10 Best Movies on Paramount Plus

Directed by David Cronenberg, Eastern Promises is at times brutal—such is the famous Canadian director’s trademark—and operates at a fever pitch of grim violence and revenge. Starring a tattooed, ruthless, and terrifying Viggo Mortensen as a very convincing Russian strong-arm gangster as well as Naomi Watts and Vincent Cassel, it features intense psychological drama and a gritty crime story. Midwife Anna (Watts) delivers the baby of a 14-year-old Russian prostitute, who dies while giving birth, and later learns that she was forced into prostitution by the Mafia. To keep this knowledge from seeping out, she gets entangled deeper into London’s criminal underbelly, whose various factions and languages are aptly showcased by Cronenberg. Add to all this a smart script and Mortensen’s daring performance and you have yourself an intense auteur thriller in signature Cronenberg style.

Starring Matthew Broderick and a young Reese Witherspoon as, respectively, Jim McAllister, a high school teacher and Tracy Flick, a notorious ‘that girl’ in his class. When Tracy decides to run for class president, we see the floodgates open as all sorts of bizarre and insane behavior pours out of the two. Quickly, it becomes clear that Tracy will do nearly anything to win, and as circumstances spiral out of control, madness descends – along with hilarity!

From the director of Moneyball, Foxcatcher is a true-story-based thriller centered around Olympic wrestlers and brothers Mark Schultz (Channing Tatum) and Dave Schultz (Mark Ruffalo) and multimillionaire John du Pont (Steve Carell). When the latter invites both brothers to move to his estate and train there, with seemingly patriotic motives, only Mark accepts. As training for the 1988 Olympic Games starts, and Du Pont’s motives become clearer, tragedy hits. This film is a slow-burning celebration of the exceptional talent it features, both Ruffalo and Carell received Oscar nominations for their roles.

In the sexy, slick, and sharp-witted Out of Sight, a never-better George Clooney plays Jack Foley, a career bank robber who pulls off heists based on pure charm alone. His charisma is so powerful it even turns the cat-and-mouse game he plays with federal marshal Karen Sisco (Jennifer Lopez) into a seductive dance. Karen is no easy mark, though: she’s a tough agent who’s used to being underestimated by the men she works with. The sizzling connection that sparks between her and Jack is gripping precisely because it threatens to break the basic logic both live their lives by: he a slippery criminal, she a no-nonsense professional. Clooney and Lopez’s naturally electric chemistry is supercharged by the fact that the film never slips into sentimentality, always keeping their will-they-won’t-they amour at a tantalizing distance until the decisive moment. A crime caper with many strings to its bow — among them sizzling romance and brilliant dialogue brought to life by a dazzling supporting ensemble — this is a masterfully entertaining ride from director Steven Soderbergh.

In a global movie industry of children’s entertainment that often feels like it isn’t even trying, this little Peruvian bear coming to England is a wonderful reminder that films aimed at younger audiences aren’t inherently limited. If anything, Paddington challenges itself to come up with a far more creative (and effective) way to talk about the lingering scars of colonialism manifesting as discrimination in everyday “civil” society. It sounds like heavy stuff, but Paddington approaches its fish-out-of-water story with the exact counterbalance of silliness, and a riotous cast that’s far funnier than anyone would have expected them to be.

See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director’s own 8-year long-distance relationship. A great option if you’re in the mood for the type of suspense that pulls at your heartstrings.

Don’t be fooled—despite being a three-hour documentary, Hoop Dreams is just as thrilling, heartbreaking, and cinematic as any sports film out there. Unlike them, however, Hoop Dreams is less of an uplifting feel-good story than it is an honest and sobering look at how the education system has failed Black communities. It’s not a complete downer, though, since we follow two hardworking and inspiring boys committed to lifting their families from poverty. While more privileged players can afford to treat basketball as a hobby, to Arthur and William, basketball is a lifeline, a rare chance to enjoy better opportunities and give their families a better life. Imagine carrying that on your shoulders while training, studying, looking for colleges, and surviving teenhood. It’s a lot, but director Steve James weaves it all beautifully. James divides the chapter into freshman, sophomore, junior, and senior years, following Arthur and William as they start on the same footing, diverge and live parallel lives (one in private school, the other in public), and eventually meet again during their final years in school. Their journeys are riveting, not least because we also get to know their families, friends, hopes, and dreams. This is riveting cinema, as socially conscious as it is competitively thrilling.

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

Focusing on the personal over the global, 76 Days serves as a valuable reminder for generations to come, of the catastrophic human cost of a pandemic. The film’s directors (including one or more filmmakers who have had to keep themselves anonymous) take an entirely boots-on-the-ground approach in Wuhan, China. Together they find both humanity and the loss of humanity in these individual cases of COVID that are stalled by small inconveniences or a general lack of understanding of the disease. And all of this confusion is punctuated by the humbling fact that we never see the nurses’ faces. It’s a harrowing watch, but it tells us everything we need to know about how much assistance our health workers need and the kind of superhuman things they’re tasked with doing every single day.

If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).