100 Best Movies on Netflix Canada Right Now

100 Best Movies on Netflix Canada Right Now

November 22, 2024

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agoodmovietowatch is a database of highly-rated movies. Because of this, we know that while Netflix US may have a larger catalog of titles, Netflix Canada actually has a larger catalog of good titles. Our latest count shows that we have 149 good movies for Netflix Canada, and only 120 for Netflix US (to find all the movies we suggest for Canada go back to the homepage and use the region selector in the top bar to choose your country). When you end up on a list like this, you must be accustomed with the confusion and frustration that come with browsing Netflix aimlessly. From our research, this is caused by two things. First, something called the paradox of choice, where the larger the options you have to choose from the harder it is to choose. Second, recommendation algorithms. A while ago Netflix removed their ratings and replaced them with match percentages. What this means is that if you watched a cop movie, you will have a 100% match record with other cop movies, good or bad. Our solution to both issues is a simple website that has a very limited selection of only good titles. We know they’re good because they’re loved by both critics and viewers at the same time. Below is a list of the best ones currently on Netflix Canada as rated by our users. When you’re done with this list, we highly recommend checking out the 40 Best TV Shows on Netflix Canada You Haven’t Yet Binged.

61. To Kill a Tiger (2022)

best

8.3

Country

Canada, India, United States of America

Director

Female director, Nisha Pahuja

Moods

Dark, Inspiring, Touching

To Kill a Tiger should not be an easy watch. It’s about the gang rape of 13-year-old Kiran, a girl whose small village has shunned and blamed her for “not knowing better,” and who is being forced by community leaders to marry her abuser to “erase the stain” on herself. But instead of leaning on sensationalism, Director Nisha Pahuja tells Kiran’s story with so much care and sensitivity that it feels refreshing and ultimately inspiring to watch. Pahuja hones in on Kiran’s relationship with her father, Ranjit, who stands by her daughter despite the pressure imposed by his community to do otherwise. The filmmakers note that he’s the rare man to pursue justice for his wronged daughter, and we can see through intimate conversations among the villagers, lawmakers, and social workers how brave and novel Kiran and Ranjit’s journey is. To Kill a Tiger is not an easy watch, but under Pahuja’s deft direction, the discomfort feels necessary, and the relationships heart-aching but uplifting.

62. The Remarkable Life of Ibelin (2024)

best

8.3

Country

Norway

Director

Benjamin Ree

Actors

Elena Pitsiaeli, Kelsey Ellison, Mats Steen, Paul Wild

Moods

Challenging, Discussion-sparking, Emotional

In the first twenty minutes, The Remarkable Life of Ibelin seemed to be quite unremarkable, with the usual way a biographical documentary would go, that is, loved ones waxing poetic about how great the dead person was in life. But the documentary takes this to introduce Ibelin the same way his parents discovered the online life Mats Steen lived. It’s a unique documentary, mixing in the usual home videos with the animated gameplay of the archived life Steen lived in Ibelin, but it’s grounded by, and somewhat co-created through the words Steen himself typed about his life as a disabled man, and the game history he shared with the community he formed online. The Remarkable Life of Ibelin ends up being quite a remarkable depiction of living online, that feels much more honest, human, and creative than the condescending or cautious narratives we’ve previously heard about the online world.

63. The Perks of Being a Wallflower (2012)

best

8.2

Country

United States of America

Director

Stephen Chbosky

Actors

Adam Hagenbuch, Brian Balzerini, Chelsea Zhang, Dihlon McManne

Moods

Challenging, Easy, Emotional

This coming-of-age story based on the bestseller by the same name starts fun but veers towards darker territory. It’s about a high-schooler who makes two older friends, played perfectly by Ezra Miller and Emma Watson. But as he gets closer to one of them, his anxieties and past trauma come to the surface. The impressive depth to which the makers of The Perks of Being a Wallflower were able to take it is what elevates it to greatness. It’s the perfect mix between easy and challenging. If there is ever such a thing, it’s this movie.

64. The Big Sick (2017)

best

8.2

Country

United States of America

Director

Michael Showalter

Actors

Adeel Akhtar, Aidy Bryant, Alison Cimmet, Andrew Pang

Moods

Easy, Feel-Good, Funny

A revelation of a movie, both in filmmaking and commercial success. While little-known abroad, it has made more than $42 million in US Box Office revenue out of a tiny $5 million budget. Kumail Nanjiani, stand-up comedian and star of the show Silicon Valley, tells his own story of romance with his now-wife Emily V. Gordon (who co-wrote the movie). Because it is based on a true story, and because it is the product of the love of both its writers and stars, this movie is incredibly heartfelt. It is also timely, addressing heavy themes such as identity, immigration, and family relationships. Not to mention it is absolutely hilarious. And it’s produced by Judd Apatow. Trust me and go watch it.

65. Sorry to Bother You (2018)

best

8.2

Country

United States of America

Director

Boots Riley

Actors

Annie Chen, Armie Hammer, Damion Gallegos, Danny Glover

Moods

Discussion-sparking, Funny, Smart

In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.

66. Paddleton (2019)

best

8.2

Country

United States of America

Director

Alex Lehmann, Alexandre Lehmann

Actors

Alana Carithers, Alexandra Billings, Bjorn Johnson, Carlos A. Salazar

Moods

Character-driven, Depressing, Dramatic

There are three big reasons to watch Paddleton. The first two are Ray Romano and Mark Duplass, who play the two neighbors at the center of the story. And the third is Alexandre Lehmann, the director, who also is responsible for Blue Jay (on Netflix as well).

These two misfit neighbors find themselves together when one of them is diagnosed with cancer. They embark on a trip to the nearest pharmacy (a six-hour drive) which turns into an adventure.

This premise gives Paddleton a lot to play on: it’s a comedy, but it’s also a drama about a fatal disease. It’s a bromance, but it’s about a fragile friendship. All these contradictions make Paddleton a great slice-of-life movie. And again, both actors are amazing. Watching it just for them is worth it.

67. Tell Me Who I Am (2019)

8.2

Country

UK, United Kingdom

Director

Ed Perkins

Actors

Alex Lewis, Andrew Caley, Evan Milton, Kathleen Rainey

Moods

Challenging, Depressing, Discussion-sparking

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

68. I Lost My Body (2019)

best

8.2

Country

France

Director

Jérémy Clapin, Jérémy Clapin

Actors

Alia Shawkat, Dev Patel, George Wendt, Hakim Faris

Moods

Smart, Thought-provoking

Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris.

The hand storyline is not gory by the way, except for one or two very quick scenes. Mostly, this is a film about loneliness and not being able to find your way back, both as an immigrant who misses how they were raised and as a hand who misses its body.

Sporting some of the most beautiful animation work this year, this movie premiered at Cannes where it became the first-ever animated film (and Netflix film) to win the Nespresso Grand Prize.

69. The Forty-Year-Old Version (2020)

8.2

Country

United States of America

Director

Female director, Radha Blank

Actors

Andre Ward, Andrew Glaszek, Antonio Ortiz, Ashlee Brian

Moods

Feel-Good, Funny, Uplifting

This fun comedy-drama is about a New York playwright called Radha who never hit big. When she turns 40, she decides to reinvent herself as RadhaMUSPrime, a rapper.

And it’s all a personal affair: Radha Blank plays the main character (named after herself) and is also the writer, director, and producer.

The story is about rap and theater, but being so connected to reality, it feels like it’s about Blank making the movie itself. Its very existence feels like a triumph against the pressure of age, the misunderstanding of others, and the weight of unreached goals.

70. Gather (2020)

8.2

Country

United States, United States of America

Director

Sanjay Rawal

Moods

Inspiring, Instructive, Mind-blowing

This insightful and uplifting documentary is about a growing movement within indigenous communities: obtaining food sovereignty by going back to pre-genocide ways of cultivating food.

The violent changes that have affected indigenous communities don’t impact just the people, but also the animals, the fish, and the land. All of these are now bearing the brunt of climate change.

Historically, North American governments forbid Native people from fishing and cultivating their foods as a way to repress them and create dependency. Gather is as much a recognition of the damage that was done as it is a forward-looking vision about how these communities are taking control of their faiths.

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