50 Best Movies on Pluto TV Right Now

50 Best Movies on Pluto TV Right Now

June 14, 2024

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Pluto TV has quickly ramped up its licensing deals to have a great collection of quality films. And the best part is that you don’t have to pay anything to watch these, as Pluto, like Youtube, is ad-supported. Here, we count down the best movies that you can watch for free on Pluto TV.

41. The Death of Stalin (2017)

best

8.1

Country

Belgium, Canada, France

Director

Armando Iannucci

Actors

Adam Ewan, Adam Shaw, Adrian McLoughlin, Alla Binieieva

Moods

A-list actors, Discussion-sparking, Funny

This is a hilarious political comedy starring the ever-great Steve Buscemi. Set in the last days before Stalin’s death and the chaos that followed, it portrays the lack of trust and the random assassinations that characterized the Stalinist Soviet Union. Think of it as Veep meets Sacha Baron Cohen’s The Dictator. Although to be fair, its dark comedy props are very different from the comedy that comes out today: where there are jokes they’re really smart, but what’s actually funny is the atmosphere and absurd situations that end up developing.

42. Queen and Slim

best

8.1

Country

Canada, United States of America

Director

Female director, Melina Matsoukas

Actors

Andre De'Sean Shanks, Andy Dylan, Benito Martinez, Bokeem Woodbine

Moods

Action-packed, Thrilling

On their drive back from a Tinder date that was only average, a couple are pulled over by a racist police officer. Things escalate unexpectedly and the couple, one of whom is a lawyer aware of the corruptedness of the system, start a life on the run together. This thrilling set-up mixing social commentary and romance is a movie that’s actually many movies in one. And almost as if to cut in-between the different tonalities, there are so many quiet and beautiful shots of the couple: silent, still or dancing – these moments are true cinematic magic. 

43. Lady Vengeance (2005)

best

8.1

Country

South Korea

Director

Chan-wook Park, Park Chan-wook

Actors

Anne Cordiner, Bu-seon Kim, Byeong-ok Kim, Cha Soon-bae

Moods

Action-packed, Intense, Mind-blowing

This Park Chan-Wook classic is the third part of a trilogy of films around the theme of revenge, following Sympathy for Mr. Vengeance and Oldboy. While ultimately unique, Lady Vengeance is a thriller set in a prison, in the vein of films such as the Japanese action drama Female Prisoner #701: Scorpion. After being framed and wrongly convicted for murder, our protagonist seeks out the true perpetrator of the crime –– but more than anything else, she seeks vengeance. 

This film’s run time is 115 minutes and every second is essential. There is often gratuitous violence perpetrated by men against women in film, however Lady Vengeance takes back control and for that reason it remains one of my favorite revenge films.

44. Fresh (1994)

best

8.1

Country

France, United States of America

Director

Boaz Yakin

Actors

Afi Bijou, Ali A. Wahhab, Anthony Ruiz, Anthony Thomas

Moods

Character-driven, Gripping, Raw

Filmed with a perfect blend of realism and embellished style, Fresh is a coming-of-age story set in the poverty of the New York City projects, wherein the protagonist “grows up” only by learning to become dangerous and losing his sense of self. There’s no satisfaction in watching 12-year-old Michael (or “Fresh,” as he’s called) use his supposed innocence as a tool to manipulate his way to a safer position. The system continues to reign supreme and Fresh only buries himself into a deeper hole. Boaz Yakin’s direction is direct and expressive, the city stirring to vibrant life in every scene, and the tremendous performances from Giancarlo Esposito and a then-teenage Sean Nelson drive home the tragedy with full force.

45. Miracle Mile (1988)

best

8.1

Country

United States of America

Director

Steve De Jarnatt

Actors

Alan Berger, Alan Rosenberg, Anthony Edwards, Brian Thompson

Moods

Dark, Gripping, Mind-blowing

Before anything else, Miracle Mile is a romance. It begins with a meet-cute so adorable, it convinces lovebirds Harry and Julie to stick to each other in the next moments of the film, which couldn’t be more different than the first. Where the opening scene is sweet and lovely, the ones that follow it are fraught and bleak and eerily existential. At this point, the film transforms into its true self: an apocalyptic nightmare. When Harry receives word that a nuclear attack is incoming, the news spreads like wildfire and all hell breaks loose in this film that makes you question reality and humanity. 

It’s one of the smoothest shifts in cinematic history, but even with panic swirling and violence erupting, love is still there. Harry and Julie’s quest to save and savor the bond they’ve formed is genuinely moving, and it effectively grounds this out-of-this-world film about the end.

46. Skate Kitchen (2018)

best

8.1

Country

United States of America

Director

Crystal Moselle, Female director

Actors

Ajani Russell, Darlene Violette, Dede Lovelace, Elizabeth Rodriguez

Moods

Easy, Feel-Good, Heart-warming

Director Crystal Moselle based Skate Kitchen on NYC’s eponymous crew of young female skateboarders, who actually play fictionalized versions of themselves here. That real-life casting lends the film a documentary-esque quality: the girls’ bantering chemistry and die-hard loyalty feel warmly authentic, and the movie would be well worth a watch just to bask in this vibe alone.

The Skate Kitchen girls are an eclectic bunch, but what’s so refreshing — and therapeutic — about the film is that they’re also deeply, instinctively empathetic. These misfits don’t just tolerate but celebrate one another’s uniqueness and respect their differing boundaries (the way the girls and the movie treat shyness as a feature rather than a flaw to be resolved is particularly moving). What’s more, in its own low-key way, Skate Kitchen is an inspirational watch for its portrait of young women building the sanctuary they need themselves — not just in a largely male subculture but on a broader canvas, too. Rather than skulk anxiously on the sidelines, the girls use skating to carve out a space of their own in New York, a way to make the big, scary city feel warm and intimate. Amidst all the steezy ollies and clean rail grinds, these might just be the greatest tricks they pull off.

47. I Am Not a Witch (2017)

best

8.1

Country

France, Germany, United Kingdom

Director

Female director, Rungano Nyoni

Actors

Dyna Mufuni, Gloria Huwiler, Henry B.J. Phiri, Maggie Mulubwa

Moods

Dark, Funny, Original

Remarkably for a movie about women being shunned and exploited by those more powerful than them, I Am Not A Witch is often wryly funny. That’s because this satire about Zambia’s labor camps for “witches” is told with a matter-of-fact-ness that brings out both the heartbreak and absurdity of the film’s events. The bitter gravity of the predicament nine-year-old Shula (Maggie Mulubwa) finds herself in — she’s been accused of witchcraft on the back of some very flimsy evidence — is never glossed over, but neither is its farcicality. Appropriately for its subject, there are also touches of magical realism here, notes that elevate the film into something even more complex than a wry commentary on this morbidly fascinating form of misogyny. This hybrid tonal approach is executed with the kind of fluidity filmmakers might hope to one day master late on in their career — which makes the fact that this is director Rungano Nyoni’s debut all the more extraordinary.

48. Amores Perros (2000)

best

8.0

Country

Mexico

Director

Alejandro González Iñárritu

Actors

Adriana Barraza, Alvaro Guerrero, Dagoberto Gama, Dunia Saldívar

Moods

Challenging, Depressing, Gripping

Alejandro González Iñárritu’s cleverly layered directorial feature film debut follows three persons whose lives are connected by a car crash in Mexico City. It directly involves two of them: a young man who enters the world of dogfighting to earn enough to elope with his sister-in-law, and a supermodel whose life is changed for the worse after she is fatally injured. The third segment of the film centers on a mysterious homeless man on the street who witnesses the crash.

The title, Amores Perros, refers to the characters’ love of dogs as well as love being a source of misery, and it’s a hint of the chaotic, unforeseen circumstances they each face. Iñárritu’s film shows his brilliance in direction. Despite the film being an early work, his ingenuity shines through and the compelling performances propel all three stories to gritty heights.

Cut-throat editing, handheld cinematography, and Guillermo Arriaga’s intricate screenplay flesh out each character. The viewers are pushed to the edge of their seats as we navigate the gripping miseries of life along with the rest of the cast. The tightly woven film is a painful must-watch, a brutal and uncompromising look at despair and animalistic aggression among humans that is also mirrored in the cruelty their dogs suffer.

49. Tickled (2016)

best

8.0

Country

New-Zealand

Director

David Farrier, Dylan Reeve

Actors

David Farrier

Moods

Dark, Dramatic, Gripping

There’s more than a touch of Louis Theroux to this engrossing documentary — fronted by New Zealander pop-culture journalist David Farrier — about an innocuous-seeming Internet phenomenon: the actually-sinister subculture of “competitive endurance tickling”, in which young men undergo “tickle torture” for money on camera. When Farrier unassumingly requests an interview with an American producer of tickle content, it kickstarts a bizarre campaign of harassment and opens up a rabbit hole of unbelievable twists and turns. The wild places this documentary goes are best left as unspoiled as possible, but it’s no spoiler to say this emerges from its seemingly lighthearted premise as a deeply unnerving story about money, power, sex, and shame in the Internet age.

50. The Resurrection of Jake The Snake (2015)

best

8.0

Country

United States of America

Director

Steve Yu

Actors

Adam Copeland, Aurelian Smith Jr., Chris Jericho, Cody Hall

Moods

Discussion-sparking, Dramatic, Inspiring

This journey is as much about Jake Roberts overcoming his addiction and damaged self-outlook, as it is about the heroic, life-changing efforts that DDP made to get him there. DDP’s brand of aggressive wholesomeness and belief in Roberts is palpable, and the rawness of the presentation only accentuates how real this friendship is, and how urgent DDP’s mission is—he will do this himself because no one else can. The documentary is inspiring with its vulnerability alone, as the underlying story is of men renouncing toxic behaviors that keep them looped into destructive habits. It doesn’t waste time with fluff minutes or details, just straight to your heart from start to finish.

Comments

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Anonymous

No mention of the film Mirrors then?

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