50 Best PG-13 Movies on Netflix Right Now

In the years since Fan Girl’s original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it’s exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that’s clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity’s orbit—and the film only grows more disturbing with each repetition.

Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.

The documentary starts off with a feeler that this is a wild soap opera, a real life science experiment that cannot be enacted in good conscience. If you’d never read the blurb, you’d see the coincidences slowly revealed layer by layer until the story finally clicks. Early on, it feels reliant on telling as opposed to showing, but it could just be a case of working with what you have footage-wise. The openness of our main interviewees does get better with time, but the exploration of the psychological effect and implications of such an event was lacking considering the level of coincidence we’re dealing with. All in all, it’s heartwarming, albeit with the exciting story beats very spaced out.

Through dreamlike colors and tears clouding my eyes, Drawing Closer paints a painful depiction of persistence in love and death. Initially, a number of coincidences and significant details about our main characters Haruna (Natsuki Deguchi) and Akito (Ren Nagase) and their interconnectedness seem to sprout up conveniently, without much weight behind them. But once the ball gets rolling, the film is feel-good in the worst way, an emotional deathtrap, and the most dangerous movie in the world for those who believe in love, and those perpetually afraid of dying in an expensive deathbed. Just thoroughly devastating and beautiful. A 10 in my heart.

Ethan Hawke, Uma Therman and Jude Law star in this film, set in the not-so-distant future, where humans are genetically engineered to be as close to perfect as possible. Any child who is conceived in the traditional fashion is labeled inferior and is discriminated against by the rest of society. The movie follows the life of Hawke’s character who, although looked down upon and considered genetically inadequate, attempts to break free from the tethers his peers have placed on him to pursue his lifelong dream of traveling to outer-space.

You know Anthony Hopkins as the evil Hannibal Lecter, but in this film he gives a warm and heartfelt performance portraying real life New Zealand motorcycle legend Burt Munro who set a land speed record in 1967 on a hand-built 1920 Indian. It’s a story of never giving up on your dream even in the face of ridicule and opposition. Hopkins’ performance turns what could have been just another schmaltzy formulaic story line into true gold. You’ll be cheering for Burt/Anthony by the end!

In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).

Chadwick Boseman who you might now know as the Black Panther had his break out role in 42, the true story of the first Black major league player Jackie Robinson. A story of expected struggle but also a humbling and humane account that is full of warmth. Jackie Robinson’s coach is played by Dustin Hoffman, adding to the caliber of amazing performances in this movie, all put together by Oscar-winning writer/director Brian Helgeland (Mystic River, L.A. Confidential). From the baseball sequences to the personal life of Jackie Robinson, and of course his confrontation with racism, this is a powerful and uplifting movie.

History is rife with marriages made for practical alliance, but the ones that are more memorable are the ones made hand-in-hand with true love. Jodhaa Akbar may not start out with love at first sight, but director Ashutosh Gowariker reimagines the titular couple of the Mughal Empire with all the production value and all the slow-paced, step-by-step building of a romance that strengthened the kingdom. With Hrithik Roshan and Aishwarya Rai Bachchan slashing their swords in place of flirting, Jodhaa Akbar transforms historical fact into a captivating epic romance, even though the film is quite long, and the accuracy is slightly dubious.

If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.