40 Very Best Movies on Netflix Canada You Haven’t Yet Seen

September 15, 2019

agoodmovietowatch is a database of highly-rated movies. Because of this, we know that while Netflix US may have a larger catalog of titles, Netflix Canada actually has a larger catalog of good titles. Our latest count shows that we have 134 good movies for Netflix Canada, and only 98 for Netflix US (to find all the movies we suggest for Canada use the region selector in the top bar to choose your country).

When you end up on a list like this, you must be accustomed with  the confusion and frustration that come with browsing Netflix aimlessly. From our research, this is caused by two things. First, something called the paradox of choice, where the larger the options you have to choose from the harder it is to choose. Second, recommendation algorithms. A few months ago Netflix removed their ratings and replaced them with match percentages. What this means is that if you watched a cop movie, you will have a 100% match record with other cop movies, good or bad.

Our solution to both issues is a simple website that has a very limited selection of only good titles. We know they’re good because they’re loved by both critics and viewers at the same time. Below is a list of the best ones currently on Netflix Canada as rated by our users.

Swiss Army Man (2016)

Probably the weirdest film you’ll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It’s an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it’s a definite must-watch for anyone looking for a refreshing comedy.

User rating: 79/100. Staff rating: 77/100.
Logan Lucky (2017)

Two brothers played by Channing Tatum and Adam Driver decide to rob a local NASCAR event, the Charlotte Motor Speedway in North Carolina.

They put together a team to help them, with Daniel Craig as the demolition expert and Katie Holmes as the gateway driver. Other big names behind this project are actors Seth MacFarlane and Hilary Swank; and director Steven Soderbergh, who is best known for Ocean’s Eleven, Ocean’s Thirteen, and Magic Mike.

The main characters are cheerful and just goofy enough to be completely unpredictable. Their heist is as chaotic as it is random, which inevitably leads to many funny moments. The performances by the whole cast are amazing, Daniel Craig is almost unrecognizable.

A friend once described this movie as Ocean’s 7 Eleven, and it’s hard to come up with a better line.

User rating: 90/100. Staff rating: 77/100.
Burning (2018)

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.

Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.

Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)

This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.

Two worlds clash, poor and rich, in a movie that’s really three movies combined into one – a character-study, a romance, and a revenge thriller.

User rating: 80/100. Staff rating: 77/100.
A Fantastic Woman (2017)

As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor’s debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called “A Fantastic Woman”.

User rating: 0/100. Staff rating: 78/100.
Aquarius (2016)

If you’ve never heard of Sonia Braga, you’re in for a ride with this movie.

She is, in my opinion, one of the best actresses alive today. In Aquarius, she stars as a 65-year-old trying to keep the home in which she pledged to die. In a quiet, yet stoically powerful performance, she reminds us that identity often intersects with the spaces in which we live.

User rating: 100/100. Staff rating: 78/100.
And Breathe Normally (2018)

Iceland is a country of vast lands but limited population – only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year.

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around – a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport.

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race.

User rating: 0/100. Staff rating: 78/100.
Snowpiercer (2014)

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

User rating: 74/100. Staff rating: 79/100.
Eighth Grade (2018)

You live in a strange world. Or at least, that’s what the generation before you thinks. Eight Grade is a movie that follows a girl going through her generation’s strange world. Social media, selfies, Youtube; you name it. But also, the weight of her expectations (as shaped by the internet) versus her reality. Written and directed by famous comedian Bo Burnham, it’s a gentle and often funny look at our anxieties and how they shape our growth. Prepare for a lot of cringes.

User rating: 72/100. Staff rating: 79/100.
Lawless (2012)

Tom Hardy, Guy Pearce, Gary Oldman, Jessica Chastain, and Shia Laboeuf (the good Shia Laboeuf) all star in this true-story-based gangster tale. As a result, Lawless is cliché-free, fast, and violent – yet it doesn’t take itself too seriously. Bootlegging Bondurant brothers live according to different rules, yet run a successful business during the prohibition era. When new authorities try to shut them down violently, each one of them has a way of dealing with it. The story runs very smoothly, and added to the perfect performances and great staging, Lawless becomes very entertaining, and a true pleasure to watch.

User rating: 80/100. Staff rating: 80/100.
Begin Again (2013)

John Carney, who directed the critically and commercially successful Once, may be the world’s best captor of charm. Begin Again tells the story of a broken-hearted singer who gets discovered by a failed showbiz executive. Their ideas and love for music are all they have to face their failures and bring their creativity to life. The original songs are charming and from Keira Knightley and Mark Ruffalo to Yasiin Bey (Mos Def), Adam Levine, and Cee-Lo Green, the cast generate sparkling chemistry and portray the story beautifully. Begin again is a sweet and effortless watch, yet far from being your classic rom-com.

User rating: 88/100. Staff rating: 80/100.
Hello, My Name is Doris (2015)

Doris Miller is an unassuming sixty-something office worker whose life takes an unusual turn after her mother passes away. We find out over the course of the film that Doris’ life was put on hold early when she had to give up her dreams and ambitions to take care of her mother. Something is awakened in Doris though when she falls head over heels for John, a much younger co-worker, and Doris dives head first into the world of social media, electro-pop, and Brooklyn hipsterdom. Sally Field is an absolute delight here — her Doris is sweet, lovable, and tragic in equal measures. And the chemistry between her and John is palpable; you can see why they eventually strike up a friendship. In many ways this is a late in life coming-of-age story, and while there are moments of uncomfortable humor, you will find yourself rooting for Doris to come out of her shell and embrace her new life to the fullest.

User rating: 81/100. Staff rating: 80/100.
The Edge of Seventeen (2016)

A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine’s dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what’s important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.

User rating: 82/100. Staff rating: 80/100.
Train to Busan (2016)

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

User rating: 91/100. Staff rating: 80/100.
Mid90s (2018)

It wouldn’t be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90’s skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn’t concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill’s directorial debut is beautiful in every sense of the word.

User rating: 100/100. Staff rating: 80/100.
Columbus (2017)

What goes well with a love story? Creative architecture. Columbus the movie is such a great and genuine exploration of this idea, filmed in Columbus the city – a weird experimental hub for architecture that actually exists in real life! After his architect father goes into a coma, Jin (John Cho), a Korean-born man finds himself stuck in Columbus without a foreseeable end. In Korean tradition when a parent dies, the son should be in the same place physically otherwise they can’t mourn. While waiting to see what will happen to his father he meets Casey (Haley Lu Richardson), an aspiring architect herself, who’s also stuck in Columbus because of her mother. This is a beautiful movie with real-life issues and situations, to be especially appreciated by viewers who don’t mind a slow narrative in exchange for a meticulously-crafted movie.

User rating: 93/100. Staff rating: 81/100.
Wildlife (2018)

A powerful but quiet movie directed by Paul Dano and based on a novel of the same name by Richard Ford. It stars Carey Mulligan and Jake Gyllenhaal as a couple who move to a new town with their only child during the 1960s. Their relationship transforms after Gyllenhaal’s character loses his job as a butler and chooses to leave for a more dangerous profession, firefighting. This movie is about his wife’s response to this event and the implications of both parents’ behavior on their kid. There are no twists or turns, exciting action or plot; but Wildlife doesn’t need any of that. This moving story about a decaying family unit is portrayed in the sadness that comes with such events. The only joy comes from watching the outstanding (but expected) performances of the cast.

User rating: 60/100. Staff rating: 81/100.
The Death of Stalin (2017)

This is a hilarious political comedy starring the ever-great Steve Buscemi. Set in the last days before Stalin’s death and the chaos that followed, it portrays the lack of trust and the random assassinations that characterized the Stalinist Soviet Union. Think of it as Veep meets Sacha Baron Cohen’s The Dictator. Although to be fair, its dark comedy props are very different from the comedy that comes out today: where there are jokes they’re really smart, but what’s actually funny is the atmosphere and absurd situations that end up developing.

User rating: 0/100. Staff rating: 81/100.
Lady Bird (2017)

A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without feeling forced or cliché. This is because of the attention and care that were given to it but also because of how tightly it’s based on the life of its writer / director Greta Gerwig. A wonderful movie.

User rating: 88/100. Staff rating: 82/100.
The Boy in the Striped Pajamas (2008)

You’ve probably watched and heard about enough Holocaust films to expect a formula, but you might want to put all that aside going into The Boy in Striped Pajamas. Bruno, the son of a WWII Nazi commandant forms an unlikely friendship with a Jewish kid his age in his father’s concentration camp. The film is World War II told through Bruno’s eyes, and while you might not get why this movie is so highly praised in its first scenes, the twisting and profound second half will have you recommending it to everyone in need of a moving story well executed, or quite simply a good cry.

User rating: 82/100. Staff rating: 85/100.
Sicario (2015)

This is the type of famous movie that doesn’t feel like one. So if you haven’t yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet  and secretive agent working on the Mexican side.  The reason you shouldn’t watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It’s gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It’s intense, intelligent and very realistic in its approach to action sequences.  Directed by Denis Villeneuve (Prisoners, Incendies, etc.)

 

User rating: 92/100. Staff rating: 86/100.
The Disaster Artist (2017)

A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time – this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.

User rating: 67/100. Staff rating: 86/100.
Leave No Trace (2018)

Leave No Trace is the amazing new movie from the director of Winter’s Bone, Debra Granik. It’s the story of a father and his daughter who live completely off the grid in a national park in Portland, and their quiet quest to not be separated and remain off the grid. It’s not the sensational, tear-jerker story that you’d expect something with this premise to be. Rather, and like Winter’s Bone, it chooses a humane and realistic approach to the subject matter. The decision to live outside society is almost irrelevant to this movie. More so, its inevitability for certain people with certain mindsets is what is interesting. A stunningly quiet movie, really well-acted too.

User rating: 80/100. Staff rating: 86/100.
Flipped (2010)

A seven year old Bryce (Callan McAuliffe) moves to a new neighbourhood across the street from a very spirited little girl named Juli (Madeline Carroll). She falls in love at first sight much to the dismay of the shy young lad. For the next six years, Juli overwhelms Bryce with her affections until a series of events and misunderstandings leaves her heartbroken and angry at him. Fed up, Juli begins to ignore him. However, her absence triggers a change of heart as Bryce realizes his fondness of her. He will do anything to win her back. The whole film, set in the late fifties holds the warmth and charm of small town living. With a balance of passion and playfulness, the extraordinary young cast are brilliant in their roles. Based on the novel by Wendelin Van Draanen, this endearing story of young puppy love, will make your heart melt!

User rating: 91/100. Staff rating: 87/100.
Goon (2012)
17.

Goon

Goon is funny, violent, and sweet as hell. You’ll be surprised by how nasty it is but at the same time you won’t care. What you will want to do, on the other hand, is rip through the screen, and hug the main character. It is also a great example of a feel-good movie that isn’t solely focused on being a feel-good movie. It’s also great love story, with all its absurdities and highly emotional load. The story shines a light on the players who join hockey teams not for the game but for the fights that may erupt. They are called goons. Doug Glatt (Seann William Scott) is a new goon and this movie is his journey towards success both on the ice and off.

User rating: 86/100. Staff rating: 87/100.
ANIMA (2019)

Thom Yorke of Radiohead and Paul Thomas Anderson (Boogie Nights, There Will Be Blood) teamed up to create this gorgeous 15-minute movie.

Ever since the opening sequence of Denis Villeneuve’s Incendies, which in my opinion is the best opening scene of a movie -ever-, the marriage between Radiohead’s music and cinematography has never failed to yield impressive results (the soundtrack of There Will Be Blood was also done by Radiohead).

Anima is no different. It’s like power walking through a modern art gallery: there is a lot that will catch your attention and a lot that you will think about after the artistic display is done.

User rating: 0/100. Staff rating: 87/100.
Eternal Sunshine of the Spotless Mind (2004)

A stylish and whimsical yet delicate look at breakups in particular and relationships in general. It stars Jim Carrey as Joel Barish and Kate Winslet as Clementine Kruczynski. Instead of going to work one morning, Joel takes an unlikely route and that’s when he meets Clementine, together they realize they share a special connection without really knowing how that connection came to be. A tale of memory and regret, love and loss, it’s such a beautiful movie and a beautiful journey. You can’t miss it. If you’ve watched it when it came out you should watch it again – you’ll see the film differently. And if you haven’t watched yet, well, I envy you.

User rating: 93/100. Staff rating: 88/100.
The Girl with the Dragon Tattoo (2009)

The original Swedish mystery thriller that was later remade by David Fincher. It’s the same story of a wealthy man hiring a journalist and scrappy hacker to solver a murder, but told better. This version is slower, has more attention to detail and pace. In casting, authenticity triumphs over good looks. In staging, aesthetics are given as much importance as thrills. And in the story, intelligence wins over plot. This gives the main character of Lisbeth Salander (played by Noomi Rapace) better space to deploy her full mysticism and enigmatic nature. Danish director Niels Arden Oplev masterfully brings everything together to make for a movie that will forever be remembered.

User rating: 89/100. Staff rating: 88/100.
Blackfish (2013)

A striking and revelatory documentary focused on the behaviour of captive Orcas and their treatment within SeaWorld and other theme parks around the world. At the center of the story is Tilikum, a bull Orca that has been responsible for the death of three individuals, and the legal and ethical challenges that have arisen from apparent cover-ups by officials. What happened to Tilikum to make him adopt such behavior? First-hand accounts by former whale trainers and experts deliver fascinating truths about Tilikum and the species as whole, with particular attention on their remarkable intelligence and advanced social behaviors. Blackfish will undoubtedly change your perspective on whale captivity indefinitely. It’s certainly not to be missed by anyone who appreciates top-notch documentary film-making as honest historical record.

User rating: 91/100. Staff rating: 90/100.
Silver Linings Playbook (2012)

This Oscar winner is an offbeat romantic comedy that still feels like a standard romantic comedy! It’s best that you go into it without many expectations, because many people enjoy it for different reasons and it’s best if you find your own. It’s also a movie that needs to be seen as a whole, despite having so many components to it. Fresh out of a mental institution, Pat (Bradely Cooper) moves with his parents and tries to get his ex-wife back. Hel he meets Tiffany (Jennifer Lawrence) a girl with complex problems of her own. Silver Linings Playbook is funny, so well-acted, and takes on interesting issues and perspectives.

User rating: 81/100. Staff rating: 90/100.
Gook (2017)
11.

Gook

Two Korean-American brothers run their family’s shoe store on the day of the 1992 L.A. riots. The day starts as they hang out at their struggling business with an 11-year-old African American girl, Kamilla. Then the Rodney King verdict is in the news and violence breaks out.

Written, directed, and starring Justin Chon, it’s a tight 94 minutes of impressive film-making that speaks volumes about America’s intra-minority race relations. It’s a work that elicits sympathy and manages to uplift the violent event to a human level. An amazing movie.

User rating: 80/100. Staff rating: 90/100.
McQueen (2018)

An intimate look into the rich yet short life of Alexander McQueen, the British fashion icon. I didn’t know much about him prior to watching that movie, and that didn’t matter. His story of a tormented genius transcends fame and even time. In art and in fashion, McQueen’s journey was celebrated by everyone but him.

This is the type of movie where after you watch it, you need a good hour of Wikipedia searches and Youtube interview viewing. It’s powerful and will introduce you to an entire world that is the impact of Alexandre McQueen when he lived.

User rating: 0/100. Staff rating: 90/100.
The Guilty (2018)

Before you press play on this movie, I highly recommend you take deep, deep breaths. The suspense in it grows in such an incremental way that you will be out of breath before you know what happened. And it doesn’t use anything other than amazing acting and an amazing story to achieve all of this. One man, in the equivalent of a 911 police center in Denmark, and a room. That’s it. He receives a call that turns his night around and puts him in front of very important questions on his ethics and how far he can go to help the people that call him. This movie feels like it was made on a $100 million budget, but the reality was very far from that. It doesn’t even believe in budgets. Grab someone next to you and go watch it so that you can discuss it after.

User rating: 60/100. Staff rating: 90/100.
Sing Street (2016)

In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).

User rating: 87/100. Staff rating: 91/100.
On Body and Soul (2017)

On Body and Soul is the impeccably crafted winner of the 2017 Berlin Film Festival.

Two strangers have the same dream every night, they meet as deer in a forest and eventually fall in love. When they run into each other in real life, they search for the love they experience unconsciously. The reality of their introverted personalities and their surroundings make it hard to establish that same connection.

This unconventional love story is passionately told by Hungary’s best director, Ildikó Enyedi. Before it, she had taken an 18-year break from making movies, something that kind of makes sense when you watch On Body and Soul. That break was probably the only way to come up with something as thoughtful and creative as this.

User rating: 95/100. Staff rating: 91/100.
Shoplifters (2018)

Shoplifters is the Winner of the 2018 Cannes Film Festival from Japan. It’s about a poor family made of small-time outlaws who live from shoplifting amongst other petty crimes. They take in a new girl they find outside in the cold and introduce her to their otherwise happy family. But when the second-youngest member of the family finds himself teaching her how to shoplift, he faces a moral dilemma that threatens the fabric of the family.

From renown director Hirokazu Koreeda, and if you don’t know who that is – I really recommend checking out his other movies. Namely, Still Walking, Like Father, Like Son and After the Storm.

Koreeda is often referred to as the best Japenese filmmaker alive, and Shoplifters is solid proof that he deserves that title. Its affecting story and slow-burning nature are sure to stay with you for a long time.

User rating: 0/100. Staff rating: 91/100.
Room (2015)

An exploration of the complex and loving relationship between a mother and her son that will take you through a variety of extremely perceived emotions: it’s uplifting, disturbing, provocative, sad, and hopeful among many other things. We don’t get many of these middle-class-budget films anymore, and this one might be its category’s best. A kidnapped girl (Brie Larson) has a son (Jacob Tremblay in an electrifying performance) with her abductor and tries to provide a “normal” environment for the kid in the room where they’re being held captive, until they attempt to escape. Brie Larson won an Oscar for Best Actress in Room, so make sure to also check out Short Term 12, an equally impressive performance by her in an equally amazing movie.

User rating: 90/100. Staff rating: 92/100.
St. Vincent (2014)

In this comedy/drama, Bill Murray plays an aged, dispirited war veteran named Vincent who openly disdains most people and gives little attention to anything beyond alcohol and horse racing. Living a life of solitude in Brooklyn, everything takes a turn when a young single mother (Melissa McCarthy) and her son Oliver move in next door. Vincent eventually takes on the responsibility of watching over Oliver when Maggie is at work. Murray is perfectly unpleasant in his darkly comedic role, as his relationship with Oliver evolves despite his own misgivings, providing young Oliver (Jaeden Lieberher) with the fatherly/grandfatherly presence he desperately needs. Though somewhat formulaic, St. Vincent rises above expectations by way of great dialogue, favourable performances from all of the leads, and an unbelievably touching finale that will melt your heart. Much better than you probably expect—definitely check this one out.

User rating: 82/100. Staff rating: 92/100.
Hell or High Water (2016)

What turns good men bad? Some of the stuff in this film, definitely.

From one small Texas town to the other, two brothers rob banks and travel with extreme precaution yet apparent recklessness.

Played by Chris Pine and Ben Foster, their journey captures their essence as Texans. The makers of this movie gave a lot of attention to aesthetics, and because of this the portrayal of the main characters fits very well with the portrayal of their environment. Character and scenery become are one in Hell or High Water, a magical modern-day crime western that you can get soaked in so easily.

User rating: 87/100. Staff rating: 92/100.
End of Watch (2012)

First off you have to remember it is the same writer as Training Day. Then you have to believe that he must have gone to a joint training camp between the Taliban and Mexican Cartels or something since Training Day to come up with such a tense, unpredictable script. But End of Watch is more than that. It is warm and sweet (yes), and a great showcase of Gyllenhaal and Pena’s talents — which thanks to a documentary-style cinematography, and the actors’ 5-month immersion program with actual LA cops, make for a very authentic, rich, and overall exciting film.

User rating: 89/100. Staff rating: 96/100.
Hunt for the Wilderpeople (2016)

Taika Waititi’s follow-up to the (also great) What We Do in the Shadows, is a pure delight and the perfect antidote after a bad day or a steady diet of too many sad movies. “Bad egg” Ricky Baker has been bounced out of more foster care situations than he cares to remember until he’s given his last chance with a couple living on a rural New Zealand farm. After tragedy strikes early in the film Ricky and his foster uncle (Hec) find themselves on the run in the bush while a nationwide manhunt is initiated on their behalf. Hip-hop enthusiast Ricky and crusty, cantankerous Hec make quite the inspired pairing; this is a very funny film full of the deadpan humor that has become emblematic of Waititi’s work (Flight of the Conchords, Boy) but it is also oddly touching and full of heart.

User rating: 91/100. Staff rating: 96/100.

Hunt for the Wilderpeople (2016) has been picked as the best movie on Netflix Canada. It stars Julian Dennison, Rima Te Wiata, Sam Neill. To be particularily enjoyed if you're in the mood for something affectionate, funny, heart-warming, satisfying, sweet, warm, well-acted. For more titles on Netflix Canada, go back to our homepage and select your country from the top bar.