100 Best Movies on Pluto TV Right Now

While the mixed reception of its near-faithful American remake Vanilla Sky might make some viewers pause, there’s an intuitive brilliance in the Spanish original Open Your Eyes that isn’t easy to translate. Sure, the apparent differences help– it’s shorter and less complicated, and Cesar’s face turns more grotesque than David’s does. But what’s startling about Open Your Eyes is the way writer-director Alejandro Amenábar guides the camera through its various shifts, creating a more subtle and gradual realization that something is wrong, and thus, a more terrifying dream turned nightmare. Amenábar has later deemed the film as his worst, saying it was written when he didn’t know much about life, but, in our opinion, Abre Los Ojos still holds up as a groundbreaking existential sci-fi simulation, one that still puzzles and captivates years after.

«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Snowpiercer is an under-the-rader post-apocalyptic thriller that offers the grittiness that many times only Asian cinema may achieve. South Korean director Joon-ho Bong forces audiences to forget that Chris Evans was ever a Marvel superhero, as he leads a revolt of his fellow “low-class” citizens against the self-appointed gentry in a train that contains all remaining members of the planet. With immersive environments and a layered script, this film melds together social commentary and moral discourse in a visually arresting and vastly entertaining package.

A Danish cargo ship is hijacked by Somali pirates in the Indian Ocean. The pirates demand millions of dollars in ransom and from there on, a psychological drama between the pirates and the ship owner develops, as they negotiate the price for the ship and its crew. A really great thing about this film is the fact that it doesn’t get tangled up in the weepy feelings of the families back home – but instead focuses on the shrinking hope of the ship’s crew and the psychological consequences of the brutal negotiation, that drives the ship owner to the edge of madness. Inspired by a true story. Brilliantly acted.

At the same time a fun, crazy, and meaningful movie about Malcom and his friends, high school teenagers and proud geeks who suddenly find themselves immersed in the underground LA drug scene. It’s a 2015 Superbad meets Boyz in the Hood. But in its essence it mostly resembles another beautiful film, Juno, in the way it evolves around a character played perfectly who you get to know, agree and disagree with, and ultimately learn from and relate to. Above all it’s an outright enjoyable film, a smart one too, with a great soundtrack to boot.

The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He loses his wallet, his children fight, the art he oversees is does not make sense to an interviewer… Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that’s just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

A24 + Steve Buscemi = ?. 

In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland. 

Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family. 

This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”

Perfect for Halloween marathons with friends, The Return of the Living Dead treads the now well-worn template of zombie apocalypse movies with outstanding practical effects and a refreshingly unserious attitude. What the film might lack in terms of character writing or deeper themes, it more than makes up for with a relentless forward momentum. There isn’t any grand mission to be accomplished when these morticians collide with a group of young punks, other than understanding what drives the undead creatures outside in order to survive the night. As a result, this is a movie that lives firmly in the moment, with thrills aplenty and its greatest moments found in the freaked-out reactions of its ensemble cast. The late James Karen, with his hilariously exaggerated hollering and whimpering, only nearly steals the show from the film’s wonderful animatronics and disgusting prosthetic makeup. It’s a great zombie movie for the reluctant horror newbie.

Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.

Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the 2023 Academy Awards.