50 Best Downloadable Movies on Netflix

Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.

An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Robert Redford and Brad Pitt make quite the ensemble in this edgy game of espionage. With performances as strong as their jawlines, this action-packed rescue mission will keep you in suspense! Be sure to keep up with all the witty banter and interesting plot twists shifting between flashbacks and present-day scenarios. Keep in mind that this isn’t your average spy movie, with a more realistic approach and a character-driven storyline, most of the flash happens cinematically.

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Dheepan is a French film from the director of A Prophet. It contrasts elements of Sri Lankan and French culture to provide interesting insights into both, while crafting a heart-wrenching and heartwarming tale of makeshift families in unimaginable circumstances. Like A Prophet, Dheepan makes occasional and shocking use of violence to underscore elements of culture and illuminate the inner workings of the characters. A fascinating and exhilarating movie, winner of the 2015 Palme d’Or at Cannes.

5 Centimeters per Second is a quiet, beautiful anime about the life of a boy called Takaki, told in three acts over the span of seventeen years. The movie explores the experience and thrill of having a first love, as well as being someone else’s. In depicting how delicate it is to hold special feelings towards another, director Makoto Shinkai also perfectly captures how cruel the passing of time can be for someone in love. While the early stage of the movie maintains a dreamy mood, as the stories develop we become thrust back into reality, where it is not quite possible to own that which we want the most. All things considered, 5 Centimeters per Second is a story about cherishing others, accepting reality, and letting people go.

Admittedly, The Man from Nowhere can feel a bit derivative. A quiet and mysterious stranger befriending a child, and ending up enacting his revenge when the child gets kidnapped… It feels like writer-director Lee Jeong-beom took two certain film plots and stitched it together into one. But where the film lacks in original story, The Man from Nowhere makes up for it with style, with high-contrast, rainy, moody scenes that linger into the mystery to make the few brutal, excellently choreographed action sequences pop. It has familiar tropes, and the backstory becomes a bit predictable because of it, but The Man from Nowhere keeps a steady pulse on the beating heart of the film– the friendship that makes these familiar tropes hold heavier emotional weight.

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

This documentary prides itself on its rawness from its home video style. It uses a lot of uninterrupted clips that don’t really need to be there, as well as odd choices for symbolic b-roll and mood-setting music in the early going. But at the center of the documentary is John du Pont, an unstable old money mark who wishes to be one of the boys, treating the wrestlers like his family in the absence of his own. The interviews paint a clear picture of him as a delusional, lonely, and dangerous man, and the foreshadowing is insane albeit too slow. While it may be visually all over the place, perhaps the biggest nitpick about it is that, out of respect, it could have allotted more time to Dave Schultz or the aftermath.

If there’s one thing to say about House of Flying Daggers, it’s that it’s absolutely, absurdly, downright beautiful. The sets are lavishly designed, the landscapes are gorgeous, the colorful costumes are elaborately embroidered, the fight and dance choreography are breathtaking, every shot is colorful, and even the three leads in the love triangle are some of the most beautiful Chinese actors of the time (maybe, perhaps, of all time). That being said, some viewers might find that the beauty of each scene isn’t enough to carry through the film’s fairly convoluted plot, with everyone lying to each other all the time. There’s a thread here about being ordered into actions that would later be used to condemn you, and the way love intersects with that is fairly romantic stuff, but House of Flying Daggers doesn’t quite reach the emotional heights it could have had with a more streamlined script.