40 Best Dark Comedy Shows to Watch Right Now

This comedy created by and starring Danny McBride is about a dysfunctional family of superstar televangelists. He plays the eldest son who gets blackmailed with a video from one of his not-so-virtuous nights. Watch it for easy laughs, especially if you’re used to McBride’s brand of humor, but maybe skip it if not. Also with John Goodman and Adam DeVine.

Ray Romano and Chris O’Dowd (Bridesmaids) star in this dark comedy-thriller about a gangster who attempts a career as a Hollywood producer. It’s based on the novel that the 1995 John Travolta and Danny DeVito movie by the same name was also based on *catches breath*.

There is something undeniably funny about people in crime who try to reform themselves in Hollywood, the same thing that Bill Hader perfected in Barry. The switch from real to fake and back is equally as well-executed in Get Shorty.

Jim Carrey stars in this unusual show dubbed a “tragicomedy”. He plays Mr. Jeff Pickles, the host of a beloved children’s show who has a do-gooder way of looking at life.

In contrast to his job cheering up kids and giving lessons in what’s good or bad, he has to deal with a dark reality: the passing of his son. His wife left him as a consequence and he lives alone and away from his family.

Kidding is about the contradictions that a life in show business brings and about what it takes for an optimistic person like Jeff to break. Produced and directed by Eternal Sunshine of the Spotless Mind director, Michel Gondry.

Mask Girl is a dark comedic thriller that follows people on the fringes of beauty norms trying to live with their pain and shame. Low self-esteem and a desire for attention are at the center of the drama, making it relatable and easy to empathize with even when everything goes awry. Although Mo-mi, the titular Mask Girl, is at the forefront of the narrative, subsequent episodes switch to new perspectives, allowing us to interact with Mo-mi in different ways. And with each new character’s POV, we witness how other ostracized people find comfort in and hurt each other when there’s no one else to turn to. The first three episodes are intense and surprisingly violent, but ultimately seeing the extremes of the discrimination that beauty standards perpetuate makes the story worthwhile.

With the stakes involved in plenty of cases, legal dramas tend to be more serious and dramatic. However, sometimes, ludicrous events can happen in these courts, and they have, in real life. Maamla Legal Hai may not be 100% factual, but the way they mix and match real life legal headlines gets into unexpected, hilarious ways, poking fun at how ridiculous the Indian legal system can be. It might shy away from the serious cases, but Maamla Legal Hai smartly depicts the legal ecosystem, from the wily higher ups, to the idealistic newcomers, with unique charm and witty humor.

A lot of different (good) shows come to mind after watching Bodkin’s first few minutes. Like Ted Lasso, it follows a relentlessly optimistic American as he prances along in a foreign land. Like Only Murders in the Building, it follows true crime podcasters while also parodying them in a funny and meta way. I can go on and on, especially about small towns and the secrets they hold close to their chest, but ultimately Bodkin is its own thing. It has a smart, confident, wry tone that is always intriguing and never off-putting to watch. Each of the trio expertly balances the other so that the show never gets too snarky or saccharine. It’s just right, and offers some great surprises near the end.

What does corporate heaven, the Dark Ages, the Oregon Trail, and a post-apocalyptic world have in common? Nothing, except that they are all settings for each season of Miracle Workers. The eccentric comedy anthology series plays out somewhat like a set of extended Saturday Night Live skits, with one of its youngest writers Simon Rich running the show, but the absurd humor works as Rich juxtaposes today’s modern behavior in these novel settings each season. It’s quirky and light on its feet, focusing on silly situations, but through these short episodes, Miracle Workers do create miracles in the way Daniel Radcliffe, Steve Buscemi, and Geraldine Viswanathan’s characters resolve to make a meaningful change, despite terrible circumstances. It’s not as in-depth and profound as The Good Place, but it’s funny and surprisingly witty, dealing with ideas about what’s good and how to get the will to do it.

A parody of the true crime industry, Based on a True Story is as dark as a comedy can go. It follows Ava and Nate (Kaley Cuoco and Chris Messina), a couple who, in an attempt to save their marriage and bank accounts, partner up with serial killer Matt (Tom Bateman) to create a podcast about Matt’s killing sprees. It proves to be a hit in murder-obsessed America, but Ava and Nate soon realize that their success comes with a bloody price.

Based on a True Story is the type of show that has a lot of fun trying on different hats—all at once, it’s a satire, thriller, horror, and romance—and though it’s not always successful at balancing them out, there’s something addictive about watching it try. Even when the constant tonal shifts and murky morals threaten to tear the show down, you can’t bring yourself to look away. This is mostly thanks to Cuoco and Messina, whose dynamic chemistry and live-wire performances all but prove their status as sitcom veterans. Bateman is also effectively terrifying, able to maintain his killer guise amidst ever-shifting genre backgrounds.

Often, the show treads the fine line between making light of and shedding light on violence in modern-day America. But the risk pays off, making it a killer watch for anyone willing to give it a try.

The Sticky takes its time to find its tone, so the first few episodes can be a slow watch (even though they only run for 30 minutes each). But once everyone’s been introduced and we’re mainly focused on the crime at the heart of the show, it’s immediately enjoyable. Character actor Margo Martindale finally gets her due here, stealing the spotlight with unmatched gusto in every scene she’s in. The premise is also funny itself: how can the maple syrup trade be so dark and violent? But it can be, and so the show is darkly funny when it treads that line. Most of it is a standard cat-and-mouse chase between low-key criminals and police officers, but it’s elevated by Martindale and company.

Mexico City, 1970. Héctor Belascoarán leaves his stable office job and beautiful (but unhappy) marriage to pursue the adrenaline-filled life of a private detective. The police are useless, Héctor points out, not to mention corrupt and often in on the crime, so it’s up to him to tackle the many unsolved cases that haunt the city he loves.

Because he thinks himself a hero, Héctor narrates each episode in that nostalgic noir way, but the catch is that he is, in fact, no slick savior. Hector is still a rookie, prone to blunders and miscalculations, but his perseverance saves the day. In this way Belascoarán, PI is both a tribute and a sendup of detective films of yore; it references the genre in style and substance, but it isn’t above joking about it either. It’s proof that you can challenge viewers without sacrificing the laughs, and vice versa.