75 Best Family Movies You Can Watch Right Now

This sensitive and elegantly crafted melodrama recognizes that a death in the family doesn’t have to lead to the same expressions of mourning we expect from movies; there might not be any real sadness at all. But when different family members come together again and bring their own personal conflicts with them, suddenly everyone else’s little griefs fill the space, and the road to recovery becomes even messier. Little Big Women understands all this with an understated touch and brilliant, naturalistic performances from its cast. It makes for a loving tribute to the generations of tough and complicated women who often hold a family together.

If you enjoy wondering aloud to yourself how filmmakers were able to make a movie at all, 1988’s almost wordless tale of two bears trying to survive the Canadian mountains was somehow shot with real, expressive bear “actors,” despite the film being a work of fiction. A cross between a stunningly photographed nature documentary and a brutal folktale, The Bear gets right to the uncompromising conditions out in the wild, where human beings are portrayed as just as savage—and just as merciful—as the beasts they hunt. Clever editing and Jean-Jacques Annaud’s directorial vision hide all the seams in the movie’s magic tricks, allowing us to fall in love quickly with these majestic bears and the all-too-human emotions they seem to be expressing.

Just like with his mentor and contemporary, Fred Rogers, there are no dark secrets to Ernest Coombs’ earnest belief in giving children the space to be gentle and creative. Even with relatively little “drama” throughout the life of the man called Mr. Dressup, it’s still profoundly moving to see him put in the work to make the world a kinder place. Director Robert McCallum keeps this documentary exactly as straightforward as it needs to be, moving through Coombs’s life with total reverence but plenty of modesty—making sure not to inflate the idea of Mr. Dressup into something Coombs himself would have disagreed with.

In its act of honoring this person with an everyman personality and a trunk full of quaint costumes, the film also serves as a tribute to low budget educational television. Working within a very small studio, with simple puppets and no strict script to follow, Coombs and his friends found any way possible to stick to their original idea of teaching very young kids that being kind and communicating one’s feelings clearly were the best things one could achieve. Behind Mr. Dressup’s softness is a remarkable work ethic, a deep respect for children, and a commitment to thoughtful, universal values.

When your dad is single, and he isn’t in a relationship with someone else, naturally, a kid would wonder about their real biological mother. Hi Nanna is a take on this familiar tale, though Shouryuv’s directorial debut makes it feel brand new by telling the love story in a way a father would tell his daughter– mindful of the audience, so slightly embellished, but no less sweet. By doing so, it makes the viewers yearn for the lost love before raising our hopes and revealing the possibility of getting it back, especially with the natural chemistry of Nani and the striking Mrunal Thakur.

Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertainty, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.

There isn’t a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film’s painterly surfaces and soft silhouettes. But it’s not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

A Korean police comedy built on a premise so dumb it’s brilliant: a group of bumbling cops who are so bad at their job that they accidentally start an amazing fried chicken restaurant while undercover. All of the suspense and excitement that should be going into their actual mission is spent on this new job that actually begins to give them coordination and a greater sense of purpose. There may not be much of a deeper meaning to be found here, but the characters are lovable enough—and the filmmaking sharp enough—to get you invested in their personal happiness, and to get you to appreciate how strong editing and performances can make even the smallest throwaway line spit-take hilarious.

One of Studio Ghibli’s overlooked gems, My Neighbors the Yamadas is a charming anthology film about a modern-day Japanese family. The film sets itself apart from other Ghibli films through its unique doodle-like watercolor animation and its short piano themes. While the vignettes may just depict regular family conflicts, the scenes still feel compelling due to the Yamadas’ imagination of the metaphors that they use. Exaggerating the metaphors keeps the audience breathless in certain strategic moments – most notably in the wedding day speech of the mother of the bride. While not as fantastical as Ghibli’s other offerings, the completely digital My Neighbors the Yamadas finds humor in and celebrates the mundane.

A beloved children’s story gets its umpteenth adaptation here, this time from the screenwriter of 2018’s Watership Down — who proves that it’s a story worth retelling. This version of The Velveteen Rabbit is mostly faithful to Margery Williams’ original 1920s-set tale, but it does pad the plot out with a backstory of sorts about the shy little boy at its center. We’re introduced to William on the last day he spends at his school before moving to another town; the filmmaking gently plays on memories of the scariness of that first-ever goodbye, starting us off on a tender melancholy note that sets the tone for the rest of the 45-minute-long seasonal special.

For his first Christmas in the family’s new house, William is given a cuddly toy bunny in which he finds the comfort and company he misses so acutely. If you had a beloved plaything as a child, chances are you wished they’d come alive with all the might that little you could conjure up — nostalgia that this adaptation taps right into when the rabbit comes to life via mixed animated styles. The sincere emotion of the duo’s commitment to each other — involving sickness and self-sacrifice — is thus difficult to resist, no matter how grown up you are.

While it might not be the most inspired story featuring the titular caped crusader—nor is it a particularly Christmas-y tale—Merry Little Batman still stands out just for how bright and warm its versions of these characters are. In this Gotham, crime is literally pushed aside for once, and that odd sense of holiday isolation takes over for the heroes and villains of the city. It’s all pretty silly when you give it more thought, but the film wholeheartedly embraces its tone, resulting in a Home Alone-esque adventure that moves briskly and is loaded with great visual gags and throwaways zingers. It could stand to have a more substantial emotional center, but for what it is, this is consistently entertaining holiday viewing for all ages.