90 Best Movies Based on True Stories

Steve Carrell delivers an amazing performance here. Beautiful Boy is a movie that is based on a true story that first appeared as a best-selling serialized memoir.
It’s about a son’s journey through drug abuse and how his relationship with his father evolves. The son is played by Timothée Chalamet (Call Me By Your Name), Carrell is the dad.
As you can probably guess, the themes of drug addiction and family are made to induce tears, which this movie manages to do in a lot of ways. It can come across as somewhat emotionally manipulative at times. In those moments, it helps to remind oneself that it is based on a true story.
The performances and the exploration of the limits of the father-son relationship remain the reasons why you should consider watching this movie.

Terrence Malick (The Tree of Life) is back in full form with this three-hour movie based on a true story. His creation has one of the most beautiful depictions of happiness ever seen in film, portraying the simple yet joyous life of a farmer in the Austrian mountains. You’d have to see it for yourself to understand, but how Malick depicts this character’s love for his wife (and her love for him), their children, and even their farming rituals are nothing short of cinematic wizardry. 

This peaceful existence changes when World War 2 intensifies and this farmer is called to serve for the Nazis. He refuses to enroll out of principle and puts himself and his family at great danger and alienation from their village. The question at the center of the film is one that other villagers and the church ask him a lot: what good can his actions do? And the title of the movie is taken from A George Eliot quote: “The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

This Oscar-nominated drama tells the story of the events leading up to the Srebrenica massacre, in which 8372 Bosnian Muslims were killed. It focuses on one U.N. worker who was caught between trying to protect her family, herself, and helping people in need.

The film is as horrific as it is relevant: up until the actual killing starts, people are constantly being assured that everything is under control and that there is no reason to panic. This gives an eerie feeling of resemblance to the tone many minorities in distress receive nowadays.

Still, Quo Vadis, Aida? stops at depicting any of the acts that were committed that day. Instead, it focuses on Aida’s unrelenting race against the clock to save whatever she can.

In Motherwell, you either “get locked up or knocked up,” or so says Gemma, a teenager on the cusp of adulthood growing up in an old Scottish steel town. Gemma runs among a tight-knit group of friends, at the center of which is ordinary mischief, routine, and roughhousing. And beneath that lies a certain kind of everyday violence. 

As Gemma enters young motherhood, she reckons with how to reconcile her own aggressions with the protective tenderness she feels toward her newborn. Beautifully and thoughtfully directed by Ellen Fiske and Ellinor Hallin, Scheme Birds never feels invasive. Rather, their documentary lets Gemma speak for herself—and in doing so, illuminates not just her life, but the complicated lives that intersect hers, too. 

The Fabelmans is often described as director Steven Spielberg’s semi-autobiographical movie about his inauguration into filmmaking, and while it certainly is that, I’d venture to say that it also functions as a universal coming-of-age tale, with protagonist and Spielberg stand-in Sammy Fabelman (Gabriel LaBelle) learning harsh truths about identity, family, and passion for the first time.

Here, we see how so much of filmmaking is intertwined with his life, and how the movies inspire his personality (and vice versa). Whether you’re a fan of Spielberg or not, this movie will surely win you over with its beautiful imagery, impressive technique, and big, big heart.

We’ve heard of films within a film, but it’s crazy how many layers Through the Olive Trees operates in. Writer-director Abbas Kiarostami completes his metanarrative journey in the Koker trilogy through a slice-of-life comedy about a couple in the periphery of the previous installment And Life Goes On. As the young man Hossein repeats his plea for marriage to Tahereh, casted as his wife, the insistence can be slightly grating, but in doing so, the everyday dealings of the Iranian village hint at what’s underneath– the earthquake from four years ago that still shapes their lives, the socioeconomic and culture barriers, and the mirrored struggle of creating the artistic vision of the film within the film.

As time goes by, the youth doesn’t recognize how connected they are to previous tragedies, more so when it comes to war. Some even say that they have no part in it. Nobuhiko Obayashi’s later years have been preoccupied in countering this idea. Casting Blossoms to the Sky is the first of Obayashi’s anti-war trilogy, with the film inviting its audience to follow a journalist rediscovering the city of Nagaoka after the 2011 Tohoku earthquake. There’s a certain dreamlike approach to the way the various war stories are weaved together, with vibrant frames, simple CGI, and prominent green screen that grants some distance between the audience and the actual wartime reality, but it’s no less potent as Reiko interviews those that remember the scars of the past, and the rituals, practices, and art they’ve taken up in response. Casting Blossoms is a depressing story about war and disaster, one that is a tough one to watch. But it never forgets the humanity, the kindness and love that allowed Japan to recover, the very qualities we must protect and remember in ourselves.

It’s 1984 and miners in England are on strike against Prime Minister Margaret Thatcher’s plans to close pits. Their cause has unlikely appeal for Mark Ashton, a human rights activists who decides to take a group of people who had joined an early Gay Pride parade in London to rural England to show support for the (often socially-conservative) miners.

You can see how things might go wrong, but in this case they didn’t. This heartwarming tale is based on a true story. An easy, funny, and relevant movie about the bond that oppression brings to the oppressed. Super earnest, too.

Sometimes you can just tell a movie means way too much to the people who made it. That makes me want to watch it more than once, which is what I wanted to do with The Tale. But while I think it’s such an amazing movie and everyone should watch it, I don’t think I can stomach a second watch.. It is based on the director/writer Jennifer Fox’s own story – recounting her first sexual experience at a very young age. It’s about the stories we tell ourselves to deal with trauma, and in that sense, and with utmost honesty, it invites grief and closure for similar experiences. A powerful movie led by a powerful performance by Laura Dern as Jennifer.

This true story of a white-supremacist and the civil rights unit that tried to stop his group was so gripping. 

You might recognize the title from the Oscars ceremony, as a shorter version of Skin (same director but different actors) won the Academy Award for Best Short Film. 

The longer movie provides much more time for the characters to develop, and room for more of a commentary on the current political situation in the U.S.

Fun fact: see that scary man in the picture? That’s Billy Elliot star Jamie Bell who went through a transformation for the role, including always wearing a device to pull his ears closer to his head because they were “too cute”.