November 20, 2024
Share:
There are some movies that fall flat when you view them alone but absolutely soar when seen with the right people. All of a sudden, the jokes are hilarious, the slow scenes are bearable, and the jump scares, which you found ridiculous a while ago, are now ridiculously fun. These kinds of movies are just so joyous or meaningful or challenging or thrilling (or all of these combined) that it feels like a waste not to share them with friends. So whether you’re looking to have a laugh with your favorite people, engage in a debate with them, or simply find the meaning of friendship onscreen, you’ll be sure to find the perfect watch in our list of the best movies to watch with friends below.
Read also:
Country
Director
Actors
Moods
It wouldn’t be too far of a reach to evoke Kids (1995) while diving into Mid90s. But instead of taking on the HIV crisis, Mid90s is a much more tender, poignant reflection on coming of age in 90’s skate culture. Jonah Hill, writer and director, examines the complexities of trying to fit in and the difficult choices one has to embrace individualism. From an opening of physical abuse to scenes of drug usage and traumatic experiences, Mid90s is a meditation not only on culture, but also a subtle examination of what it means to be human, to reach emotional and physical limitations, and to seek acceptance. Filmed in a 4:3 aspect ratio, Mid90s doesn’t concern itself with grandiose filmography, but instead the aspect ratio almost reflects the tonal and metaphorical aspects played out on screen. With a smaller dynamic range of color and the familiar dust/scratches, the 16mm film compliments gritty and emotional moments of Mid90s. The emotional range of the film will take the audience from the depths of empathy to laughing out loud, but there is no compromise to the weight of each moment. Jonah Hill’s directorial debut is beautiful in every sense of the word.
Country
Director
Actors
Moods
A razor-sharp script and beautiful scenery make this one of the best road movies in recent memory.
When their cynical best friend dies, Seph and Alex embark on a journey to scatter his ashes over four spots he wants to go back to. Tupperware of ashes in the glove-box, they start their big adventure.
Burn Burn Burn, an expression their friend quotes from Kerouac, is a chance for the two friends to escape their hectic city life and to discover themselves. It’s a beautiful movie.
Country
Director
Actors
Moods
A recent holiday classic you likely haven’t seen, Arthur Christmas uses its premise of the North Pole as a massive spy organization to touch on how commercialization tears people apart. It’s a surprisingly smart film with a fascinating dynamic among its family of Santas, with an incredibly funny script full of dry, British wit. And while the animation may already look dated at first glance, Arthur Christmas more than makes up for its looks with truly imaginative art direction and director Sarah Smith’s fast-paced set pieces. This is that rare Chirstmas movie that doesn’t just surrender to schmaltz; the lessons learned by the characters here are unique, complex, and timeless.
Country
Director
Actors
Moods
Spanning over decades and continents, The Eight Mountains depicts the kind of childhood friendship that remains central to one’s whole world. While city boy Pietro (Luca Marinelli) treks from the Alps to the Himalayas, the mountain pasture of Grana remains special as his father’s old refuge and as the hometown of childhood best friend Bruno (Alessandro Borghi). When they were younger, the two struck a summer friendship as the only two boys in the small town. However, their friendship isn’t the kind formed through day-to-day, routine interactions. Instead, each moment they share is fleeting, cut short by circumstances, but therefore, all the more precious. Co-directors Felix van Groeningen and Charlotte Vandermeersch slowly and patiently craft intermittent moments that form a lifelong friendship. And at the end, when they last bring us back to Grana, these moments are all we have left of this profound, meaningful connection.
Country
Director
Actors
Moods
Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle’s critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle’s Whiplash, or the dreaminess of La La Land, Babylon’s restlessness doesn’t resemble Hollywood spectacle so much as it begins to feel like an unscratchable itch, desperate to feel anything. The film ends up trying to say so much that it threatens to say nothing at all, but its vision of cinema becoming reality is so potent that just the experience is more than worth getting lost in.
Country
Director
Actors
Moods
Break-ups aren’t the easiest thing to overcome, but how we deal with them usually doesn’t get as ludicrous as the events Pepa goes through in Women on the Verge of a Nervous Breakdown. The film makes said nervous breakdown chaotic– it includes spiked gazpacho, a frantic call to the police, and being held at gunpoint– but as Pepa and the women around her try to put off each fire, at least one of them literally, writer-director Pedro Almodóvar ensures sympathy for them, with Pepa’s snappy dialogue cutting through the lies of a smooth-talking womanizer refusing to face them. And it’s all paired with a suitably dramatic score, meticulous staging, and exaggerated, colorful frames mostly occurring in the wreck of a fabulously styled penthouse.
Read also:
Country
Director
Actors
Moods
Happy-Go-Lucky is a Mike Leigh feel-good movie tells the story of Poppy, a North London teacher, whose story we follow through a number of different situations: driving lessons, solving work issues, having fun with friends, all while trying not to lose her optimism. The acting is superb, Sally Hawkins is a gem as Poppy, and one cannot describe it, one simply has to see it and enjoy it, because it leaves you smiling 🙂
Country
Director
Actors
Moods
Perfect for Halloween marathons with friends, The Return of the Living Dead treads the now well-worn template of zombie apocalypse movies with outstanding practical effects and a refreshingly unserious attitude. What the film might lack in terms of character writing or deeper themes, it more than makes up for with a relentless forward momentum. There isn’t any grand mission to be accomplished when these morticians collide with a group of young punks, other than understanding what drives the undead creatures outside in order to survive the night. As a result, this is a movie that lives firmly in the moment, with thrills aplenty and its greatest moments found in the freaked-out reactions of its ensemble cast. The late James Karen, with his hilariously exaggerated hollering and whimpering, only nearly steals the show from the film’s wonderful animatronics and disgusting prosthetic makeup. It’s a great zombie movie for the reluctant horror newbie.
Country
Director
Actors
Moods
Even if you aren’t familiar with the original, Tony Award-winning Broadway production from Lin-Manuel Miranda, this adaptation of In the Heights is still infused with the same infectious energy and loaded with many of the same eclectic songs. This is musical theater at its most fundamental (cheesy, us-against-the-world romance; unstoppable optimism) and also at some of its most unique—with old-school Broadway numbers mixing seamlessly with hip hop, Latin dance, and cheery 2000s pop. But beyond its music, In the Heights offers a gorgeous tapestry of stories about life in a proud immigrant community and the challenges of staying rooted to home while reaching for the stars.
Country
Director
Actors
Moods
If Steven Spielberg had just decided to do a straightforward cover version of West Side Story, it still would have been a wonder of music, movement, and color. But more than the lush camerawork and impassioned performances from Rachel Zegler, Mike Faist, and Oscar winner Ariana DeBose, this adaptation is most memorable for its renewed focus on the senselessness of its central turf war. Here, New York City exercises absolute power over the Jets and the Sharks, rendering all this gang violence as a futile attempt to hold on to outdated values in the face of economic desolation. Spielberg might not be able to do much about the story’s weaker Romeo and Juliet-inspired parts, but he still finds a way to let this often ridiculed tragic romance serve a greater purpose.
Ready to cut the cord?
Here are the 12 cheapest Live TV streaming services for cord-cutting.
Lists on how to save money by cutting the cord.
© 2024 A Good Movie to Watch. Altona Studio, LLC, all rights reserved.