6 Best Foreign Shows on Disney Plus Right Now

When Blackpink’s Jisoo starred in her first lead role, it was surprising that she chose a story like Snowdrop. Sure, at the time, stories set in the 1980s were a hit in Korea, with dramas such as Reply 1988 and Youth of May that nostalgically recreated the aesthetics of the time, while also re-examining the loss and the pain under the dictatorship then. Snowdrop does the same, but it adds a more controversial twist– the love story isn’t between innocent bystanders caught in the fire, it’s formed between a South Korean student and a North Korean spy. Writer Yoo Hyun-mi and director Jo Hyun-tak take this interesting premise to chaotic, unpredictable scenes, and it’s a fun ride, at least until the secrets he holds and the politics inevitably brings their childhood to heartwrenching ends. Seolganghwa isn’t a perfect drama, but it’s a story that understands how muddled and confusing the era got, and how much the country should avoid a repeat of state interests acting at the expense of personal freedoms.

Romantic melodramas are expected in plenty of Korean shows, but Call It Love still feels surprisingly unexpected. The premise feels like a modern day Cinderella story, except the leading lady here, Shim Woo-joo (Lee Sung-kyung), takes nothing from nobody, not without planning corporate revenge. That being said, the show doesn’t unfold into a corporate sitcom, a crime thriller, or romcom. Instead, the series takes on a more melancholy slice-of-life approach, as it turns out the intended target Han Dong-jin (Kim Young-hwang) is just as hurt and lonely as she is. And as they get to know each other despite the cold, empty frames they inhabit, and despite the pain they’ve both been through, it’s amazing how surprising their healing feels, if you can handle the show’s slow pace to get there.

With plenty of familiar elements, Flex X Cop should feel unoriginal. After all, a rich heir that plays at being a cop to capture bad guys in response to his mother’s death? That’s practically Batman. But the show is more fun and breezy, with Ahn Bo-hyun as the charismatic Jin Yi-soo pulling out chaotic mischief that somehow doesn’t get him in trouble, paired with Park Ji-hyun in her first action role as a more stern, by-the-book detective Lee Kang-hyun. It’s an interesting buddy cop dynamic that leans more on lighthearted comedy than serious thriller, but the opening sequence hints at a more serious side, still full of action sequences expected from the genre. Flex X Cop may have plenty of familiar tropes, but the way it’s remixed feels novel and entertaining enough to watch.

Based on a webtoon, Moving is for the fans of the ’06 series, Heroes. Initially, we follow a teen, Kim Bong-Seok, who has to be constantly tied down or weighed down to keep from spontaneously levitating. But the mystery and thrills immediately kick off when an assassin starts killing “retired” supers, and it becomes obvious that agencies, parents, and even teachers are aware of this. So far, the pacing allows for introductions, backstories, and action to breathe whilst quickly establishing connections between storylines to feed the intrigue. Hopefully, this carries through the entire 20-episode run and delivers a cohesive, high-action fantasy series. 

When teens are superheroes, it can be tough to balance the regular teen drama along with saving the city (or maybe the world), but it’s a fairly common premise for a teen show. Miraculous: Tales of Ladybug & Cat Noir may take some familiar super teen tropes, like the secret identities, awesome suit-up moments, and cool powers, but unlike most shows, the enemies they fight are teens just like them, trying to deal with regular teen problems… except they’ve been given power and bad influence from Hawk Moth, an overdramatic supervillain that somehow keeps up-to-date to the latest drama in Marinette and Adrien’s Parisian high school. Playing with new powers and switching up the tropes, Miraculous is a fun gem of a kid’s show, one that pays genuine attention to kid’s issues, even if they solve it with the most ludicrous of powers and catchiest of songs.

Not to be mistaken with the American animated series, Big Mouth is titled the way it is not because of raunchy banter between its characters, but because the lawyer protagonist Park Chang-ho spouts big talk without having the means to back it up. It’s because of this unusual characterization that makes it such an unusual crime thriller, with wildly unpredictable turns that got so many viewers guessing and that the showrunners clearly had fun playing around with, with every terribly unlucky direction Park ends up taking. That being said, while its set-up was so exciting, Big Mouth is much like its protagonist in that the series promised a big story, but winded up with an underwhelming finale that didn’t meet expectations. Even so, Big Mouth is a hilariously intense, if a bit nonsensical, ride, especially for fans of the cast here.