that are eerily reminiscent of the early days of our own pandemic. Sweet Tooth is a robust adventure story then, gritty and reflective and tragic, but it’s also incredibly sweet.

We’re introduced to a myriad of characters, each of them with their own arc, but we mostly follow Gus (Christian Convery), a nine-year-old human-deer hybrid who has yet to be disillusioned by the human race. Gus grounds the story’s many flights of fancy, and along with the other main characters, he gives us timely reminders of the importance of kindness and humaneness without ever being too corny. And to the show’s serious credit, no one plot line overpowers the other; instead, all feel just as vital to the larger story of survival that’s being told. 

The blend of these tales is lovely, the world-building is imaginative, and the technical aspects of it—the color, the costuming, and the cinematography—are all beautiful. Ultimately, Sweet Tooth is a packed a show wrapped in gorgeous layers, sure to delight even the most casual of viewers. 

Based on the bestselling book of essays by Cheryl Strayed, Tiny Beautiful Things is, well, made of many tiny beautiful things. It’s at once a meditation on grief, a coming-of-age tale, a contemplation of family ties, a sobering look at a midlife crisis, a romance, a comedy, and an absolute tearjerker of a drama. It’s clunky on some fronts and much better on others, but overall the series packs a gut-wrenching punch with the ever-compelling Kathryn Hahn as the lead. 

It’s surprisingly light with each of its eight episodes running at just under 30 minutes, but in all, the show effectively tugs at the heartstrings and provides welcome insight into navigating the highs and lows of living a small but meaningful life.

Baby Reindeer is a tough watch, starting out with out of kilter comedy that eventually and unrelentingly reveals its darker and darker sides. But not only was this a hard show to watch, this story is genuinely difficult to tell, because of how entangled all the threads of Donny’s trauma gets– it’s not a straightforward story about going through one traumatic incident and then immediately moving to logical forms of healing. It’s about one traumatic incident keeping him stuck and leaving him and his loved ones vulnerable to even more abuse. It’s a terrifying situation. And it’s terribly, terribly honest.

This bittersweet comedy centers on Sam Fox (Pamela Adlon), a single mother and working actress doing her best to get by in LA. In between juggling the pressures of both parenthood and Hollywood, Sam lets loose in brave and funny ways. Things often get the better of her and her three young daughters, but her bold, funny, and always loving approach to life is what makes Sam—and indeed the show—a true knockout.

Better Things is a semi-autobiographical story, with Adlon also having daughters of her own, so it’s no surprise that many things ring true in this big-hearted show about single motherhood.

One of the most original, underseen, and unexpectedly wholesome shows on HBO, High Maintenance spends each episode looking into the everyday lives of various New Yorkers, often with eccentric jobs or alternative lifestyles. The only thing that connects them is that they all happen to be clients of an unnamed weed dealer (played by Ben Sinclair), who becomes a witness to their ordinary joys and struggles. Barely any of the stories we get to see throughout the show’s four seasons have a traditional dramatic arc to them, but the series remains a one-of-a-kind comfort nonetheless—showing us just how colorful and interesting a mundane life can be when we have well-meaning people surrounding us. And it’s a prime example of how television should be allowed to tell stories in any form, making perfect use of the half-hour episodic format to capture these fleeting, beautiful snapshots.