November 22, 2024
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You can’t talk about cinema without talking about its place of origin: Europe. Throughout the twentieth century, even as wars raged across the continent, Europe was crowned The Other Hollywood, and it’s easy to see why. From German expressionism, with masterpieces like Metropolis (1927), through to Italian Neo-realism and the New Wave of the swinging sixties, the continent turned out some of the world’s most diverse and influential film movements.
While cash-cow Hollywood blockbusters have come to define the eras that followed, contemporary European productions remain a driving force of cinematic innovation in spite of their comparatively modest budgets. To bring this point home, we present 50 of the best European movies to come out in the past ten years.
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Youth is a film about Fred Ballinger (Michael Caine) a famous composer vacationing at a resort in the Swiss Alps with his friend Mick (Harvey Keitel), an accomplished filmmaker, and his daughter Lena (Rachel Weisz). While Fred shuns his work (including an opportunity to play for the Queen of England) and muddles himself in disillusionment, Mick works fervently on his final film, intended to be his life’s crowning achievement. Their remaining time is spent intermingling amongst the guests and reminiscing upon their lives, their achievements, their failures and their undying yearnings. From writer/director Paolo Sorrentino (The Great Beauty), Youth is another charming work offering an array of eccentric characters and quirky scenarios, while also serving as a touching examination of age, wisdom and ultimately personal reckoning.
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This is the type of movie I completely fell in love with but cannot articulate exactly why. Maybe it’s the mixture of beauty and pain portrayed, maybe it’s the intricate sounds and beautiful imagery, maybe it’s the story, maybe it’s all of the above. A woman is hit with sudden disability after an accident and calls on an unlikely companion, a night club bouncer by the name of Ali. Together they explore her new predicament and its implications, while forming a special bond. This is a movie that will call upon your internal strength, while portraying how us humans can become strong together. Most of all it provides an immensely powerful, ultimately simple story that is both touching and will stay with you for a very long time. Directed by Jacques Audiard (A Prophet).
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It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.
You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.
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Remember the name Rufus Norris. “Broken” is his directorial debut and he handles it like a seasoned pro. Also keep an eye out in the future for its young star, Eloise Laurence, who shows all the natural ability of a young Natalie Portman or Jodie Foster. Laurence plays “Skunk”, a twelve year old trying to make sense of life – and whose task isn’t made any easier by her own family’s internal struggles, or the other families living in the peaceful-looking cul-de-sac where much of the action takes place. We’re informed from the get-go that some sort of tragedy will befall the girl, but we don’t know what shape it will take, or what the outcome of it will be. The tension builds from there, with a little relief along the way, thanks to her often-amusing performance as she witnesses the confusing actions of her elders. Tim Roth and Cillian Murphy are also in good form, both of whom seem happy to complement Laurence’s presence rather than try to upstage her. “Broken” is equal parts cute, frightening, and brutally tense. It’s well worth checking out.
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See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director’s own 8-year long-distance relationship. A great option if you’re in the mood for the type of suspense that pulls at your heartstrings.
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This is a very nice movie about a lovely older couple named Tom and Gerri. It follows their lives for an entire year, as they work at their jobs, invite friends over for dinner, and work in their garden. They live modest but fulfilling lives, and they seem mostly happy and very much in love, a rarity in the movies. This probably sounds horribly boring to most people, but since Mike Leigh is the director, the film is instead a touching and realistic portrayal of love and how people spend their time together. We should all be so lucky as to live a life as charmed as the central couple in this film.
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This gorgeous Scandinavian movie is based on a true story and stars the ever-reliable Stellan Skarsgard.
He plays the governor of a strict youth correctional facility in Norway in 1915. The arrival of a feared kid kickstarts events that are very famous in Norway but little-known elsewhere: an uprising within the facility that will eventually require the army to get involved. A strong movie with stellar (Stellan) performances.
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This movie is like thriller-candy. It is full of twists, it is very atmospheric, and in nicely predictable fashion it will deliver that excitement rush we (most of us) love. Accused of murder, a wealthy entrepreneur hires the best witness preparation expert he can find. They have three hours before the trial to come up with the most solid, plausible defence. But ?, a new witness surfaces. Don’t expect anything overly original, but expect to be entertained.
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A razor-sharp script and beautiful scenery make this one of the best road movies in recent memory.
When their cynical best friend dies, Seph and Alex embark on a journey to scatter his ashes over four spots he wants to go back to. Tupperware of ashes in the glove-box, they start their big adventure.
Burn Burn Burn, an expression their friend quotes from Kerouac, is a chance for the two friends to escape their hectic city life and to discover themselves. It’s a beautiful movie.
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Shia Laboeuf and Stellan Skarsgård star in this true story about one of the greatest tennis matches in history: the 1980 Wimbledon final. The movie dissects what drives both competitors (one played by Laboeuf and the other by Sverrir Gudnason). Their personalities, considered opposites, are studied through their paths and how they got into tennis. All this leads to that one match, in this beautiful story of dealing with competition and fear of failure. Don’t stop watching when the credits roll, read what they say!
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