The 15 Best Miniseries on Amazon Prime

Leo Tolstoy’s most famous book, on which this was based, defies summarization but this powerful, sumptuous, and head-spinning BBC production might have done just that.

In 1805 St. Petersburg, the illegitimate son of the richest man in Russia (played by Paul Dano) finds himself at the center of his country’s downfall as it faces another Napoleonic invasion. As it follows several interconnected characters, romance intertwines with war, tragedy, and greed.

Directed by Tom Harper (Peaky Blinders), this series has it all: great acting, beautiful locations, and breath-taking action. It also stays true to the philosophical nature of the written material, capturing the glamour, deceit, and insanity of its time – as well as the sweeping scope of the original Tolstoy tome. This is TV of cinematic proportions!

Olivia Colman and Hugh Laurie (House) star in this espionage mini-series based on a John le Carré novel.

A quick mini-series that spans six episodes, it’s about a former soldier (Tom Hiddleston) who, while working as a night manager for a hotel in Cairo, Egypt, ends up getting hold of very sensitive information. He is then recruited by an intelligence officer (Olivia Colman) to bring down a corrupt businessman (Hugh Laurie.)

A highly-acclaimed TV show not to be missed by lovers of spy stories, John Le Carré films (A Most Wanted Man, Tinker Tailor Soldier Spy), or just anyone who appreciates excellent acting.

Something happens in Forever episode three that I can’t tell you about. If I did it, I would spoil the show up for you. I don’t want to do this. So I will try very hard to sell you on the first two episodes, just remember, the show gets very different afterward. Both in premise, general vibe, and humor.

Here’s my best pitch: Fred Armisen. That face, that tone, that voice. How can you resist a TV show that doesn’t have many characters and yet he’s the main one.

Pitch No. 2: Maya Rudolph. She is funny, expressive, and whenever she looks at something, that thing instantly gains a lot of interest. This is the best performance of her career so far, I would wager.

Long Strange Trip was originally a four-hour movie before Amazon cut it to a six-part TV show. Produced by Martin Scorcese, it tells the full story of the band The Grateful Dead. It’s an account so detailed that it will satisfy the biggest Deadheads, but it also can be appreciated by anyone. The focus is the band, but it’s also the band’s significant impact on Rock history, and by extension, on American culture. I didn’t know much about the band and I couldn’t stop watching.

Created by Janine Nabers and Donald Glover (Atlanta), Swarm is a dark and bloody deep dive into fan culture. It follows Dre (Dominique Fishback), a young woman whose obsession with a Beyoncé stand-in takes a dark turn after the unexpected death of a loved one.

Artful, daring, and legitimately scary, Swarm is one of the bolder shows to come to streaming in a while. It doesn’t hold back, not with the commentary nor with the blood, which can be too much for some viewers, but if you were thrilled by films like Misery and The King of Comedy, then this mind-blowing take on celebrity mania will certainly have you hooked.

Daisy Jones & The Six is riddled with rock and roll clichés—sex, drugs, and alcohol abound—but the series has enough strengths to save it from sheer banality, the most prominent of which is the music. The original songs, performed by the actors themselves, are genuinely good. They’re true to the times and recall the likes of Fleetwood Mac and Buffalo Springfield, but they also sound fresh, modern, and invigorating. The showrunners seem to know this since each performance, whether onstage or in-studio, is given ample focus in each episode, and the show is all the better for it.

Aside from the stellar music, the show also has chemistry and production quality going for it. Riley Keough and Sam Claflin as the Stevie Nicks and Lindsey Buckingham of the fictional band are fiery and magnetic, while the authentic setting feels like an old polaroid come to life. 

Daisy Jones & The Six might not be for everyone, but if you enjoy musical dramas and nostalgia trips, then the show is a sure banger. 

Before Park Chan-wook adapted her novel Fingersmith in The Handmaiden, author Sarah Waters wrote Tipping the Velvet, her debut novel that painted the life of lesbian women in Victorian London. Surprisingly, this controversial novel was produced and broadcast by the BBC in 2002, sticking faithfully to the plot, with all the racy sex scenes and relaxed depiction of lesbian life that shocked the public at the time, but over the years, the miniseries has become known as the refreshing classic that shifted the way lesbians were depicted on screen. While primarily centered on white women, Tipping the Velvet changed the way Victorian sexuality was depicted, with the joy, sensuality, and happiness in Waters’ passionate narrative.

With immigration being a vastly different experience across race, gender, and origin country, it can be easy to dismiss Amazon Prime’s Expats as just another melodrama about the rich, especially with the controversies surrounding its production. There’s some truth to this– two of the three leads live in glamorous, high-rise apartments bigger and more expensive than the standard Hong Kong shoe-box– but the show is much more than that. It grapples with the identity that must be remade for the move. It empathizes with the unresolved loss that haunts the day-to-day life of both mother and caretaker. And on top of that, Lulu Wang portrays how this grief-stained lens can still be short-sighted, when directed to those in the margins. Expats is a revelation with its slow and steady multi-sided portraiture.

Domestic abuse is a delicate matter, and onscreen depictions always run the risk of being either too sensational or mopey. The Lost Flowers of Alice Hart, thankfully, is neither. It sensitively and creatively tells the story of Alice and all the other survivors who June shelters on her flower farm. More than just decor, these flowers serve as a lifeline to the girls: not only do they grow and sell them to earn a living, but they’ve also made a special secret language out of them. Different blooms mean different things, and when you live in a world where your pain is systematically ignored, it makes sense to communicate in hiding. Granted, the Lost Flowers of Alice Hart can get overly dramatic at times. Some plotlines include hiding who the child’s real father is and fighting to get custody of said child. But it’s unfair to dismiss the series as mere melodrama. It’s doing important work by shedding light on the manifold ways women are mistreated, and it does so in a commendably original and artful way.