50 Best Foreign Movies on Roku TV Right Now

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. 

Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.

In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter’s heart for detail while still being graciously its own.

Fourteen-year-old Segundo dreams of being just like his father Noé, a revered tableau artist in their small Peruvian town. The teenage apprentice follows Noé’s every move and instruction, that is until one day, he discovers a shocking truth about Noé’s identity. Hurt, angered, and incredibly confused, Segundo starts detaching from his family, as well as from the life he thought he’d wanted to live. 

Retablo is a slow but vibrant film, set in Peruvian locales and spoken in the country’s indigenous tongue, Quechua. Its limited dialogue smartly reflects the people’s own silence when it comes to sex and gender ideas, although the movements themselves—from traditional parties to teenage fights—have a lot to say about masculinity, conservatism, and the dangers of their excess. Retablo might be a difficult watch for some, but it’s just as necessary and enlightening.

With a forest home destroyed, leaving an adorable cat spirit child displaced, The Legend of Hei seemed like a Studio Ghibli-esque tale, at least in themes, child protagonist, and fantasy flying. There’s charming moments where Hei appreciates the day-to-day– moments where he diligently learns his powers, enjoys the simple human pleasures present in the modern world, and of course, feels at home in the stunning natural spirit places. However, it’s not quite Ghibli as there are plenty of wuxia-inspired fight scenes, with as many flying kicks involved. That being said, there is a pro-peace message here, that at face value, is probably a good message for children, but this film’s peace comes without clear details about Hei’s displacement, or the general condition of the spirit world at large. The Legend of Hei’s charming animation is lovely, but this push for peace could have been more meaningful if it also considered justice.

While the police haven’t been getting a good rep in recent years, there were times when cops actually got the job done, and went after the gangs that we individuals can’t. Kang Yun-seong’s narrative feature debut is based on the real-life Yanbian Heuksapa Incident, and what’s interesting is that along with having Ma Dong-seok deliver some of the finest and most entertaining fight scenes, there’s a sense that these cops actually care about people, like when Seok-do urges his boss to be gentle towards their team after having to stay in the office longer, or when he reaches out and works directly with the community. The Outlaws doesn’t transform the genre, but it’s well-written, well-choreographed, and held together through the strength of Ma Dong-seok’s charisma (and arms). It’s no wonder director Kang and Don Lee managed to transform this into a sprawling franchise, something to be akin to Korea’s Fast & Furious.

There are plenty of LGBT stories made in film, but not all of them have to end in tragedy– some, especially in recent years, are relatively sweet, lighthearted, and merely focused on the simple experience of a first love. Boys has the classic coming-of-age romance moments we’re familiar with, such as the first kiss, training camps, and after school fair dates, and even though it’s just made for television, it’s beautifully captured, including that stunning overhead lake shot where Sieger and Marc swim together. If you’re craving for a sweet and easy LGBT romance without the heartache, or if you’re new to watching LGBT films altogether, Boys is a decent entry-level movie to start with.

While Hollywood still makes some films in this genre, there are less historical epics being released, in part due to cost, but also in part due to having had so many, ever since the start of the medium. However, there are some historical events that we rarely see on film, and one of them is The Great Battle. Set before the formation of a united Korea, the film is a classic standoff against a larger army, that has all the swordfighting and armies we’ve come to expect, but it’s also grounded by the dynamic between a young warrior sent to assassinate, and the hardened, brilliant commander whose leadership kept the troops protected. While there are moments that definitely eludes historical accuracy, and there are some subplots that distract from the main conflict, The Great Battle is a fairly entertaining historical epic to watch, especially when focused on the action-packed clashes and the spectacular warfare.

In another country, you can forge a completely different life from the one you had in your hometown. For closeted LGBTQ+ individuals, moving to a more tolerant society allows you to explore facets of your sexuality that wasn’t possible previously. In Goodbye Mother, first generation immigrant Nau Van is confronted with the secrets he hid from his hometown, the secret that isn’t a secret in America. The conflict plays out in a familiar fashion, going through plenty of the usual experiences that coming out entails, but, while these are familiar, Goodbye Mother tugs at the reality Asian immigrants experience, and does so in a sweet and empathetic way.

Blood Tea and Red String is cryptic as hell. There’s no dialogue, the film was in production for around 13 years, and the stop-motion animated rats and bat-crow creatures fight over a stuffed human-like doll and her bird-bodied child, spilling some tea and sewing her together with help from frog priests and a spider woman that keeps spinning her web. Whether the film is an allegory for class struggle and the inherent destructiveness of art, or is a straightforward Alice-in-Wonderland-esque fairytale with goth and medieval motifs is up to the viewer, but either way, the symbolism of Blood Tea and Red String is interesting enough to watch and try to make your own conclusions.

Much like its monster, Brotherhood of the Wolf is quite a hard movie to pin down. It’s an unscary French creature feature but it’s a rather refreshing period drama romance, made much more action-packed courtesy of a randomly placed, supposedly Iroquois, talented martial artist. Yet somehow, it works. Perhaps it works because it was released ahead of many other early aughts action horror films, and perhaps, at CGI’s infancy, it’s a bit easier to suspend disbelief over the wolf, but the wacky experimentation writer-director Christophe Gans brings in depicting this historical beast is just so entertaining to watch. Brotherhood of the Wolf is just pure bonkers.

Sometimes it’s hard to relate to foreign movies because of the different cultures, languages and actors. But Miracle in Cell No. 7 transcended the language barriers for me and delivered one of the most touching stories I have ever seen. It’s a Korean film about the intricate yet simple love story between a mentally challenged father and his daughter. When the father is wrongly accused of a crime he did not commit and is sent to prison, his personable character eventually causes the prisoners around him to help reunite him with his daughter in prison. Warning: many tissues will be needed.