10 Best Docuseries to Come Out in 2023

There’s a lot more to this show than what it packages itself as, which is a cute little show shot in the ‘90s/2000s about capable toddlers. We can assume the kids are safe and have adults offscreen with them, but anxious ol’ me has too many questions (e.g. How many more guardians are there besides cameramen? This isn’t a nature docu, so do the cameramen step in a lot?) The flash forwards in later episodes are a warm and welcome wrinkle to the show that deepens a distant nostalgia into an instant connection with these people. This show maximizes its short runtime by packing cuteness, tension, and fascination, and even finding a way to hit you in the feels.

“No one lives just one article or one headline of a life. There’s more.”

Last Call may be a true-crime docuseries, but it doesn’t pigeonhole itself as such; the advocacy for humanizing LGBTQ+ people is undoubtedly at its helm. The series expands past the context of each crime, giving testimonials and evidence of the lives, struggles, solidarity, and fears of the community. It acknowledges the efforts of the New Jersey State Police whilst shedding light on the inherent biases of society, law enforcement, and media when responding to crimes against gay people. Interviews with family members, detectives, and activists round out the narrative, ensuring that the lives lost are not forgotten due to shame, hatred, or sensationalism.

Dark Side of the Ring is where the comfort of pro wrestling and the mystery of true crime meet. The very premise of the series is that the wrestling industry is rife with with sketchy and downright depressing stories; and while it continues the tradition of depicting pro wrestling tragically (to great results), the episodes are streamlined and very consistent with having an insightful and balanced pool of perspectives. There’s a lot of details for wrestling fans to sink their teeth into, but for the true crime and mystery-loving crowd, expect baseline stories about drugs, self-destruction, and outlaw wrestling practices unless it’s one of those transcendent stories.

The OVW are practically nobodies outside the pro-wrestling scene, and they know it. They describe themselves as a “third tier” that trails behind more well-known companies like WWE and AEW, with one manager even likening their team to an indie film. If the WWE and AEW are Michael Bay movies, he says, then the OVW is like the highly-rated but little-seen movie The Squid and the Whale. But though their underdog status is bad news for their dipping financials and fanbase, it makes for a compelling story in Wrestlers. The docuseries pulls the curtains on the OVW and acquaints us with the owners, managers, accountants, and of course, the wrestlers, who are all struggling to keep afloat this act they love so much. “Wrestling is the art of physical storytelling,” CEO Al Snow says, and it’s clear that director Greg Whiteley believes him. He captures the OVW lovingly, intimately, making us privy to their highs and lows, celebrations and disagreements, and everything in between. He never forces us, either, but rather invites us to this world as naturally as possible. You may start watching this knowing very little about the OVW, but you’ll leave knowing and caring about them a little more. 

There’s no room for glamour in this heartwrenching yet inspiring documentary of first-hand accounts from mothers who went above and beyond for their children. These days it is hard to escape fancy editing, theatrical reenactments, and law enforcement’s clinical recounts in true crime productions, but these four stories inject much-needed empathy for victims. In each episode, the mothers’ fight for justice and their children’s safety illuminates the strength of a community, the goodwill of strangers, and the perseverance of all (with or without the help of the law). Straightforward and respectful, these first-hand accounts will appeal to viewers wanting humane narratives and a few happy endings. 

Bollywood is the biggest film industry in the world, in terms of output. After all, the Indian film industry churns out 700-800 films per year. Because of sheer output, there are plenty of excellent hidden gems from the South Asian country, some of which we try to cover here in A Good Movie to Watch. However, for a fairly comprehensive introduction to the industry, the English-language miniseries The Romantics is a great place to start. There’s no better filmmaker to take notes from other than Yash Raj Chopra, whose media conglomerate shifted the industry for the past 50 years, so the show tackles his legacy through archival footage and interviews from India’s current roster of film stars. Footage of his films alone are already a compelling watch, but director Smriti Mundra keeps an excellent balance between these films’ personal impact, as well as the corresponding political and film history in which his works were released to. It’s an excellent introduction to the colorful and rich film history of India.

Tour de France: Unchained is an intense sports docuseries depicting the ins and outs of the prominent cycling race. While cycling is an individual activity, Tour de France is structured to be a team sport — usually comprising around 20 teams with eight riders each. The first season depicts the 2022 run from Copenhagen to Champs-Élysées, the comeback after the pandemic, with players looking to defeat two-time defending champion Tadej Pogačar (UAE Team Emirates). If you’re up to date with cycling news, you’ll know how this one ends. However, it’s still a worthwhile watch, as the show goes behind the scenes to witness the team dynamics, the severe falls, and the steep challenges. With this in mind, Tour de France is very watchable, especially for fans of the sport.

Narrated by Mahershala Ali, Chimp Empire is a four-part series that takes a captivating closer look at the drama, dynamics, and surprising politics that goes on in the biggest chimpanzee community in the world. Set in the deep forest of Ngogo, Uganda, the docuseries gives us rare access to the tribes’ complex lives and ties to each other.

It shouldn’t be surprising how closely their society resembles ours (The Guardian calls the series “Succession but with apes”), but director James Reed gives this well-known fact a fresh spin by highlighting humanistic narratives and intimate details. It’s enthralling through and through.

True crime documentaries have had a bit of a sensationalist streak in recent years, but thankfully, Never Let Him Go never stoops to that level. It knows, respects, and empathizes with Scott Johnson and his family, who, for 30 years have relentlessly sought answers as to how and why, exactly, Scott died the way he did. An American prodigy studying in Australia, Scott had a bright future ahead of him. But it was cut short when his body was found at the bottom of a cliff, naked and mutilated, with police concluding simply that Scott had committed suicide. Over the course of decades, however, multiple leads would come up that suggest Scott could’ve been one of the many hate crime victims whose violent and bias-motivated end went unacknowledged. In four efficiently edited, objectively studied yet emotionally told episodes, Never Let Him Go tracks this years-long affair and studies how it evolved from a simple unresolved mystery to a landmark case that exposes not just the sorry state the LGBTQ community was subjected to, but the complicated bureaucracy that comes with obtaining justice. 

With a long and chaotic 30 years in the industry, it’s hard to encapsulate Robbie Williams’ whole musical career in a documentary. There are plenty of songs to tackle, plenty of scandals to explain, and Netflix tries to portray it all through its latest four part docuseries. Given its lengthy subject matter, it’s impossible to tackle everything, of course, so it mainly focuses on the artists’ mindset and mental health as Robbie Williams himself looks back at previous footage of himself. There’s some comfort in the fact that the singer now feels more settled in himself, something comforting in the idea that depression can be handled and overcome, but it makes this docuseries a fairly vulnerable one for the artist, and it’s an intriguing behind the scenes look for his fans.